Will shook his head. “They don’t know one from t’other. Did—I mean, if they did”—he had slipped into the old idiom—“they’d be scandalized. Why, I went to see a piece of Shakespeare at Sadler’s Wells myself last week, and I’m bound to say ’twas a bit thick—though splendidly acted, mind you.”
“You needn’t tell me that. Phelps!” He smacked his fleshy lips voluptuously. “Lord! What a job that man had to clear out the beer-sellers, babies, and filthy-mouthed roughs, and now it’s the quietest show in London. What was the piece?”
“Can’t remember the name—about a nigger.”
“Othello?”
“That’s it—sounded a rather Irish name for a nigger I thought.”
“Irish? Ah, yes—ha, ha, ha! You had me there! By Jove, that’s a new wheeze!” And he roared genially, while the innocent, and it is to be feared sadly illiterate, Will tried to look like a successful humorist. “Anyhow,” he said, “you won’t get ’em from Little Bradmarsh, no, nor Long Bradmarsh either. They think all actors are wicked.”
“And so they be!” burst forth the Deacon at last. “Hobs and jills ought to be kept apart!” He stuck his knife towards the poster. “The High Road to Marriage, indeed! High road to Hell!”
“Hear, hear,” agreed the Showman surprisingly, rattling his glass. “Well put, old cock. But these ain’t actors; only puppets. You can’t be wicked in wood.”
“I’m afraid I must be off,” said Will, rising.
“Then here’s luck to you.” He finished his glass. “And may you die before you’re buried!”