Daniel Quarles
Carrier
Little Bradmarsh.
You gather that she operated under the shadow of a great name, greatest as being masculine. Self-standing careers for women had not yet dawned on the world. If the first faint cloud of feminism had appeared that very year in New York, no bigger than a man’s pants, the Bloomerites had but added to the gaiety of mankind, and in rural Essex, with the exception of dressmaking, wherein man appeared unnatural, women were the recognized practitioners only of witchcraft or fortune-telling or the concoction of philters; professions that were the peculiar province of crones scarcely to be considered sexed. Though women earned money by plaiting straw, they had husbands on the premises. Widows, of course, for whom there was no provision outside the Chipstone poorhouse, were allowed to maintain themselves more manfully than spinsters: but then they were “relicts” of the masculine, had served—so to speak—an apprenticeship under it. But the business of plying between Chipstone and Bradmarsh was a peculiarly male occupation, and even the venerable name of Daniel Quarles would not have sufficed to shield or install Jinny had she jumped into his place as abruptly as Nip was apt to jump into the cart.
No, Rome was not built in a day, nor could Jinny have become the carrier “all of an onplunge,” as Caleb would have put it. That would have shocked the manners and morals of Bradmarsh, both Little and Long, and upset the decorum of Chipstone. A gradual preparation had been necessary, a transition by which Jinny changed into the carrier as imperceptibly as she had ripened into the girl. At first the small “furriner”—the carried and not the carrier—reposing in the cart because, after smallpox had snatched away both her parents in the same week, her grandfather, who had imported her, had nowhere else to put her; playing in the great canvas-covered playground that held as many heights, depths, and obstacles as a steeplechase course; petted by every client for her helplessness before her helpfulness gave her a second lease of favour; bearing a literally larger and larger hand in “Gran’fer’s” transactions as he grew older and older; correcting with cautious tact his memories, his accounts, his muddled bookings and deliveries, in due course ousting the octogenarian even from his place on the driving-board and carrying him first by her side and then inside in his second childhood, just as he had carried her in her first—a stage in which his cackle with the customers carried on the continuity of the male tradition; leaving him at home on bad days—whether his own or Nature’s—and then altogether in the winter, and then altogether in the spring, and then altogether in the autumn, and finally—when he reached his nineties—altogether in the summer; Jinny the Carrier was—it will be seen—a shock so subtly prepared and so long discounted as to have been practically imperceptible. She might crack Daniel’s heavy whip, but nobody felt the flourish as other than vicarious, if not indeed a sort of play-acting evoking the pleasure a more sophisticated audience finds in Rosalind’s swashbucklings. Not that she made any brazen pretences to equality in lifting boxes; she sat with due feminine humility while male muscles swelled and contracted under her presiding smile and the rippling music of her thanks.
Here was, in fact, the prosaic purpose of the little horn slung at her side—her one apparent embellishment of the tradition: it summoned her slavish superiors so that she might be spared alighting and re-climbing with goods. In face of the accuracy of her operations, this display of helplessness probably helped to remove the sting of an otherwise intolerable feminine sufficiency: it was perhaps the secret of her popularity. Even with the most Lilliputian packets nobody expected Jinny to descend and knock at their doors—one blast and old and young tumbled over one another to greet the coming or speed the parting parcel. It was indeed as if a good fairy should condescend to do your marketing, a fairy in a straw bonnet (piquantly tied under the chin in a bow with drooping ends), a fairy whose brilliant smile and teeth and flowing ringlets could convert even an order for jalap into poetry, nay, induce in the eternal masculine a craving for more. In fine, so topsy-turvily had this snail-paced transition worked, so slowly had Jinny’s freedom broadened down from precedent to precedent, that when strangers expressed disapproval at these mannish courses, Little Bradmarsh was shocked, Long Bradmarsh surprised, and Chipstone scornful. Not that they were at all prepared to argue the question in the abstract. Their prejudice against carrying as a profession for women remained as rooted and unshaken as the critic’s. Women? Who was speaking of women? Jinny was Jinny—a being unique and irreplaceable, “bless her bonny fice.” It contributed to her unquestionability that the Quarleses had been carriers for a hundred years—and more.
II
Nor did Jinny, for her part, generalize on the other side or take any conscious interest in the emancipation of her sex. Her horn blew no challenge to the world. It did not even occur to her that she was doing anything out of the common—the tilt-cart had been her nursery, it was now her place of business. She had come into its foreground so unconsciously that it was not as a good fairy that she saw herself, nor even as an attractive asset of the Quarles concern, but as a busy toiler—driven from morning to night rather than driving—and handicapped not only by her household and garden work, her goats and poultry, but by a nonagenarian grandfather, shaky in health and immovable in opinion. Fortunately for her temper—and for the chastening of a tongue only too a-tingle with rustic wit—Jinny regarded the cantankerous patriarch as no more an object for back-talk than a suckling. It had become second nature to soothe and humour him; and she knew him as she knew the highways and byways in the dark or the snow: where to turn and where to go round, where to skirt a swamp and where to shave a ditch. By way of compensation there was his affection—as primitive as Nip’s or Methusalem’s—and evoking as primitive a response. For Jinny was none of your genteel heroines with ethereal emotions and complex aspirations.
It was not that Nature had not cast her for a poetic part—she was small and slender enough, and her light grey eyes behind dark lashes sufficiently subtilized her expression, and when she was hesitating between two words—not two opinions, for she always had one—her little mouth would purse itself enchantingly. There was gentility too about her toes. As her grandfather remarked with his archaic pronouns and plurals: “That has the smallest fitten I ever saw to a wench!” She certainly did not dress the part, for despite the witchery of the bonnet, her workaday skirt and stout shoes proclaimed the village girl, as her hands proclaimed the drudge who scoured and scrubbed and baked and dug and manured: indeed what with her own goats and her farmyard commissions, she was almost as familiar with the grosser aspects of animal life as that strangely romanticized modern figure, the hospital nurse. The delicate solicitude of Martha on her behalf was thus a pure morbidity, for in going to and fro like a weaver’s shuttle, Jinny could scarcely remain ignorant that women were as liable to offspring as any other females, though it seemed a part of Nature’s order that had no more to do with herself than the strange, hirsute growths on the masculine face—or for the matter of that on Miss Gentry’s.
Mr. Fallow, the old pastor of Little Bradmarsh, who, though despised and rejected of Dissent, required—being human—comestibles, candles, and shoe-strings from Chipstone, as well as the disposal of his honey and his smaller tithes, was among Jinny’s favourite clients, her original horror of Bradmarsh Church having been early modified by an accidental peep one weekday morning, which revealed its priest as its sole occupant. Yet, standing in his place in his white surplice, he was going through the service with such devout self-forgetfulness that the confused child wondered whether the Satan of worldliness had him so entirely gripped as she had been given to understand. She did not know that this very praying all to himself would have shocked Miss Gentry as savouring of the abhorred High Churchmanship. Indeed “little better than a Papist” the Chipstone curate had pronounced the harmless old widower.