“How lifelike and bold it is!” thought Raisky, as he looked at the strokes inserted by his master, and more especially at the points in the eyes, which had so suddenly given them the look of life. This step forward intoxicated him. “Talent! Talent!” sang in his ears.
He sketched the maids, the coachman, the peasants of the countryside. He was particularly successful with the idiot Feklusha, seated in a cavern with her bust in the shade, and the light on her wild hair; he had not the patience nor the skill to finish bust, hands and feet. How could anybody be expected to sit still all the morning, when the sun was shedding its rays so gaily and so generously on stream and meadow?
Within three days the picture had faded in his imagination, and new images were thronging his brain. He would like to have drawn a round dance, a drunken old man, the rapid passage of a troïka. For two days he was taken up with this picture, which stood before his mind’s eye in every detail; the peasants and the women were finished, but not the waggon with its three fleet horses.
In a week he had forgotten this picture also.
He loved music to distraction. At school he had an enduring affection for the dull Vassyvkov, who was the laughing stock of the other boys. A boy would seize Vassyvkov by the ear, crying, “Get out, stupid, blockhead,” but Raisky stood by him, because Vassyvkov, inattentive, sleepy, idle, who never did his work even for the universally beloved Russian master, would every afternoon after dinner take his violin, and as he played, forget the school, the masters and the nose-pullings. His eyes as they gazed into the distance, apparently seeking something strange, enticing, and mysterious, became wild and gloomy, and often filled with tears.
He was no longer Vassyvkov, but another creature. His pupils dilated, his eyes ceased to blink, becoming clearer and deeper; his glance was proud and intelligent; his breath came long and deep. Over his face stole an expression of happiness, of gentleness; his eyes became darker and seemed to radiate light. In a word he became beautiful.
Raisky began to think the thoughts of Vassyvkov, to see what he saw. His surroundings vanished, and boys and benches were lost in a mist. More notes ... and a wide space opened before him. A world in motion arose. He heard the murmur of running streams, saw ships, men, woods, and drifting clouds; everywhere was light, motion, and gaiety. He had the sensation that he himself was growing taller, he caught his breath....
The dream continued just so long as the notes were heard. Suddenly he heard a noise, he was awakened with a start, Vassyvkov had ceased to play; the moving, musical waves vanished, and there were only the boys, benches and tables. Vassyvkov laid aside his violin, and somebody tweaked his ear. Raisky threw himself in a rage on the offender, struck him—all the while possessed by the magic notes.
Every nerve in his body sang. Life, thought, emotion broke in waves in the seething sea of his consciousness. The notes strike a chord of memory. A cloud of recollection hovers before him, shaping the figure of a woman who holds him to her breast. He gropes in his consciousness—it was thus that his mother’s arms cradled him, his face pressed to her breast ... her figure grows in distinctness, as if she had risen from the grave....
He had begun to take lessons from Vassyvkov. For a whole week he had been moving the bow up and down, but its scratching set his teeth on edge. He caught two strings at once, and his hand trembled with weakness. It was clearly no use. When Vassyvkov played his hand seemed to play of itself. Tired of the torment, Raisky begged his guardian to allow him to take piano lessons.