The delay in this visit to the Exhibition—the goal of his journey to London—had turned out an advantage, he felt, giving him time for these measured elegancies. If he had been unable to be in at the opening, as he had grandly designed in Canada when ignorant that this involved guineas and season-tickets, he had managed to squeeze for a glimpse of the Queen outside if not inside the Park, and the first five-shilling day—after all, only the fourth—was grandeur enough for a whilom ploughboy and cabin-boy. Although nine ten-pound notes made a warm waistcoat-lining, he was not under the illusion that he had returned with more than a competence.
One would have thought London itself a Greater Exhibition to a young man who had never seen it before: especially London at carnival with its colossal crowds swollen by visitors from all countries in all complexions and costumes: London with its numberless gay ’buses (plying mostly to Hyde Park), its swifter gliding cabriolets of the new pattern invented by Mr. Hansom, and the more stolid procession of four-wheeled clarences, not to mention the fashionable and civic carriages with the scarlet-and-gold pomp of flunkeys and outriders: London with its countless curious street-criers, costermongers, ballad-mongers, watercress sellers, muffin and hot-pie men, birdcage dealers, tract-peddling Lascars in white robes, and vendors of everything from corn-salves to speeches on the scaffold; blowsy, rowdy London that turned into a dream-city when those strange figures with rods glided through the twilight, flecking the long, grey streets with points of fire.
But though Will Flynt was not insensitive to these fascinating phenomena, and even rode about recklessly in the cabriolets at eightpence a mile, yet London had not the spell to hold him. Only the Great Exhibition had drawn him across the Atlantic. While awaiting impatiently for the five-shilling day, he duly did the Tower and the Zoo (sixpence extra for Mr. Gould’s humming-birds in the twenty-five glass cases), paid twopence to go into St. Paul’s, and a shilling to see the Great Globe in Leicester Square, patronized Phelps at Sadler’s Wells, and the horses at Astley’s, had a peep at Vauxhall, enjoyed “Rush, the Norwich Murderer,” at Madame Tussaud’s, and submitted the boots these operations begrimed to the red-coated shoeblacks of the Ragged Schools—London’s new word in philanthropy. But though he liked the quarter in which his quaint galleried hotel, “The Flower Pot,” was situated, with the Spitalfields Market and the tall old houses of the silk-weavers, whose vast casements with their little panes rose story on story, he was no sooner through with the visit to the Exhibition than without a day’s delay—as promised in that letter to Martha—he took train and coach to Little Bradmarsh.
Beholding him thus on the County Flyer hurrying towards Frog Farm, after only a single visit to the stupendous spectacle, one may suspect that he did not know his own heart as well as he imagined. But he himself had no doubt of the magnet he obeyed, and he had found on his boat not a few rich Canadians—and the Dominion already boasted four thousand carriage-folk—who confessed to have yielded to the same irresistible attraction. There was indeed little else talked of on the voyage: even the wonders of the boat itself—a new Yankee iron and screw steamer of nearly two thousand tons and quite five hundred horse-power that brought them to Liverpool in eleven days from Halifax, and had spittoons and wedding-berths like the Yankee river-steamers, and to see which the Liverpudlians had flocked with their sixpences—paling before the world-marvel awaiting them in London.
