“What do you mean?”

“Don’t pretend. Everybody knows that church is a double torture—first the parson sends you to sleep with his sermon, and then the verger wakes you up with his rod.”

Jinny laughed again.

“Don’t tell me!” said Bundock. “My own father was forced to go—all the labourers on the estate, poor chaps, dead-sleepy after the week’s work, and that rod used to puggle ’em about. No wonder dad chucked both squire and parson.”

“It doesn’t happen in Mr. Fallow’s church,” Jinny assured him.

“Because nobody goes!” And Bundock hurried off with this great last word, and Jinny saw his bag heaving with the mirthful movement of his shoulders.

Somewhat to Jinny’s surprise, Miss Gentry from being Cleopatra’s alternative dressmaker developed into her adorer, it appearing that the lady displayed not only proportions most pleasing to the technical eye—“just made for clothes,” Miss Gentry put it—but a positive appetite for tracts. She loathed Dissent, it transpired, and to be married by a minister would seem to her little better than living in sin. A very paragon of propriety and an elegant pillar of the faith, Miss Cleopatra Jones, spinster, worshipped regularly with the churchwarden and his family in the wrong parish church. Miss Gentry, ravished by this combination of respectability and romance, did not once compel the fair client to attend upon her, travelling to Foxearth Farm instead in Jinny’s cart. It was impossible for Jinny’s doubts of Cleopatra’s immaculacy to survive Miss Gentry’s encomiums. While Miss Gentry ascended to the bedroom of her beautiful and still golden-haired client, posed in an atmosphere of old oak bedsteads and panelled linen presses, Jinny would sit with the second Mrs. Purley in her dairy—a cheerful, speckless room which enjoyed a specially spacious window, dairies being immune from the window-tax—while that bulkier edition of Blanche made cheeses and conversation. Mrs. Purley made conversation irrespective of her auditor, for she needed no collaborator: indeed a second party coming athwart this Niagara of monologue would have been swept aside like a straw.

As a great musician can take a few simple notes, and out of this theme evoke endless intricacies, enlargements, repetitions, echoes, duplications, parallelisms, and permutations, and then transform the whole into another key and give it you all over again, so out of a simple happening, like her feeding of a sick chicken, or her discovery that a hen had laid her clutch in the hedge, Mrs. Purley, without for a moment interrupting the milling of curd or the draining of whey, could improvise a fugal discourse that went ramifying and returning upon itself ad infinitum. It reminded Jinny of Kelcott Wood, where every day from three to five, on these September afternoons, hundreds of starlings, perched like bits of black coal on the mountain-ashes, kept up a ceaseless chattering, shrilling, clucking, querying, cackling.

But she soon ceased to hear Mrs. Purley, was even lulled by the cascade. Very familiar grew every pan, dipper, vat, tub, press, cheese-cloth, or straw-mat, while the one readable article she knew by heart. It was the inscription on a china mug, in which Mrs. Purley sometimes put milk, and it recorded the virtues of a black-haired, black-whiskered head painted thereon. “The Incorruptible Patriot. . . . The Undaunted Supporter of the People’s Rights. . . . The Father of the Fatherless. . . . The Pride and Glory of his Country” . . . such were a few of the attributes ascribed, with a profuseness resembling Mrs. Purley’s conversation, to a certain Henry Brougham, Esq., who, as Jinny learnt from Miss Gentry, was really and truly “a love,” having defended Queen Caroline when Miss Gentry was a schoolgirl. Queens were as liable to ill-luck as herself, Jinny began to suspect, recalling that Egyptian asp, and she became a little anxious for Victoria, who now came to figure in her dreams, as defended against French fire-eaters by this black-avised man, with the protruding nose, retreating forehead, and weak chin. Somehow—it was unintelligible when she woke up, but quite clear in her dream—the defended Victoria was also herself, for was not Henry Brougham “The Father of the Fatherless”?

Adjoining the dairy was a room, lit from it—to avoid taxation—by a pane in the door. Jinny sometimes had an uneasy sense that Blanche was inspecting her through that pane. Otherwise she hardly ever encountered the vespacide, who betrayed indeed no sense of rivalry, for the relations between Will and the little Carrier were unknown, and Blanche would, in any case, have considered so humble a personage negligible or at least nippable.