Uvar Ivanovitch was lying on his bed. A shirt without a collar, fastened with a heavy stud enfolded his thick neck and fell in full flowing folds over the almost feminine contours of his chest, leaving visible a large cypress-wood cross and an amulet. His ample limbs were covered with the lightest bedclothes. On the little table by the bedside a candle was burning dimly beside a jug of kvas, and on the bed at Uvar Ivanovitch’s feet was sitting Shubin in a dejected pose.
‘Yes,’ he was saying meditatively, ‘she is married and getting ready to go away. Your nephew was bawling and shouting for the benefit of the whole house; he had shut himself up for greater privacy in his wife’s bedroom, but not merely the maids and the footmen, the coachman even could hear it all! Now he’s just tearing and raving round; he all but gave me a thrashing, he’s bringing a father’s curse on the scene now, as cross as a bear with a sore head; but that’s of no importance. Anna Vassilyevna’s crushed, but she’s much more brokenhearted at her daughter leaving her than at her marriage.’
Uvar Ivanovitch flourished his fingers.
‘A mother,’ he commented, ‘to be sure.’
‘Your nephew,’ resumed Shubin, ‘threatens to lodge a complaint with the Metropolitan and the General-Governor and the Minister, but it will end by her going. A happy thought to ruin his own daughter! He’ll crow a little and then lower his colours.’
‘They’d no right,’ observed Uvar Ivanovitch, and he drank out of the jug.
‘To be sure. But what a storm of criticism, gossip, and comments will be raised in Moscow! She’s not afraid of them.... Besides she’s above them. She’s going away... and it’s awful to think where she’s going—to such a distance, such a wilderness! What future awaits her there? I seem to see her setting off from a posting station in a snow-storm with thirty degrees of frost. She’s leaving her country, and her people; but I understand her doing it. Whom is she leaving here behind her? What people has she seen? Kurnatovsky and Bersenyev and our humble selves; and these are the best she’s seen. What is there to regret about it? One thing’s bad; I’m told her husband—the devil, how that word sticks in my throat!—Insarov, I’m told, is spitting blood; that’s a bad lookout. I saw him the other day: his face—you could model Brutus from it straight off. Do you know who Brutus was, Uvar Ivanovitch?’
‘What is there to know? a man to be sure.’
‘Precisely so: he was a “man.” Yes he’s a wonderful face, but unhealthy, very unhealthy.’
‘For fighting... it makes no difference,’ observed Uvar Ivanovitch.