Miss Mary Friscoe hesitated.
"Well about that part I'm not quite so certain. To tell the truth, there is one young man of my acquaintance who has never yet proposed. When I started for here in disgust at the goodness of mankind I forgot him, but in talking he has come back to my mind. I have a strong suspicion he is quite wicked. He is always painting actresses. Don't you think it would be unfair to him to take my vows without giving him a chance?"
"Well, yes," said Lillie musingly, "perhaps it would. You would feel easier afterwards. Otherwise you might always reproach yourself with the thought that you had perhaps turned away from a bad man's love. You might feel that the world was not so good as you had imagined in your girlish cynicism, and then you might regret having joined us."
"Quite so," said Miss Friscoe eagerly. "But he shall be the very last man I will listen to."
"When do you propose to be proposed to by him?"
"The sooner the better. This very day, if you like. I am going straight from here to my Drawing Class."
"Very well. Then you will come to-morrow and tell me your final decision?"
"To-morrow."
Miss Mary Friscoe arrived at the Drawing Class late. Her fellow students of both sexes were already at their easels and her entry distracted everybody. It was a motley gathering, working in motley media—charcoal, chalk, pencil, oil, water-color. One girl was modelling in clay, and one young gentleman, opera-glass in hand, was making enlarged colored copies of photographs. It was this young gentleman that Mary came out for to see. His name was Bertie Smythe. He was rich, but he would always be a poor artist. His ambition was to paint the nude.