Jimmy's tenderness for Sabra began at rehearsal, when he saw a good deal of her, and felicitated himself on the fact that they were on in the same scenes. After a while, however, he perceived this to be a doleful drawback, for whereas at rehearsal he could jump out of his skin and breathe himself and feast his eyes on Sabra when the Dragon was disengaged, on the stage he was forced to remain cramped in darkness while Ptolemy was clowning or St. George executing a step dance. Sabra was invisible, except for an odd moment or so between the scenes when he caught sight of her gliding to her dressing-room like a streak of discreet sunshine. Still he had his compensations; her dulcet notes reached his darkness (mellowed by the painted canvas and the tin scales sewn over it), as the chant of the unseen cuckoo reaches the woodland wanderer. Sometimes, when she sang that song about the County Council, he forgot to wag his tail.
"SOMETIMES, WHEN SHE SANG THAT SONG ABOUT THE COUNTY COUNCIL, HE FORGOT TO WAG HIS TAIL."
Thus was Love blind, while Indifference in the person of Davie Brigg looked its full through the mask that stood for the monster's head. After a bit Jimmy conceived a mad envy of his superior's privileges; he longed to see Sabra through the Dragon's mouth. He was so weary of the little strip of stage under the Dragon's belly, which, even if he peered through the breathing-holes in the patch of paint-disguised gauze let into its paunch, was the most he could see. One night he asked Davie to change places with him. Davie's look of surprise and consternation was beautiful to see.
"Do I hear aricht?" he asked.
"Just for a night," said Jimmy, abashed.
"But d'ye no ken this is a speakin' part?"
"'BUT D'YE NO KEN
THIS A SPEAKIN' PART?'"
"I did—not—know—that," faltered Jimmy.