After his departure, flown with stuff for scandal and witticism, headier to him than the wine, the party grew jollier than ever. They played Pope Joan with mother-o’-pearl counters and then Blanche sang “Farewell to the Mountain,” by ear, like—a bird, without preliminary fuss or instrumental accompaniment, and Mr. Flippance crying “Encore!” and “Bis!” spoke significantly of the possibility of including an annual opera season in English in his Drury Lane repertory. Why should Her Majesty’s Theatre and the Italian tongue have a monopoly? Ravished, Blanche gave “The Lass that Loves a Sailor,” her eyes languishing, and this led Mr. Purley on to dancing the old Essex hornpipe, whose name sounded like his own, with Barnaby banging a tray for the tambourine and Will’s throat replacing the melodeon. To Miss Gentry, beaming in Christian goodwill upon the merry company, it appeared strangely multiplied at moments. But the more the merrier!
When the happy pair had departed for Boulogne via the Chipstone barouche, what wonder if Will, finding himself alone in the passage with Blanche, and not denied a kiss, felt his last hesitations deliciously dissolved. How restful to absorb this clinging femininity, this surrendered sweetness! With what almost open abandonment she had sung “The Lass that Loves a Sailor” at him, with what breaking trills and adoring glances! Marriage was in the air—two examples of it had been brought to his ken in one morning—and he now plumply proposed a third. A strange awakening awaited him.
Blanche grew suddenly rigid. Her imagination had already been inflamed by Cleopatra, clinging to whose aromatic skirts she saw herself soaring to a world of romance and mystery. She had swallowed credulously the exuberant play of Mr. Flippance’s fantasy round her feats of wasp-killing, and was willing to do even that on the stage if it enabled her soles to touch the sacred boards. In her daydreams Will had already begun to recede. But now that Mr. Flippance had discovered a voice in her too, and operatic vistas opened out under his champagne and his no less gaseous compliments, she could not suddenly sink to the comparative lowliness of a box-seat. That song which Will had taken for the symbol of her submission was really the final instrument of his humiliation.
Rejected by the girl who has snuggled into one’s heart, evoked one’s protective emotions, exhibited herself all softness and sweetness! It was incredible! He did not know whether he was more angry or more ashamed, and he was tortured by this warm, creamy, scented loveliness which a moment before had seemed under his palms to mould as he would, and was now become baffling, polar, and remote.
“Blanche! Blanche!” he cried, trying to retain her hand, and tears actually rolled down his cheeks. But underneath all the storm he heard a still small voice crying: “Jinny! Jinny! Jinny!”
So he had been saved from this fatuous marriage, from this supple, conceited minx with her imitative scents and mock graces. The genuine simple rosebud of a Jinny was waiting, waiting for him all the time, the Jinny round whose heart his own heart-strings had been twined from mysterious infancy, who touched him like the song of “Home, Sweet Home,” heard when miserable in Montreal, the darling lovable little Jinny as pretty as she was merry, no real exemplar of the unmaidenly, only a dutiful supporter of her grandfather and his business, at most a bit unbalanced by her mannish role; Jinny the girl with the brains to appreciate him, and whom he alone could appreciate as she deserved! How wonderful were the ways of Providence! How nearly he had been trapped and caged and robbed of her!
“I don’t see what you mean by leading a fellow on!” he reproached Blanche hoarsely, with no feigned sense of grievance, as he gazed at the mocking mirage of her loveliness. But underneath the tears and the torment, his heart seemed to have come to haven.
“Jinny!” it sang happily. “Jinny! Jinny! Jinny!”
XII
On arriving home, Jinny’s first thought after giving the Gaffer his dinner and swallowing a few mouthfuls to overcome her faintness—her mood of self-torture would not allow more—was to give Methusalem some oats extracted by stratagem from the old man’s padlocked barn. She had scraped together a few handfuls and was bearing them towards his manger in a limp sack when she perceived that the stable-door was open and gave on a littered emptiness. Her heart stood still as before the supernatural. True, the new padlock was clawing laxly at its staple as if forced open, but then it had not been there at all till that very morning, and for Methusalem to leave his stable voluntarily was as unthinkable as for a sheep to abandon a clover-field. Yet there stretched the bare space, looking portentously vast. What had happened? She ran round the little estate, as though Methusalem would not have bulked on the vision from almost any point, and then she peered anxiously over the Common, as if he could be concealed among the gorse or the blackberry-bushes. The hard ground of the road, marked only by the dried-up ruts of her own wheels, gave no indication of his hoofs. It flashed upon her that padlocks were after all not so ridiculous, but examining more closely the one that drooped by the stable-door, she saw that its little key was still in it. Evidently the old man had forgotten to turn it. The cart was still in its shed, looking as dead to her now as a shell without its snail, though the image was perhaps a little too hard on Methusalem.