“What is it about?”
“It tells how, in a certain town, the governor used to beat the citizens with his own hand.”
“The realistic tendency, right enough!” commented Oblomov.
“Quite so,” said the delighted littérateur. “In my tale (which is novel and daring in its idea) a traveller witnesses a beating of this kind, seeks an interview with the governor of the province, and lays before him a complaint. At once the said governor of the province orders an official who happens to be proceeding to that town for the purpose of conducting another investigation to inquire also into the truth of the complaint just laid, and likewise to collect evidence as to the character and behaviour of the local administrator. The official in question calls together the local citizens, on the pretext of a trade conference, and incidentally sounds them concerning the other matter. And what do you suppose they do? They merely smile, present their compliments, and load the governor of the town with praises! Thereafter the official makes extraneous inquiries, and is informed that the said citizens are rogues who trade in rotten merchandise, give underweight, cheat the Treasury, and indulge in wholesale immorality; wherefore the beatings have been a just retribution.”
“Then you intend the assaults committed by the governor to figure in the story as the fatum of the old tragedians?”
“Quite so,” said Penkin. “You have great quickness of apprehension, and ought yourself to tackle the writing of stories. Yes, it has always been my idea to expose the arbitrariness of our local governors, the decline of morality among the masses, the faulty organization existing among our subordinate officials, and the necessity of drastic, but legal, measures to counterbalance these evils. ’Tis a novel idea for a story, is it not?”
“Certainly; and to me who read so little a peculiarly novel one.”
“True, I have never once seen you with a book in your hand. Nevertheless, I beseech you to read a poem which, I may say, is shortly to appear. It is called ‘The Love of a Blackmailer for a Fallen Woman.’ the identity ol the author I am not at liberty to disclose—at all events yet.”
“Pray give me an idea of this poem.”
“It exposes, as you will see, the whole mechanism of the social movement—but a mechanism that is painted only in poetic colours. Each spring of that engine is touched upon, and each degree of the social scale held up to the light. We see summoned to the bar, as it were, a weak, but vicious, lord, with a swarm of blackmailers who are engaged in cheating him. Also various categories of fallen women are dissected—French women, German women, and others; the whole being done with vivid and striking verisimilitude. Certain extracts from the poem have come to my ears, and I may say that the author is a great man—one hears in him the notes both of Dante and of Shakespeare.”