Four hours later he was on his way towards his home. His tarantass rolled swiftly along the soft cross-road. There had been no rain for a fortnight. The atmosphere was pervaded by a light fog of milky hue, which hid the distant forests from sight, while a smell or burning filled the air. A number of dusky clouds with blurred outlines stood out against a pale blue sky, and lingered, slowly drawn. A strongish wind swept by in an unbroken current, bearing no moisture with it, and not dispelling the great heat. His head leaning back on the cushions, his arms folded across his breast, Lavretsky gazed at the furrowed plains which opened fanwise before him, at the cytisus shrubs, at the crows and rooks which looked sideways at the passing carriage with dull suspicion, at the long ridges planted with mugwort, wormwood, and mountain ash. He gazed—and that vast level solitude, so fresh and so fertile, that expanse of verdure, and those sweeping slopes, the ravines studded with clumps of dwarfed oaks, the grey hamlets, the thinly-clad birch trees—all this Russian landscape, so-long by him unseen, filled his mind with feelings which were sweet, but at the same time almost sad, and gave rise to a certain heaviness of heart, but one which was more akin to a pleasure than to a pain. His thoughts wandered slowly past, their forms as dark and ill-defined as those of the clouds, which also seemed vaguely wandering there on high. He thought of his childhood, of his mother, how they brought him to her 011 her death-bed, and how, pressing his head to her breast, she began to croon over him, but looked up at Glafira Petrovna and became silent. He thought of his father, at first robust, brazen-voiced, grumbling at every thing—then blind, querulous, with white, uncared-for beard. He remembered how one day at dinner, when he had taken a little too much wine, the old man suddenly burst out laughing, and began to prate about his conquests, winking his blind eyes the while, and growing red in the face. He thought of Varvara Pavlovna—and his face contracted involuntarily, like that of a man who feels some sudden pain, and he gave his head an impatient toss. Then his thoughts rested on Liza. "There," he thought, "is a new life just beginning. A good creature! I wonder what will become of her. And she's pretty, too, with her pale, fresh face, her eyes and lips so serious, and that frank and guileless way she has of looking at you. It's a pity she seems a little enthusiastic. And her figure is good, and she moves about lightly, and she has a quiet voice. I like her best when she suddenly stands still, and listens attentively and gravely, then becomes contemplative and shakes her hair back. Yes, I agree, Panshine isn't worthy of her. Yet what harm is there in him? However, as to all that, why am I troubling my head about it? She will follow the same road that all others have to follow. I had better go to sleep." And Lavretsky closed his eyes.
He could not sleep, but he sank into a traveller's dreamy reverie. Just as before, pictures of by-gone days slowly rose and floated across his mind, blending with each other, and becoming confused with other scenes. Lavretsky began to think—heaven knows why—about Sir Robert Peel; then about French history; lastly, about the victory which he would have gained if he had been a general. The firing and the shouting rang in his ears. His head slipped on one side; he opened his eyes—the same fields stretched before him, the same level views met his eyes. The iron shoes of the outside horses gleamed brightly by turns athwart the waving dust, the driver's yellow[A] shirt swelled with the breeze. "Here I am, returning virtuously to my birth-place," suddenly thought Lavretsky, and he called out, "Get on there!" drew his cloak more closely around him, and pressed himself still nearer to the cushion. The tarantass gave a jerk. Lavretsky sat upright and opened his eyes wide. On the slope before him extended a small village. A little to the right was to be seen an old manor house of modest dimensions, its shutters closed, its portico awry. On one side stood a barn built of oak, small, but well preserved. The wide court-yard was entirely overgrown by nettles, as green and thick as hemp. This was Vasilievskoe.
[Footnote A: Yellow, with red pieces let in under the armpits.]
The driver turned aside to the gate, and stopped his horses. Lavretsky's servant rose from his seat, ready to jump down, and shouted "Halloo!" A hoarse, dull barking arose in reply, but no dog made its appearance. The lackey again got ready to descend, and again cried "Halloo!" The feeble barking was repeated, and directly afterwards a man, with snow-white hair, dressed in a nankeen caftan, ran into the yard from one of the comers. He looked at the tarantass, shielding his eyes from the sun, then suddenly struck both his hands upon his thighs, fidgeted about nervously for a moment, and finally ran to open the gates. The tarantass entered the court-yard, crushing the nettles under its wheels, and stopped before the portico. The white-headed old man, who was evidently of a very active turn, was already standing on the lowest step, his legs spread awkwardly apart. He unbuttoned the apron of the carriage, pulling up the leather with a jerk, and kissed his master's hand while assisting him to alight.
