Polly, it soon transpired, was come to the midday dinner with her friend, and the dinner itself was coming in presently from “The Learned Pig.” The real purpose of the invitation was, it transpired equally, that Polly might explain to the Duchess the reading of a part alleged to be confused in the manuscript acquired with the Flippance Fit-Up: she was obviously fishing for tips. While these things were transpiring, poor Flippance in his fur was perspiring. Gradually Jinny saw a rift appearing in the bed-panels and widening to a cautious chasm of a few inches. It made her feel choky herself, especially as the caravan’s little window was closed. She signed apprehensively to Mr. Duke, who, however, was already revolving feverishly how to clear the stage for himself and his fellow-negotiator. And presently he broke into the feminine dialogue with, “I’m sure, dearest, Polly wouldn’t mind acting that bit for you. But there ain’t room for Polly’s genius here—she’d be breaking up the happy home! Hadn’t you better go into the inn-parlour, Bianca? There’ll be nobody there yet.”
The Duchess might have lacked talent, but she had not played in farces without learning how to behave in them: so without even needing a wink from her spouse, she made a kindly exit behind Polly, not, however, without turning back a grinning doll’s head at Mr. Flippance’s beaded countenance emerging gaspingly from his berth. But Jinny, who had already witnessed comedy and farce, was now more conscious of the tragedy of the situation than of its humours, as she saw the Duchess tripping down the ladder, with silken stockings revealed by the raised skirt. It seemed to Jinny that the poor lady was tripping thus blithely to her dark doom, behind the scenes of the puppet show; that her blue eyes and golden hair had flaunted their last upon the stage. And the irony of her grinning exit was accented by the manuscript in her hand: she was going off to study a part she would nevermore play. It all gave Jinny a sense of the Duchess being herself a puppet, with an ironic fate pulling the strings, and she was frightened by a thought hitherto beyond the reach of her soul; by a dim feeling that perhaps she too—and everybody else—was similarly mocked. Who was perpetually jerking her towards that young man, and then jerking her back? What force was always putting into her mouth words of fleer and flout, and pulling away the hand she yearned to lay in his?
“Whew!” exclaimed Mr. Anthony Flippance, as Jinny shut the door safely on the Duchess—for that lady never shut doors, partly because the process interfered with the sweep of one’s exit, partly because what concerned a scene from which she was absent never entered her golden head.
“Whew!” repeated Mr. Flippance, scrambling out. “I know now what Lady Agnes felt like. ‘Help, Lovel!—Father, help!—I faint—I die—Oh! Oh!’ But I’m disappointed in Polly,” he added, diving under a chair. “Fancy being all her life on the stage, and not espying these slippers!” He dug his feet into them.
“There’s no time for joking,” said Duke anxiously, as he tugged open the drawer of a desk in his “parlour.” “I suppose Jinny is in the know?”
“Jinny’s come as arbitrator!”
“What!” Duke wheeled round, his hair still more on end.
“Get on with your mystery-desk. It stands to reason a runaway financial imagination like yours needs a brake.”
“Ain’t you brake enough?” Mr. Duke’s tone was bitter.
“And you want me to be broke!” retorted Tony. “I give you my beautiful marionettes, life-sized and life-painted, all carved by the best maker——”