This ball seemed very long to Vladímir Sergyéitch. He prowled about like a shadow from hall to drawing-room, now and again exchanging cold glances with his antagonist, who never missed a single dance, and undertook to invite Márya Pávlovna for a quadrille, but she was already engaged—and a couple of times he bandied words with the anxious host, who appeared to be harassed by the tedium which was written on the countenance of the new guest. At last, the music of the longed-for mazurka thundered out. Vladímir Sergyéitch hunted up his lady, brought two chairs, and seated himself with her, near the end of the circle, almost opposite Steltchínsky.
The young man who managed affairs was in the first pair, as might have been expected. With what a face he began the mazurka, how he dragged his lady after him, how he beat the floor with his foot, and twitched his head the while,—all this is almost beyond the power of human pen to describe.
“But it seems to me, M’sieu Astákhoff, that you are bored,”—began Nadézhda Alexyéevna, suddenly turning to Vladímir Sergyéitch.
“I? Not in the least. What makes you think so?”
“Why, because I do from the expression of your face.... You have never smiled a single time since you arrived. I had not expected that of you. It is not becoming to you positive gentlemen to be misanthropical and to frown à la Byron. Leave that to the authors.”
“I notice, Nadézhda Alexyéevna, that you frequently call me a positive man, as though mockingly. It must be that you regard me as the coldest and most sensible of beings, incapable of anything which.... But do you know, I will tell you something; a positive man is often very sad at heart, but he does not consider it necessary to display to others what is going on there inside of him; he prefers to hold his peace.”
“What do you mean by that?”—inquired Nadézhda Alexyéevna, surveying him with a glance.
“Nothing, ma’am,”—replied Vladímir Sergyéitch, with feigned indifference, assuming an air of mystery.
“Really?”
“Really, nothing.... You shall know some day, later on.”