"Good day, good day, brother," said Lavretsky. "Your name is Anton, isn't it. So you're still alive?"
The old man bowed in silence, and then ran to fetch the keys. While he ran, the driver sat motionless, leaning sideways and looking at the closed door; and Lavretsky's man-servant remained in the picturesque attitude in which he found himself after springing clown to the ground, one of his arms resting on the box seat. The old man brought the keys and opened the door, lifting his elbows high the while, and needlessly wriggling his body—then he stood on one side, and again bowed down to his girdle.
"Here I am at home, actually returned!" thought Lavretsky, as he entered the little vestibule, while the shutters opened, one after another, with creak and rattle, and the light of day penetrated into the long-deserted rooms.
XIX.
The little house at which Lavretsky had arrived, and in which Glafira Petrovna had died two years before, had been built of solid pine timber in the preceding century. It looked very old, but it was good for another fifty years or more. Lavretsky walked through all the rooms, and, to the great disquiet of the faded old flies which clung to the cornices without moving, their backs covered with white dust, he had the windows thrown open everywhere. Since the death of Glafira Petrovna, no one had opened them. Every thing had remained precisely as it used to be in the house. In the drawing-room the little white sofas, with their thin legs, and their shining grey coverings, all worn and rumpled, vividly recalled to mind the times of Catharine. In that room also stood the famous arm-chair of the late proprietress, a chair with a high, straight back, in which, even in her old age, she used always to sit bolt upright. On the wall hung an old portrait of Fedor's great-grandfather, Andrei Lavretsky. His dark, sallow countenance could scarcely be distinguished against the cracked and darkened background. His small, malicious eyes looked out morosely from beneath the heavy, apparently swollen eyelids. His black hair, worn without powder, rose up stiff as a brush above his heavy, wrinkled forehead. From the corner of the portrait hung a dusky wreath of immortelles. "Glafira Petrovna deigned to weave it herself," observed Anthony. In the bed-room stood a narrow bedstead, with curtains of some striped material, extremely old, but of very good quality. On the bed lay a heap of faded cushions and a thin, quilted counterpane; and above the bolster hung a picture of the Presentation of the Blessed Virgin in the Temple, the very picture which the old lady, when she lay dying, alone and forgotten, pressed for the last time with lips which were already beginning to grow cold. Near the window stood a toilet table, inlaid with different kinds of wood and ornamented with plates of copper, supporting a crooked mirror in a frame of which the gilding had turned black. In a line with the bed-room was the oratory, a little room with bare walls; in the corner stood a heavy case for holding sacred pictures, and on the floor lay the scrap of carpet, worn threadbare, and covered with droppings from wax candles, on which Glafira Petrovna used to prostrate herself when she prayed.
Anton went out with Lavretsky's servant to open the stable and coach-house doors. In his stead appeared an old woman, almost as old as himself, her hair covered by a handkerchief, which came down to her very eyebrows. Her head shook and her eyes seemed dim; but they wore, also, an expression of zealous obedience, habitual and implicit, and, at the same time, of a kind of respectful condolence. She kissed Lavretsky's hand, and then remained near the door, awaiting his orders. He could not remember what her name was, nor even whether he had ever seen her before. It turned out that her name was Apraxia. Some forty years previously, Glafira Petrovna had struck her off the list of the servants who lived in the house, and had ordered her to become a poultry-maid. She seldom spoke, seemed half idiotic, and always wore a servile look. Besides this old couple, and three paunchy little children in long shirts, Anton's great-grandchildren, there lived also in the seigniorial household an untaxable[A] moujik, who had only one arm. He cackled like a black-cock, and was fit for nothing. Of very little more use was the infirm old hound which had saluted Lavretsky's return by its barking. For ten whole years it had been fastened to a heavy chain, purchased by order of Glafira Petrovna, a burden under which it was now scarcely able to move.