He walked with quickened steps, his cap pulled down over his eyes, and a constrained smile on his lips, while Bambaev, sitting before Weber’s café, and pointing him out from a distance to Voroshilov and Pishtchalkin, cried excitedly: ‘Do you see that man? He’s a stone! he’s a rock! he’s a flint!!!’
[XV]
Litvinov found rather many guests at Irina’s. In a corner at a card-table were sitting three of the generals of the picnic: the stout one, the irascible one, and the condescending one. They were playing whist with dummy, and there is no word in the language of man to express the solemnity with which they dealt, took tricks, led clubs and led diamonds ... there was no doubt about their being statesmen now! These gallant generals left to mere commoners, aux bourgeois, the little turns and phrases commonly used during play, and uttered only the most indispensable syllables; the stout general however permitted himself to jerk off between two deals: ‘Ce satané as de pique!’ Among the visitors Litvinov recognised ladies who had been present at the picnic; but there were others there also whom he had not seen before. There was one so ancient that it seemed every instant as though she would fall to pieces: she shrugged her bare, gruesome, dingy grey shoulders, and, covering her mouth with her fan, leered languishingly with her absolutely death-like eyes upon Ratmirov; he paid her much attention; she was held in great honour in the highest society, as the last of the Maids of Honour of the Empress Catherine. At the window, dressed like a shepherdess, sat Countess S., ‘the Queen of the Wasps,’ surrounded by young men. Among them the celebrated millionaire and beau Finikov was conspicuous for his supercilious deportment, his absolutely flat skull, and his expression of soulless brutality, worthy of a Khan of Bucharia, or a Roman Heliogabalus. Another lady, also a countess, known by the pet name of Lise, was talking to a long-haired, fair, and pale spiritualistic medium. Beside them was standing a gentleman, also pale and long-haired, who kept laughing in a meaning way. This gentleman also believed in spiritualism, but added to that an interest in prophecy, and, on the basis of the Apocalypse and the Talmud, was in the habit of foretelling all kinds of marvellous events. Not a single one of these events had come to pass; but he was in no wise disturbed by that fact, and went on prophesying as before. At the piano, the musical genius had installed himself, the rough diamond, who had stirred Potugin to such indignation; he was striking chords with a careless hand, d’une main distraite, and kept staring vaguely about him. Irina was sitting on a sofa between Prince Kokó and Madame H., once a celebrated beauty and wit, who had long ago become a repulsive old crone, with the odour of sanctity and evaporated sinfulness about her. On catching sight of Litvinov, Irina blushed and got up, and when he went up to her, she pressed his hand warmly. She was wearing a dress of black crépon, relieved by a few inconspicuous gold ornaments; her shoulders were a dead white, while her face, pale too, under the momentary flood of crimson overspreading it, was breathing with the triumph of beauty, and not of beauty alone; a hidden, almost ironical happiness was shining in her half-closed eyes, and quivering about her lips and nostrils....
Ratmirov approached Litvinov and after exchanging with him his customary civilities, unaccompanied however by his customary playfulness, he presented him to two or three ladies: the ancient ruin, the Queen of the Wasps, Countess Liza ... they gave him a rather gracious reception. Litvinov did not belong to their set; but he was good-looking, extremely so, indeed, and the expressive features of his youthful face awakened their interest. Only he did not know how to fasten that interest upon himself; he was unaccustomed to society and was conscious of some embarrassment, added to which the stout general stared at him persistently. ‘Aha! lubberly civilian! free-thinker!’ that fixed heavy stare seemed to be saying: ‘down on your knees to us; crawl to kiss our hands!’ Irina came to Litvinov’s aid. She managed so adroitly that he got into a corner near the door, a little behind her. As she addressed him, she had each time to turn round to him, and every time he admired the exquisite curve of her splendid neck, he drank in the subtle fragrance of her hair. An expression of gratitude, deep and calm, never left her face; he could not help seeing that gratitude and nothing else was what those smiles, those glances expressed, and he too was all aglow with the same emotion, and he felt shame, and delight and dread at once ... and at the same time she seemed continually as though she would ask, ‘Well? what do you think of them?’ With special clearness Litvinov heard this unspoken question whenever any one of the party was guilty of some vulgar phrase or act, and that occurred more than once during the evening. Once she did not even conceal her feelings, and laughed aloud.
Countess Liza, a lady of superstitious bent, with an inclination for everything extraordinary, after discoursing to her heart’s content with the spiritualist upon Home, turning tables, self-playing concertinas, and so on, wound up by asking him whether there were animals which could be influenced by mesmerism.
‘There is one such animal any way,’ Prince Kokó declared from some way off. ‘You know Melvanovsky, don’t you? They put him to sleep before me, and didn’t he snore, he, he!’
‘You are very naughty, mon prince; I am speaking of real animals, je parle des bêtes.’
‘Mais moi aussi, madame, je parle d’une bête....’
‘There are such,’ put in the spiritualist; ‘for instance—crabs; they are very nervous, and are easily thrown into a cataleptic state.’