But surely the New Jerusalem, if it descended at all, would—he felt—descend here, at Little Bradmarsh. A heaven that meant girding up one’s loins and wrenching out one’s roots was a very problematic paradise, for all the splendour with which his inward eye was now, despite himself, dazzled.
II
From this jewelled Jerusalem Caleb was suddenly brought back to the breathing beauty of our imperfect earth, to pear-blossom and plum-blossom, to the sun-glinted shadows under his trees and the mellow tiles of his roof. The sound of his own name fell from on high—like the city of his daydream—accompanied by a great skirring of wings, and looking up dazedly, the pearly gates still shimmering, his eye followed the tarred side-wall of the farmhouse till, near the roof, it lit upon his wife’s night-capped head protruded from the tiny diamond-paned casement that alone broke the sheer black surface of the wood.
A sense of the unusual quickened his pulses. It stole upon him, not mainly from Martha’s face, which, despite its excited distension, wore—over wrinkles he never saw—the same russet complexion and was crowned by the same glory of unblanched brown hair that had gladdened his faithful eyes since the beginning of the century; but, more subtly and subconsciously, through the open lattice which framed this ever-enchanting vision. In the Flynt tradition, windows—restricted at best by the window tax still in force—were for light, not air. Had folks wanted air, they would have poked a hole in the wall; not built a section of it “of transparent glass.” People so much under the sky as Caleb and Martha Flynt had no need to invite colds by artificial draughts. They were getting a change of air all day long. But their rooms—their small, low-ceiled rooms—were not thus vivified, even in their absence; the ground-floor windows were indeed immovable, and an immemorial mustiness made a sort of slum atmosphere in this spacious, sun-washed solitude. Hence Caleb’s sense of a jar in his universe at the familiar, flat pattern of the wall dislocated into a third dimension by the out-flung casement: a prodigy which he was not surprised to find fluttering the dovecot, and which presaged, he felt, still vaster cataclysms. And to add to the auspices of change, he observed another piebald pigeon among his snowy flock.
“Yes, dear heart,” he called up, disguising his uneasiness and shearing on.
Martha pointed a fateful finger towards the high-hedged, oozy path meandering beyond the orchard gate, and dividing the sown land from the pastures sloping to the Brad. “There’s Bundock coming up the Green Lane!”
“Bundock?” gasped Caleb, the scythe stopping short. “You’re a-dreamin’.” That Brother Bundock, who had been prayed over for a decade by himself and every Peculiar in the vicinity, should at last have taken up his bed and walked, was too sudden a proof of their tenets, and the natural man blurted out his disbelief.
“But I see his red jacket,” Martha protested, “his bag on his shoulder.”
“Ow!” His tone was divided between relief and disappointment. “You mean Bundock’s buoy-oy!” He drew out the word even longer than usual, and it rose even beyond the high pitch his Essex twang habitually gave to his culminating phrases. “Whatever can Posty be doin’ in these pa-arts?” he went on, with a new wonder.
“And the chace that squashy,” said Martha, who from her coign of vantage could see the elderly figure labouring in the remoter windings, “he’s sinking into it at every step.”