‘What are you up to?’ sang out the peasant at intervals, pulling at the shaft-horse. ‘Ah, you devil! Get on!’

The jaded horses dragged themselves at last up to the posting-station. Rudin crept out of the cart, paid the peasant (who did not bow to him, and kept shaking the coins in the palm of his hand a long while—evidently there was too little drink-money) and himself carried the portmanteau into the posting-station.

A friend of mine who has wandered a great deal about Russia in his time made the observation that if the pictures hanging on the walls of a posting-station represent scenes from ‘the Prisoner of the Caucasus,’ or Russian generals, you may get horses soon; but if the pictures depict the life of the well-known gambler George de Germany, the traveller need not hope to get off quickly; he will have time to admire to the full the hair à la cockatoo, the white open waistcoat, and the exceedingly short and narrow trousers of the gambler in his youth, and his exasperated physiognomy, when in his old age he kills his son, waving a chair above him, in a cottage with a narrow staircase. In the room into which Rudin walked precisely these pictures were hanging out of ‘Thirty Years, or the Life of a Gambler.’ In response to his call the superintendent appeared, who had just waked up (by the way, did any one ever see a superintendent who had not just been asleep?), and without even waiting for Rudin’s question, informed him in a sleepy voice that there were no horses.

‘How can you say there are no horses,’ said Rudin, ‘when you don’t even know where I am going? I came here with village horses.’

‘We have no horses for anywhere,’ answered the superintendent. ‘But where are you going?’

‘To Sk——.’

‘We have no horses,’ repeated the superintendent, and he went away.

Rudin, vexed, went up to the window and threw his cap on the table. He was not much changed, but had grown rather yellow in the last two years; silver threads shone here and there in his curls, and his eyes, still magnificent, seemed somehow dimmed, fine lines, the traces of bitter and disquieting emotions, lay about his lips and on his temples. His clothes were shabby and old, and he had no linen visible anywhere. His best days were clearly over: as the gardeners say, he had gone to seed.

He began reading the inscriptions on the walls—the ordinary distraction of weary travellers; suddenly the door creaked and the superintendent came in.

‘There are no horses for Sk——, and there won’t be any for a long time,’ he said, ‘but here are some ready to go to V——.’