Platonida Ivanovna tried to protest more, but Aratov answered her in an utterly unexpected and unheard-of way: ‘I’m not a child,’ he shouted, and he turned pale all over, his lips trembled, and his eyes glittered wrathfully. ‘I’m twenty-six, I know what I’m about, I’m free to do what I like! I suffer no one ... Give me the money for the journey, pack my box with my clothes and linen ... and don’t torture me! I’ll be back in a week, Platosha,’ he added, in a somewhat softer tone.
Platosha got up, sighing and groaning, and, without further protest, crawled to her room. Yasha had alarmed her. ‘I’ve no head on my shoulders,’ she told the cook, who was helping her to pack Yasha’s things; ‘no head at all, but a hive full of bees all a-buzz and a-hum! He’s going off to Kazan, my good soul, to Ka-a-zan!’ The cook, who had observed their dvornik the previous evening talking for a long time with a police officer, would have liked to inform her mistress of this circumstance, but did not dare, and only reflected, ‘To Kazan! if only it’s nowhere farther still!’ Platonida Ivanovna was so upset that she did not even utter her usual prayer. ‘In such a calamity the Lord God Himself cannot aid us!’
The same day Aratov set off for Kazan.
XII
He had no sooner reached that town and taken a room in a hotel than he rushed off to find out the house of the widow Milovidov. During the whole journey he had been in a sort of benumbed condition, which had not, however, prevented him from taking all the necessary steps, changing at Nizhni-Novgorod from the railway to the steamer, getting his meals at the stations etc., etc. He was convinced as before that there everything would be solved; and therefore he drove away every sort of memory and reflection, confining himself to one thing, the mental rehearsal of the speech, in which he would lay before the family of Clara Militch the real cause of his visit. And now at last he reached the goal of his efforts, and sent up his name. He was admitted ... with perplexity and alarm—still he was admitted.
The house of the widow Milovidov turned out to be exactly as Kupfer had described it; and the widow herself really was like one of the tradesmen’s wives in Ostrovsky, though the widow of an official; her husband had held his post under government. Not without some difficulty, Aratov, after a preliminary apology for his boldness, for the strangeness of his visit, delivered the speech he had prepared, explaining that he was anxious to collect all the information possible about the gifted artist so early lost, that he was not led to this by idle curiosity, but by profound sympathy for her talent, of which he was the devoted admirer (he said that, devoted admirer!) that, in fact, it would be a sin to leave the public in ignorance of what it had lost—and why its hopes were not realised. Madame Milovidov did not interrupt Aratov; she did not understand very well what this unknown visitor was saying to her, and merely opened her eyes rather wide and rolled them upon him, thinking, however, that he had a quiet respectable air, was well dressed ... and not a pickpocket ... hadn’t come to beg.
‘You are speaking of Katia?’ she inquired, directly Aratov was silent.
‘Yes ... of your daughter.’
‘And you have come from Moscow for this?’
‘Yes, from Moscow.’