“Bravi! bravi!” Pantaleone roared suddenly as if he had gone mad, and clapping his hands, he rushed like a whirlwind from behind the bush; while the doctor, who had been sitting on one side on a felled tree, promptly rose, poured the water out of the jug and walked off with a lazy, rolling step out of the wood.
“Honour is satisfied, and the duel is over!” von Richter announced.
“Fuori!” Pantaleone boomed once more, through old associations.
When he had exchanged bows with the officers, and taken his seat in the carriage, Sanin certainly felt all over him, if not a sense of pleasure, at least a certain lightness of heart, as after an operation is over; but there was another feeling astir within him too, a feeling akin to shame…. The duel, in which he had just played his part, struck him as something false, a got-up formality, a common officers’ and students’ farce. He recalled the phlegmatic doctor, he recalled how he had grinned, that is, wrinkled up his nose when he saw him coming out of the wood almost arm-in-arm with Baron Dönhof. And afterwards when Pantaleone had paid him the four crowns due to him … Ah! there was something nasty about it!
Yes, Sanin was a little conscience-smitten and ashamed … though, on the other hand, what was there for him to have done? Could he have left the young officer’s insolence unrebuked? could he have behaved like Herr Klüber? He had stood up for Gemma, he had championed her … that was so; and yet, there was an uneasy pang in his heart, and he was conscience-smitten, and even ashamed.
Not so Pantaleone—he was simply in his glory! He was suddenly possessed by a feeling of pride. A victorious general, returning from the field of battle he has won, could not have looked about him with greater self-satisfaction. Sanin’s demeanour during the duel filled him with enthusiasm. He called him a hero, and would not listen to his exhortations and even his entreaties. He compared him to a monument of marble or of bronze, with the statue of the commander in Don Juan! For himself he admitted he had been conscious of some perturbation of mind, “but, of course, I am an artist,” he observed; “I have a highly-strung nature, while you are the son of the snows and the granite rocks.”
Sanin was positively at a loss how to quiet the jubilant artist.
Almost at the same place in the road where two hours before they had come upon Emil, he again jumped out from behind a tree, and, with a cry of joy upon his lips, waving his cap and leaping into the air, he rushed straight at the carriage, almost fell under the wheel, and, without waiting for the horses to stop, clambered up over the carriage-door and fairly clung to Sanin.
“You are alive, you are not wounded!” he kept repeating. “Forgive me, I did not obey you, I did not go back to Frankfort … I could not! I waited for you here … Tell me how was it? You … killed him?”
Sanin with some difficulty pacified Emil and made him sit down.