And London itself was talking of it no less: for once London was staggered. And if London was thus shaken, how much more the provinces and the world at large? Did not indeed the flags of all nations wave over the great glass building, whose mere material would have been enough to set the globe agog, even if it had not contained contributions from every corner of civilization except Germany, which in that antediluvian age figured in the catalogue only as “The States of the Zollverein.” What wonder if with all the excursions and alarums and millennial visions that attended its birth, the Press reeking with paragraphs, poems, discussions, wrangles, skits, prophecies, and forebodings, crowds equal to the population of provincial towns gathered at the Park to watch it rise, and to stare at the endlessly inrolling vans and the sappers and miners at work in their uniforms. One M.P.—military and moustachio’d—won the immortality of the comic prints by fulminating against the invasion of Freethinking foreigners who would pillage London and ruin the honour of British womanhood: more sober minds feared the Chartist mobs and the Red Republicans: even the Catholics, already flaunting their cardinals and ringing their unhallowed church bells, would profit by the Continental wave. The House of Lords resounded with protests and petitions against the profanation of the Park, and apprehensions as to the fate of the building erected therein were equally rife: the great glass roof would be splintered by hailstones, the walls would be overturned by the wind, the galleries would collapse under the swarming multitudes, and Anarchism would seize its opportunity amid the dismantled treasures of the globe. But one unfailing factor was on the Exhibition’s side: the scheme was attacked by the Times. And so Paxton’s building rose steadily till the great day when through an avenue of three-quarters of a million spectators the Queen and “that Queen’s indefatigable husband”—as a panegyrist of the period put it—drove to declare it open to the elect thirty thousand who had already found it so, while through glittering nave and transept, with their fountains, trees, flowers, and statues, the “Hallelujah Chorus” thundered from a thousand voices, two hundred orchestral instruments, and a dozen giant organs; and the millennial hope welled up in a grand climax of universal emotion. And hoary grandsires should hereafter tell—proclaimed the poet of the Great Catalogue—what in this famous century befell: grey Time should chronicle the victories gained, since Mercy o’er the world and Justice reigned:
What time the Crystal Hall sent forth her dove
And signed the League of Universal Love.
But although our Canadian pioneer had thus ample excuse for the unrest that forbade him to miss this Messianic spectacle, it was not—even he would have admitted—the Great Exhibition which had first unsettled his stolid labours. That oscillation had been communicated some two years earlier, and by a shock that had set the New World rattling even more noisily than the Old was shaken by the Great Exhibition. The discovery of gold in California was a seismic vibration that depopulated Eastern towns, shot sober lawyers into wagons, sent clergymen flying along mule-trails, swept timid tradesmen across the foodless and robber-haunted Rocky Mountains, whirled schoolmasters fifteen thousand miles round Cape Horn, and dumped them all waist-high in auriferous mud and shimmering water, to be fed by Indian squaws. It was under the lure of the Californian legend that Will had originally looked about for a purchaser of his cleared acres. But by the time the farm was off his hands, the glamour of easy gold had faded, and with a sum in his pockets sufficient for a little respite, life seemed suddenly larger than lucre, and he found himself possessed by a strange craving not to be away from the old country in that year of years—the year of the Great Exhibition.
II
Chipstone had seemed strangely shrivelled as the County Flyer tore through it; the High Street unexpectedly narrow and the great, gorgeous shops, against whose panes he had flattened his youthful nose, curiously small and drab, with diminutive sun-blinds; yet the quaint, blistered bulge of the old timbered houses was fascinatingly as he remembered it, and when the spirited quartet of tinkling steeds slackened under the archway crowned by the ironwork sign of “The Black Sheep,” he saw through a warm dimness that the ancient inn still gave on the stable-yard with this same Tudor bulge, and that the courtyard itself was little less rambling than the picture he carried in his memory. There was the same mass-meeting of cocks crowing on the same golden dunghill, the same litter of barrels, boxes, baskets, and parcels of laundry-work, while the gardens of the whitewashed old cottages backing the black-tarred stables and cartsheds seemed caught up as incongruously as ever in the horsey medley. Why, there was the very shed which had sheltered the farm-wagon the Sunday he was to drive it to Harwich. And there—yes, actually there on the same doorstep, under the same hanging ironwork lamp, was Ostler Joe, the shambling, bottle-nosed hunchback, whose figure—in its reassurance of stability—struck him as positively beautiful, and whose head seemed aureoled by the mist. But where was that more expected face, where was the hair-swathed visage of Caleb Flynt? Brushing the mist from his eyes, he looked anxiously round the seething, sun-drenched courtyard. “Hullo, Joey,” he said at last. “Wouldn’t my dad wait?” It was a pleasant voice with something of a twang: but the twang was no longer local.