“There was never any way of talking to you—you always so busy with parcels and me with patients. I’m not one of your flirting kind with fancy waistcoats, I want to settle down, and I’ve taken a favour to you.”
Even Jinny’s ready tongue had no repartee to this massive complacency. She could only articulate: “Have you, now?”
“Yes, I have. And I’d like to see you driving of a Sunday in my smart trap. Come, what do you say?”
“Thank you,” she said coldly. “I’d rather stay in my old cart.”
“But it’s such a shame—you so spruce and spry—tied to this ramshackle cart, when you might be adorning a higher sphere and sitting in my parlour instead of being at everybody’s beck and call.”’
He had chosen precisely the worst form of appeal. Confronted with this picture of parlour-stodginess, her rôle of Jinny the Carrier—Jinny the pet and friend-in-need of the countryside—seemed infinitely dear and desirable. And what subtly added to her anger was some dim presentiment in herself of other forces coming into her life, forces threatening to emerge from their picture-past, and to trouble the placid current of her career. Like Caleb she shrank from change. To shuttle for ever ’twixt Bradmarsh and Chipstone; with her grandfather, Nip, Methusalem, all immortal and unchanging as herself—this was all she asked of heaven: this and not too much rain and wind.
“You want me to sit in your parlour?” she cried in white revolt.
He took off his cap and bowed gallantly: “In silks and satins.” Then suddenly realizing his baldness, he clapped it on again.
“And give up my work!” There was an ominous light in Jinny’s eyes. But love is blind! Even the bats now beginning to swoop in the dusk could see more clearly than Elijah.
“I promise you you shan’t do a stroke!” said the fatuous young man. “As the wife of a veterinary surgeon, you’d be a lady.”