“A friend of Jinny’s!” It was an even unluckier remark than the reference to Will. A patron, an educator, an interpreter of herbs and planets, gracious and kindly, who might even—in private—admit the little Carrier to confidences and Pythian inspirations, yes. But a friend? How came Mr. Flippance to commit such a faux pas as to bring a carrier into equality with her and Blanche? Why had not the adorable Cleopatra been firmer with the man? “I can’t order her to come,” she reminded Barnaby majestically. “It’s not like for a parcel.”
As the horses tossed their wedding-favours and the coach jingled off with its fashionable burden, even the trap moving on under the stimulus of Mrs. Purley’s rhetoric, the whole scene became a blur to Jinny, and standing there by the old pillion-steps, she felt herself dwindled into a little aching heart alone in a measureless misery. How tragic to be cut off from all this gay eating and drinking! There was almost a voluptuousness in the very poignancy of her self-mutilation. What a blessing we all do run to hay, she brooded, in a warm flood of self-pity.
But if Jinny thus saw the wedding-guests through a blur of self-torturing bitterness, their feast did not begin as merrily as she beheld it, despite that Mrs. Purley, as soon as she had exchanged her bonnet-cap with the net quilting for a home cap, served up unexpected glasses of gin. Anthony, no less than Barnaby, was upset by Jinny’s absence, and Cleopatra resented this fuss over a super. But still more disgruntled by the gap at the table was, odd to say, Will. For his soul had not been so placid as his pipe. The glimpses he had caught of Jinny were perturbing. Overpowering as were the presences of the bride and Blanche, or rather, precisely because they were overpowering, they struck him as artificial by the side of this little wild rose with her woodland flavour, and the memory of their afternoon in the ash-grove came up glowing, touched as with the enchantment of its bluebells. Blanche, for her part, was peevish at Will’s taciturnity. Miss Gentry, still rankling under Barnaby’s suspicion that she was the Carrier’s bosom friend, was particularly down upon that youth’s naïve attempt to confine the conversation to Jinny, though it confirmed her suspicion of the state of things between those two. Mr. Purley in his turn had been dismayed by Blanche’s fineries: the young generation forgot that their fathers were only farmers compelled to take lodgers in bad seasons. Thus it was left to Mrs. Purley to sustain almost the whole burden of conversation. But her preoccupation with her little serving-maid and the kitchen, plus her uneasiness at eating in this grand room away from her hanging hams and onions, interposed intervals of silence even in her prattle, and the theme of her facetious variations—her fear in church that the bridegroom had bolted—did not add to the general cheeriness. The old wainscoted parlour, with its rough oak beams across the ceiling, had seldom heard oysters swallowed with gloomier gulps.
Fortunately the pop of the sweet champagne brought a note of excited gaiety into the funereal air, and glass-clinking and looking to one another and catching one another’s eye were soon the order of the early-Victorian day. Mr. Flippance, acknowledging the toast of the bride and bridegroom, did not fail to thank Mr. and Mrs. Purley for the precious treasure they had solemnly entrusted to his unworthy hands, a being whose beauty equalled her brains, and whose virtue her genius. Mr. Purley deprecatingly murmured “Don’t mention it,” meaning of course his share in the production of this prodigy, but Mrs. Purley, fresh from her church rôle, began to feel that she had dandled Cleopatra in her arms. In replying for himself and his “good wife”—for the age assumed that Mrs. Purley could not speak—Mr. Purley could not wish the newly married couple anything better than to be as happy as they had been. “Literally ‘a good wife,’ eh?” interlarded Tony genially. “None better,” asseverated Mr. Purley. “I’m close, but she’s nippy.” “You’re thinking of Blanche,” Barnaby called out gaily, through the laughter. “I don’t say as your mother’s nippy in words,” Mr. Purley corrected, with a twinkle. He went on to wish as much happiness to all the unmarried people present, at which Miss Gentry giggled and markedly avoided Barnaby’s eye; while Will, reconciled to fate several glasses ago, squeezed Blanche’s hand under the table. Even when Mr. Purley, becoming a little broad, referred to the time when his “good wife” had first ventured into “The Hurdle-Maker’s Arms,” Miss Gentry joined in the hilarity. Her passion for the church-going Cleopatra had convinced her that the stage was not necessarily of the devil—The Mistletoe Bough, she had found, was only the same story that had been written as a poem (“Ginevra”) by a Mr. Rogers, who, she had gathered, was a most respectable banker, and she was looking forward to her Mistress-ship of the Robes at the coming Theatre Royal, and even to witnessing her darling’s debut as Lady Agnes from the front. Several hysterical embraces had already passed between her and the bride—somewhat to Blanche’s jealousy—and all things swam before her in a rosy mist as she now pulled a cracker with Mr. Purley and read unblushingly:
“When glass meets glass and Friendship quaffs,
From lip to lip ’tis Love that laughs!”
a motto which caused the hurdle-maker to remark that it was lucky his “good wife” had left the room.
That loquacious lady had fallen strangely silent. The wine which had loosened all the other tongues seemed to have constricted hers. Perhaps it was merely the already mentioned preoccupation with her pies or other dishes still in the oven. Or perhaps it was the encounter for the first time in her life with a great rival tongue. It consorted with this latter hypothesis that she could be heard babbling now from her kitchen like a cricket on the hearth, and her elaboration of a temperature theme came distractingly across the larger horizons of Mr. Flippance’s discourse, playing havoc with his account of Macready’s Farewell at Drury Lane that March, and obscuring the moral of the vacant succession. Charles Kean? Pooh! Not a patch on his father. Had they seen him in Dion Boucicault’s new play at the Princess’s, Love in a Maze? No? Then before voting for Charles Kean he would advise them to go—or, rather, not to go. He had never denied the merits of the manager of Sadler’s Wells especially as Sir Pertinax Macsycophant, though he knew his young friend Willie preferred Mr. Phelps in Othello. “I say whom the mantle fits, let him wear it,” summed up Mr. Flippance oracularly, and launched into an exposition of how he would run “The National Theatre.” No Miss Mitford tragedies for him with Macreadys at thirty pounds a week, still less Charles Kean Hamlets at fifty pounds a night, but real plays of the day—he did not mean the sort of things they did at the Surrey, which were no truer to life than the repertory of the marionettes, but why not, say, the Chartist movement and the forbidden demonstration on Kennington Common? Or let Mr. Sheridan Knowles, instead of talking his Baptist theology at Exeter Hall, write a “No Popery” play, with Cardinal Wiseman as the villain. (Hear, hear! from Miss Gentry.) Of course there was the danger the censor would quash such plays as he had quashed even Miss Mitford’s Charles the First, but then he, Mr. Flippance, knew old John Kemble, and would undertake to persuade him that times had changed.
Mrs. Flippance, who had displayed some restiveness under the long appraisal of male talent, displayed yet more when Mr. Flippance was now provoked to rapturous boyish memories of the censor’s sister, Mrs. Siddons. But Blanche and Barnaby listened so spellbound that they ceased finally to hear their mother’s inborne monologue at all.
It was at this literally dramatic moment that Bundock appeared at the banquet with the explanation that nobody would answer his knocking, and tendered the bridegroom a pink envelope which he had benevolently brought on from Frog Farm on his homeward journey. Miss Gentry, unused to these bomb-shells, uttered a shriek, which more than ever riveted the postman’s eyes on her flamboyant efflorescence.