'Yes.'
'Well, that's a good thing. Let me give Mitya a swing.'
And Nikolai Petrovitch began tossing him almost up to the ceiling, to the huge delight of the baby, and to the considerable uneasiness of the mother, who every time he flew up stretched her arms up towards his little bare legs.
Pavel Petrovitch went back to his artistic study, with its walls covered with handsome bluish-grey hangings, with weapons hanging upon a variegated Persian rug nailed to the wall; with walnut furniture, upholstered in dark green velveteen, with a renaissance bookcase of old black oak, with bronze statuettes on the magnificent writing-table, with an open hearth. He threw himself on the sofa, clasped his hands behind his head, and remained without moving, looking with a face almost of despair at the ceiling. Whether he wanted to hide from the very walls that which was reflected in his face, or for some other reason, he got up, drew the heavy window curtains, and again threw himself on the sofa.
CHAPTER IX
On the same day Bazarov made acquaintance with Fenitchka. He was walking with Arkady in the garden, and explaining to him why some of the trees, especially the oaks, had not done well.
'You ought to have planted silver poplars here by preference, and spruce firs, and perhaps limes, giving them some loam. The arbour there has done well,' he added, 'because it's acacia and lilac; they're accommodating good fellows, those trees, they don't want much care. But there's some one in here.'
In the arbour was sitting Fenitchka, with Dunyasha and Mitya. Bazarov stood still, while Arkady nodded to Fenitchka like an old friend.
'Who's that?' Bazarov asked him directly they had passed by. 'What a pretty girl!'