And to cover his confusion he snatched the pole from her and hurled it towards Bundock, who had barely time to jump aside into a still squidgier patch. But in another instant the dauntless postman secured it, and with one brave bound—like Sir Walter Scott’s stag—had cleared the slimiest section, and his staggering, sliding form was safely locked in Caleb’s sanguineous shirt-sleeves. Safely but not contentedly, for at heart he was deeply piqued at this inglorious position of Her Majesty’s envoy; the dignified newsbearer, the beguiler of loneliness, the gossip welcomed alike in the kitchens of the great and the parlours of the humble. Morbidly conscious of his unpresentable rear, he kept carefully behind the couple, while Caleb explained the situation to Martha, breaking and blunting the news at one hammer-blow.
“There’s a letter for us! From Lunnon!”
Martha was wonderful. “What a piece! What a master!” he thought. One might live with a woman for half a century, yet never fathom her depths. Not a gasp, not a cry, not a sigh of vain yearning. Merely: “Then it’ll be from Cousin Caroline. When she went back to London at Michaelmas she promised to let us know if she reached home safe, and if your brother George was better.”
“Ay, ay!” he assented happily. “Oi’d disremembered Cousin Caroline.”
It was a merciful oblivion, for his Cockney cousin had come from Limehouse in August and stayed two months, protesting that it was impossible to bide a day in a place where there wasn’t a neighbour to speak to except a silly shepherd who was never at home; where water was scooped filthily from a green-scummy pond instead of flowing naturally from a tap; where on moonless nights you could break your leg at your own doorstep; where frogs croaked and cocks crowed and pigeons moaned and foxes barked at the unholiest hours; where disgusting vermin were nailed on the trees and where you broke out in itching blotches, which folks might ascribe to “harvesters,” but which were susceptible of a more domestic explanation. Moreover, Cousin Caroline had brought a profuse and uninvited progeny, whose unexpected appearance in Jinny’s cart, though vaguely comforting as recalling the days when the house resounded with child-life, was in truth at disturbing discord with the Quakerish calm into which Frog Farm had subsided after the flight of its teeming chicks. As Caleb came along now, convoying Bundock through the lush orchard grass, the echo of Cousin Caroline’s querulous voice rasped his brain and made him wish she had pretermitted her promise to write. As for his ailing brother George, information about whom she was probably sending, it was obvious that he was no worse, else one would assuredly have heard of his funeral. Had not George carefully let him know when he got married? Caroline was a Churchwoman—he remembered suddenly—she had compromised Frog Farm by eking out Parson Fallow’s miserable congregation. And now she had sent her letter just at a season to plague and muddy a worthy Dissenter.
“Sow sorry to give ye sow much ill-convenience, Mr. Bundock,” he repeated, as they reached the farmhouse.
IV
Frog Farm, before which Bundock stood fumbling in his bag, was—as its name implies—situated in a batrachian region, croakily cheerless under a sullen sky, a region revealed under the plough as ancient sedge-land, black with rotted flags and rushes. But the scene was redeemed at its worst by the misty magnificence of great spaces, whose gentle undulations could not counteract a sublime flatness; not to mention the beauty of the Brad gliding like the snake in the grass it sometimes proved. The pasture land behind the farmhouse and sloping softly down to the river—across which, protected by a dyke and drained by little black mills working turbine wheels, lay the still lower Long Bradmarsh—was the salvage of a swamp roughly provided with a few, far-parted drains by some pioneer squatter, content—on the higher ground where a farmhouse was possible—to fell and slice his own timber and bake his own tiles. At the topmost rim, on a road artificially raised to take its wagons to the higher ground or “Ridge” of the village, rose this farmhouse with its buildings, all dyked off from the converted marsh by a three-foot wall of trunk-fragments and uncouth stones, bordered by bushes. The house turned its back on the Brad, and had not even hind eyes to see it—another effect of the window tax—and had the rear of the house not been relieved by the quaint red chimney bisecting it, the blankness would have been unbearable. But if little of good could have been said of its architecture behind its back, and if even in front it ended abruptly at one extremity like a sheer cliff or a halved haystack, with one gable crying for another to make both ends meet, it was as a whole picturesque enough with all that charm of rough wood, which still seems to keep its life-sap, and beside which your marble hall is a mere petrifaction. Weather-boarded and tarred, it faced you with a black beauty of its own, amid which its diamond-paned little lattices gleamed like an Ethiopian’s eyes. In the foreground, haystacks, cornricks, and strawstacks gave grace and colour, fusing with the spacious landscape as naturally as the barns and byres and storehouses, the troughs and stables and cart-sheds and the mellow, immemorial dung.
But what surprised the stranger more than its lop-sidedness was the duplication of its front door, for there were two little doors, with twin sills and latches. It had, in fact, been partitioned to allow a couple of rooms to the shepherd-cowman, when that lone widower’s cottage was needed for an extra horseman. Master Peartree’s new home became known as Frog Cottage. The property was what was here called an “off-hand farm,” the owner being “in parts,” or engaged in other enterprises, and for more than a generation Caleb Flynt had lived there as “looker” to old Farmer Gale, the cute Cornish invader who had discovered the fatness of the oozy soil, and who had been glad to install a son of it as a reconciling link between Little Bradmarsh and “the furriner.” Caleb belonged to that almost extinct species of managers who can dispense with reading and writing, and his semi-absentee employer found his honesty as meticulous as his memory. While the Flynt nestlings were growing up, the parent birds had found the nest a tight fit, but with the gradual flight of the brood to every quarter of the compass, the old pair had receded into its snugger recesses—living mainly by the kitchen fire under the hanging hams. Thus when last year Farmer Gale’s son, succeeding to the property and foolishly desiring a more scientific and literate bailiff, delicately intimated that having bought all the adjoining land, he had been compelled to acquire therewith the rival looker, the old Flynts were glad enough to be allowed for a small rent the life-use of the farmhouse and the bits of waste land around it, subject to their providing living room for old Master Peartree, who was to pasture his flock of sheep and a few kine in the near meadows. Martha, indeed, always maintained that Caleb had made a bad bargain with the new master—did not the whole neighbourhood pronounce the young widower a skinflint?—but Caleb, who had magisterially negotiated with the new bailiff the swapping of his wood-ashes for straw for her pet pig, Maria, limited his discussions with her to theology. “When one talks law and high business,” he maintained, “we must goo back to the days afore Eve was dug out of Adam.”