No one could make head or tail of the piece with its incessant play of occult satire against clergymen with four mistresses, Rabbis who sold their daughters, stockbrokers ignorant of Hebrew and destitute of English, greengrocers blowing Messianic and their own trumpets, labor-leaders embezzling funds, and the like. In vain the actor-manager swept the floor with the besom, beat time with the besom, beat his mother-in-law with the besom, leaned on the besom, swept bits of white paper with the besom. The hall, empty of its usual crowd, was fuller of derisive laughter. At last the spectators tired of laughter and the rafters re-echoed with hoots. At the end of the second act, Melchitsedek Pinchas addressed the audience from the stage, in his ample petticoats, his brow streaming with paint and perspiration. He spoke of the great English conspiracy and expressed his grief and astonishment at finding it had infected the entire Ghetto.
There was no third act. It was the poet's first—and last—appearance on any stage.
CHAPTER XXII.
"FOR AULD LANG SYNE, MY DEAR."
The learned say that Passover was a Spring festival even before it was associated with the Redemption from Egypt, but there is not much Nature to worship in the Ghetto and the historical elements of the Festival swamp all the others. Passover still remains the most picturesque of the "Three Festivals" with its entire transmogrification of things culinary, its thorough taboo of leaven. The audacious archaeologist of the thirtieth century may trace back the origin of the festival to the Spring Cleaning, the annual revel of the English housewife, for it is now that the Ghetto whitewashes itself and scrubs itself and paints itself and pranks itself and purifies its pans in a baptism of fire. Now, too, the publican gets unto himself a white sheet and suspends it at his door and proclaims that he sells Kosher rum by permission of the Chief Rabbi. Now the confectioner exchanges his "stuffed monkeys," and his bolas and his jam-puffs, and his cheese-cakes for unleavened "palavas," and worsted balls and almond cakes. Time was when the Passover dietary was restricted to fruit and meat and vegetables, but year by year the circle is expanding, and it should not be beyond the reach of ingenuity to make bread itself Passoverian. It is now that the pious shopkeeper whose store is tainted with leaven sells his business to a friendly Christian, buying it back at the conclusion of the festival. Now the Shalotten Shammos is busy from morning to night filling up charity-forms, artistically multiplying the poor man's children and dividing his rooms. Now is holocaust made of a people's bread-crumbs, and now is the national salutation changed to "How do the Motsos agree with you?" half of the race growing facetious, and the other half finical over the spotted Passover cakes.
It was on the evening preceding the opening of Passover that Esther Ansell set forth to purchase a shilling's worth of fish in Petticoat Lane, involuntarily storing up in her mind vivid impressions of the bustling scene. It is one of the compensations of poverty that it allows no time for mourning. Daily duty is the poor man's nepenthe.
Esther and her father were the only two members of the family upon whom the death of Benjamin made a deep impression. He had been so long away from home that he was the merest shadow to the rest. But Moses bore the loss with resignation, his emotions discharging themselves in the daily Kaddish. Blent with his personal grief was a sorrow for the commentaries lost to Hebrew literature by his boy's premature transference to Paradise. Esther's grief was more bitter and defiant. All the children were delicate, but it was the first time death had taken one. The meaningless tragedy of Benjamin's end shook the child's soul to its depths. Poor lad! How horrible to be lying cold and ghastly beneath the winter snow! What had been the use of all his long prepay rations to write great novels? The name of Ansell would now become ingloriously extinct. She wondered whether Our Own would collapse and secretly felt it must. And then what of the hopes of worldly wealth she had built on Benjamin's genius? Alas! the emancipation of the Ansells from the yoke of poverty was clearly postponed. To her and her alone must the family now look for deliverance. Well, she would take up the mantle of the dead boy, and fill it as best she might. She clenched her little hands in iron determination. Moses Ansell knew nothing either of her doubts or her ambitions. Work was still plentiful three days a week, and he was unconscious he was not supporting his family in comparative affluence. But even with Esther the incessant grind of school-life and quasi-motherhood speedily rubbed away the sharper edges of sorrow, though the custom prohibiting obvious pleasures during the year of mourning went in no danger of transgression, for poor little Esther gadded neither to children's balls nor to theatres. Her thoughts were full of the prospects of piscine bargains, as she pushed her way through a crowd so closely wedged, and lit up by such a flare of gas from the shops and such streamers of flame from the barrows that the cold wind of early April lost its sting.
Two opposing currents of heavy-laden pedestrians were endeavoring in their progress to occupy the same strip of pavement at the same moment, and the laws of space kept them blocked till they yielded to its remorseless conditions. Rich and poor elbowed one another, ladies in satins and furs were jammed against wretched looking foreign women with their heads swathed in dirty handkerchiefs; rough, red-faced English betting men struggled good-humoredly with their greasy kindred from over the North Sea; and a sprinkling of Christian yokels surveyed the Jewish hucksters and chapmen with amused superiority.
For this was the night of nights, when the purchases were made for the festival, and great ladies of the West, leaving behind their daughters who played the piano and had a subscription at Mudie's, came down again to the beloved Lane to throw off the veneer of refinement, and plunge gloveless hands in barrels where pickled cucumbers weltered in their own "russell," and to pick fat juicy olives from the rich-heaped tubs. Ah, me! what tragic comedy lay behind the transient happiness of these sensuous faces, laughing and munching with the shamelessness of school-girls! For to-night they need not hanker in silence after the flesh-pots of Egypt. To-night they could laugh and talk over Olov hasholom times—"Peace be upon him" times—with their old cronies, and loosen the stays of social ambition, even while they dazzled the Ghetto with the splendors of their get-up and the halo of the West End whence they came. It was a scene without parallel in the history of the world—this phantasmagoria of grubs and butterflies, met together for auld lang syne in their beloved hatching-place. Such violent contrasts of wealth and poverty as might be looked for in romantic gold-fields, or in unsettled countries were evolved quite naturally amid a colorless civilization by a people with an incurable talent for the picturesque.
"Hullo! Can that be you, Betsy?" some grizzled shabby old man would observe in innocent delight to Mrs. Arthur Montmorenci; "Why so it is! I never would have believed my eyes! Lord, what a fine woman you've grown! And so you're little Betsy who used to bring her father's coffee in a brown jug when he and I stood side by side in the Lane! He used to sell slippers next to my cutlery stall for eleven years—Dear, dear, how time flies to be sure."