"No, no," he cried wildly; "our mansion will pass into strange hands. I shall not have the right of calling on the new proprietors."
"Phew!" I whistled; "perhaps that's why you timed your visit now, you artful old codger. I have always heard appearances are deceptive. However, I have ever been a patron of letters; and although I cannot approve of post-mundane malice, and think the dead past should be let bury its dead, still, if you are set upon it, I will try and use my influence to get your book published."
"Bless you!" he cried tremulously, with all the effusiveness natural to an author about to see himself in print, and trembled so violently that he dissipated himself away.
I stood staring a moment at the spot where he had stood, pleased at having out-manœuvred him; then my chair gave way with another crash, and I picked myself up painfully, together with the dead stump of my cigar, and brushed the ash off my trousers, and rubbed my eyes and wondered if I had been dreaming. But no! when I ran into the cheerless dining-room, with its pervading sense of imminent auction, I found the sliding panel behind the portrait by Reynolds, which seemed to beam kindly encouragement upon me, and, lo! The Learned Pig was there in a mass of musty manuscript.
As everybody knows, the book made a hit. The Acadæum was unusually generous in its praise: "A lively picture of the century of farthingales and stomachers, marred only by numerous anachronisms and that stilted air of faked-up archæological knowledge which is, we suppose, inevitable in historical novels. The conversations are particularly artificial. Still, we can forgive Mr. Halliwell a good deal of inaccuracy and inacquaintance with the period, in view of the graphic picture of the literary dictator from the novel point of view of a contemporary who was not among the worshippers. It is curious how the honest, sterling character of the man is brought out all the more clearly from the incapacity of the narrator to comprehend its greatness—to show this was a task that called for no little skill and subtlety. If it were only for this one ingenious idea, Mr. Halliwell's book would stand out from the mass of abortive attempts to resuscitate the past. He has failed to picture the times, but he has done what is better—he has given us human beings who are alive, instead of the futile shadows that flit through the Walhalla of the average historical novel."
All the leading critics were at one as to the cleverness with which the great soul of Dr. Johnson was made to stand out on the background of detraction, and the public was universally agreed that this was the only readable historical novel published for many years, and that the anachronisms didn't matter a pin. I don't know what I had done to Tom Addlestone; but when everybody was talking about me, he went about saying that I kept a ghost. I was annoyed, for I did not keep one in any sense, and I openly defied the world to produce him. Why, I never saw him again myself—I believe he was too disgusted with the fillip he had given Dr. Johnson's reputation, and did not even take advantage of the Christmas Bank Holiday. But Addlestone's libel got to Jenny Grant's ears, and she came to me indignantly, and said: "I won't have it. You must either give up me or the ghost."
"To give up you would be to give up the ghost, darling," I answered soothingly. "But you, and you alone, have a right to the truth. It is not my ghost at all, it is my great-grandfather's."
"Do you mean to say he bequeathed him to you?"
"It came to that."
I then told her the truth, and showed how in any case the profits of my ancestor's book rightfully reverted backwards to me. So we were married on them, and Jenny, fired by my success, tried her hand on a novel, and published it, truthfully enough, under the name of J. Halliwell. She has written all my stories ever since, including this one; which, if it be necessarily false in the letter, is true in the spirit.