His mother’s eye caught the mystic gleam from his.
“A sign! a sign!” she cried, ecstatically, as she sprang up and clasped the little cripple passionately to her heaving bosom.
CHAPTER II
THE DEAD MAN MAKES HIS FIRST AND LAST APPEARANCE
The death of his father—of whom he had seen so little—gave Matt a haunting sense of the unsubstantiality of things. What! that strong, wiry man, with the shrewd, weather-beaten face and the great tanned hands and tattooed arms, was only a log swirling in the currents of unknown waters! In vain he strove to figure him as a nebulous spirit—the conception would not stay. Nay, the incongruity seemed to him to touch blasphemy. His father belonged to the earth and the seas; had no kinship with clouds. How well he remembered the day, nearly three years ago, when they had parted forever, and, indeed, it had been sufficiently stamped upon his memory without this final blow.
It is a day of burning August—so torrid that they have left their coats on the beach. They are out on the sand flats, wading for salmon among the giant saucers of salt water, the miniature lakes left by the tide, for this is one of the rare spots in the Province where the fish may be taken thus. What fun it is spearing them in a joyous rivalry that makes the fishers wellnigh jab each other’s toes with their pitchforks, and completely tear each other’s shirt-sleeves away in the friendly tussle for a darting monster, so that the heat blisters their arms with great white blobs that stand out against the brown of the boy’s skin and the ornamental coloring of the man’s. Now and then in their early course, when tiny threads of water spurt from holes in the sand, they pause to dig up the delicate clam, with savory anticipations of chowder. Farther and farther they wander till their backs are bowed with the spoil, the shell-fish in a little basket, the scaly fish strung together by a small rope passing through their gills. The boy carries the shad and the man the heavier salmon. At last, as they are turning homeward, late in the afternoon, Matt stands still suddenly, rapt by the poetry of the scene, the shimmering pools, the stretch of brown sand, strewn with sea-weeds, the background of red head-lands, crowned with scattered yellow farms embosomed in sombre green spruces, and, brooding over all, the windless circle of the horizon, its cold blue veiled and warmed and softened by a palpitating, luminous, diaphanous haze of pale amethyst tinged with rose. He knows no word for what he sees; he only feels the beauty.
“Come along, sonny,” says his father, looking back.
But the boy lingers still till the man rejoins him, puzzled.
“What’s in the wind?” he asks. “Is Farmer Wade’s barn on fire?”
“Everythin’s on faar,” says the boy, waving his pitchfork comprehensively. His dialect differs a whit from his more-travelled father’s. In his little God-forsaken corner of Acadia the variously-proportioned mixture of English and American which, with local variations of Lowland and Highland Scotch, North of Ireland brogue and French patois, loosely constitutes a Nova-Scotian idiom, is further tinged with the specific peculiarities that spring from illiteracy and rusticity.
David Strang smiles. “Why, you are like brother Matt,” he says, in amused astonishment. All day his son’s prattle has amused the stranger, but this is a revelation.