In this case the trousseau and furniture were conveyed to the bridegroom’s house in the early morning, and I was allowed to go to see them. There were several girdles of silk embroidered with gold, several pieces of brocaded silk for kimonos, several pieces of silk crêpe, a large number of made-up garments, a piece of white silk, six barrels of wine or saké, and seven sorts of condiments. Jewellery is not worn by women in Japan.
The furniture consisted of two wooden pillows, finely lacquered, one of them containing a drawer for ornamental hairpins, some cotton futons, two very handsome silk ones, a few silk cushions, a lacquer workbox, a spinning-wheel, a lacquer rice bucket and ladle, two ornamental iron kettles, various kitchen utensils, three bronze hibachi, two tabako-bons, some lacquer trays, and zens, china kettles, teapots, and cups, some lacquer rice bowls, two copper basins, a few towels, some bamboo switches, and an inlaid lacquer étagère. As the things are all very handsome the parents must be well off. The saké is sent in accordance with rigid etiquette.
The bridegroom is twenty-two, the bride seventeen, and very comely, so far as I could see through the paint with which she was profusely disfigured. Towards evening she was carried in a norimon, accompanied by her parents and friends, to the bridegroom’s house, each member of the procession carrying a Chinese lantern. When the house-master and I arrived the wedding party was assembled in a large room, the parents and friends of the bridegroom being seated on one side, and those of the bride on the other. Two young girls, very beautifully dressed, brought in the bride, a very pleasing-looking creature dressed entirely in white silk, with a veil of white silk covering her from head to foot. The bridegroom, who was already seated in the middle of the room near its upper part, did not rise to receive her, and kept his eyes fixed on the ground, and she sat opposite to him, but never looked up. A low table was placed in front, on which there was a two-spouted kettle full of saké, some saké bottles, and some cups, and on another there were some small figures representing a fir-tree, a plum-tree in blossom, and a stork standing on a tortoise, the last representing length of days, and the former the beauty of women and the strength of men. Shortly a zen, loaded with eatables, was placed before each person, and the feast began, accompanied by the noises which signify gastronomic gratification.
After this, which was only a preliminary, the two girls who brought in the bride handed round a tray with three cups containing saké, which each person was expected to drain till he came to the god of luck at the bottom.
The bride and bridegroom then retired, but shortly reappeared in other dresses of ceremony, but the bride still wore her white silk veil, which one day will be her shroud. An old gold lacquer tray was produced, with three saké cups, which were filled by the two bridesmaids, and placed before the parents-in-law and the bride. The father-in-law drank three cups, and handed the cup to the bride, who, after drinking two cups, received from her father-in-law a present in a box, drank the third cup, and then returned the cup to the father-in-law, who again drank three cups. Rice and fish were next brought in, after which the bridegroom’s mother took the second cup, and filled and emptied it three times, after which she passed it to the bride, who drank two cups, received a present from her mother-in-law in a lacquer box, drank a third cup, and gave the cup to the elder lady, who again drank three cups. Soup was then served, and then the bride drank once from the third cup, and handed it to her husband’s father, who drank three more cups, the bride took it again, and drank two, and lastly the mother-in-law drank three more cups. Now, if you possess the clear-sightedness which I laboured to preserve, you will perceive that each of the three had inbibed nine cups of some generous liquor! [168]
After this the two bridesmaids raised the two-spouted kettle and presented it to the lips of the married pair, who drank from it alternately, till they had exhausted its contents. This concluding ceremony is said to be emblematic of the tasting together of the joys and sorrows of life. And so they became man and wife till death or divorce parted them.
This drinking of saké or wine, according to prescribed usage, appeared to constitute the “marriage service,” to which none but relations were bidden. Immediately afterwards the wedding guests arrived, and the evening was spent in feasting and saké drinking; but the fare is simple, and intoxication is happily out of place at a marriage feast. Every detail is a matter of etiquette, and has been handed down for centuries. Except for the interest of the ceremony, in that light it was a very dull and tedious affair, conducted in melancholy silence, and the young bride, with her whitened face and painted lips, looked and moved like an automaton.
I. L. B.
LETTER XXV.
A Holiday Scene—A Matsuri—Attractions of the Revel—Matsuri Cars—Gods and Demons—A Possible Harbour—A Village Forge—Prosperity of Saké Brewers—A “Great Sight.”