IV
The news that Yossel was leaving the village bound for the Holy Land, produced a sensation which quite obscured his former notoriety as an aspirant to wedlock. Indeed, those who discussed the new situation most avidly forgot how convinced they had been that marriage and not death was the hunchback's goal. How Yossel had found money for the great adventure was not the least interesting ingredient in the cup of gossip. It was even whispered that the grandmother herself had been tapped. Her skittish advances had been taken seriously by Yossel. He had boldly proposed to lead her under the Canopy, but at this point, it was said, the old lady had drawn back—she who had led him so far was not to be thus led. Women are changeable, it is known, and even when they are old they do not change. But Yossel had stood up for his rights; he had demanded compensation. And his fare to Palestine was a concession for his injured affections. It was not many days before the artist met persons who had actually overheard the bargaining between the Bube and the hunchback.
Meantime Yossel's departure was drawing nigh, and all those who had relatives in Palestine besieged him from miles around, plying him with messages, benedictions, and even packages for their kinsfolk. And conversely, there was scarcely a Jewish inhabitant who had not begged for clods of Palestine earth or bottles of Jordan water. So great indeed were the demands that their supply would have constituted a distinct invasion of the sovereign rights of the Sultan, and dried up the Jordan.
With his grandmother's future thus off his mind, the artist had settled down to making a picture of the ruined castle which he commanded from his bedroom window. But when the through ticket for Jerusalem came from the agent at Vienna, and he had brazenly endured Yossel's blessings for the same, his artistic instinct demanded to see how the Bube was taking her hero's desertion. As he lifted the latch he heard her voice giving orders, and the door opened, not on the peaceful scene he expected of the spinster at her ingle nook, but of a bustling and apparently rejuvenated old lady supervising a packing menial. The greatest shock of all was that this menial proved to be Yossel himself squatted on the floor, his crutches beside him. Almost as in guilty confusion the hunchback hastily closed the sheet containing a huddle of articles, and tied it into a bundle before the artist's chaotic sense of its contents could change into clarity. But instantly a flash of explanation came to him.
'Aha, grandmother,' he said, 'I see you too are sending presents to Palestine.'
The grandmother took snuff uneasily. 'Yes, it is going to the Land of Israel,' she said.
As the artist lifted his eyes from the two amorphous heaps on the floor—Yossel and his bundle—he became aware of a blank in the familiar interior.
'Why, where is the spinning-wheel?' he cried.
'I have given it to the widow Rubenstein—I shall spin no more.'
'And I thought of painting you as a spinster!' he murmured dolefully. Then a white patch in the darkened wood over the mantelpiece caught his eye. 'Why, your marriage certificate is gone too!'