XVIII
HE began to feel drowsy, thanks to the vodka, what he had eaten, and his incoherent thoughts. Without undressing, merely pulling his muddy boots off by the simple expedient of rubbing one foot against the other, he threw himself on his bed. But he was disturbed by the necessity of rising again almost immediately: before night oat-straw must be given to the horses, the cows, and the sheep, and also to the stallion—or, no, it would be better to mix it with hay and moisten and salt it well. Only, if he let himself go he would certainly fall asleep. Tikhon Ilitch reached out to the chest of drawers, grasped the alarm-clock, and began to wind it up. And the alarm-clock came to life and began to tick—and the atmosphere in the chamber seemed to become more tranquil, more cheerful, under the influence of its rapid, even ticking. His thoughts began to get confused.
But no sooner had they become drowsily obscure than a rough, loud sound of ecclesiastical chanting suddenly made itself audible. Opening his eyes with a start, Tikhon Ilitch at first could make out only one thing: two peasants were roaring through their noses, and a gust of cold air mingled with the odour of wet great-coats penetrated from the ante-room. Then he sprang up, sat on the side of his bed, and scrutinized the peasants to see what sort of men they were, and suddenly became conscious that his heart had started beating. One was blind—a big pock-marked fellow with a small nose, a long upper lip, and a large round skull—and the second was none other than Makar Ivanovitch!
Makar Ivanovitch had been known, once on a time, as Makarka—everybody called him “Makar-the-Pilgrim”—and one day he entered Tikhon Ilitch’s dram-shop. He was roaming somewhither along the highway, arrayed in bast-slippers, a pointed skull-cap of ecclesiastical cut, and a dirty under-cassock—and he had entered. In his hand was a long staff, painted the hue of verdigris, with a cross on its upper extremity and a spear-like point at its lower, a wallet and a soldier’s canteen on his back; his face was broad and the colour of cement, his nostrils were like two gun-barrels, his nose was broken across the middle like a saddle-tree, and his eyes were of the sort which often goes with such noses, light-hued and sharply brilliant. Shameless, shrewd, greedily smoking one cigarette after another and emitting the smoke through his nostrils, speaking in a rough, abrupt tone which completely excluded any reply, he had made an extremely pleasant impression on Tikhon Ilitch, in particular by that tone, because it was immediately evident that he was “a thoroughgoing rascal.”
So Tikon Ilitch kept him with him as his assistant. He removed his tramp’s garb and kept him. But Makarka turned out to be such a thief that it became necessary to give him a severe thrashing and turn him out. A year later Makarka rendered himself famous throughout the entire county by his prophecies—prophecies so ill-omened that people began to dread his visits as they dreaded fire. He would walk up under some one’s window and snufflingly strike up, “Give rest with the Saints,” or would make a present of a fragment of incense or a pinch of dust—and, infallibly, that house soon had a corpse.
Now Makarka, in his original garb, staff in hand, was standing on the threshold and chanting. The blind man was chiming in, rolling his milky eyes up under his lids the while, and Tikhon Ilitch, judging merely from his ill-proportioned features, immediately set him down as a runaway convict, a terrible and ruthless wild beast. But what these vagabonds were singing was even more terrible. The blind man, gloomily twitching his uplifted brows, sang out boldly, in a nasty, snuffling tenor voice. Makarka, his immovable eyes flashing, boomed along in a savage basso. The effect was immeasurably loud, roughly melodious, antiquely ecclesiastical, powerful, and menacing:
“Damp Mother-Earth is weeping heavily, is sobbing!”
sang the blind man.
“Is Wee-p-i-i-ng hea-vi-ly, is sob-bing!”