Years of Plenty

by Ivor John Carnegie Brown

Martin had not meant to linger in London as he had work to do. But he soon realised the impossibility of going away. Not only did he need Freda, but she too needed him. There was no advantage in denying the mutual emptiness and mutual satisfaction. So he stayed, and in the mornings and afternoons he read his Indian law and history, or wandered about London, loitering in picture galleries or threading the ways of Bloomsbury with many a passing glance at the house where Freda slept. Squarely and simply it stood, with no flaunting brick-work or Victorian embellishment: its colour was the nameless colour that a London house should have, the sombre blending of grey and red and deepest brown. On one side was a mean street, one of those sad thoroughfares which Chance has brought to destitution: the houses were good and strong, but each contained a score of people and belched out numberless squalid children to play and quarrel in the teeming gutters. On the other side a wide street ran straight up to a square garden and the two lines of houses converged and faded away in a haze of smoke and branches. In the afternoons, when Martin walked there, sunset would stain the gentle greyness with pink or, in angrier mood, would stab dark clouds and leave great rifts of red. It was all so strong and quiet and dignified, seeming actually to exhale the finest quality of London. The street, at any rate, was worthy of her.

When the long day's wait was over he would have Freda to himself. Then London became beautiful in every line and form and colour. The lamps were flaming jewels and the rain-soaked, glittering streets were bands of silver: the murkiest lane threw off its squalor, and the night, with its great glooms and shadows, its sudden bursts of iridescence and its mystery of swiftly moving figures, made him think of Eastern jungles, splashed with fierce colours, cavernous with infinite shade. Then a woman, rouged and powdered and swathed in tawny fur, would sweep majestically past: she was the tiger who burned brightly. Formerly he hated these women, because they charmed him, challenged and held his gaze, hated them too because they brought home to him the fact that he had not the courage of his desires. But now he need not care. That was the great joy of it.

So in this enchanted forest of London they walked and drove, feasted and saw the play: not one play, but all the plays. And after the play they feasted again and were contented. It was a forest that tended to swallow gold rather than yield it, and Martin had to borrow on the security of his position as a probationer in the Indian Civil Service. But there was pleasure in the signing of the bond.

Sometimes they would sit in Martin's hotel, which had a large, deserted lounge with sensible corners and crannies for conversation. Sometimes he would go back with Freda to her room in Bloomsbury and wait until she turned him out.

"I won't have you here after eleven," she told him and quoted from The Great Adventure on reputations, the coddling and neglect of them.

"But if you have me at all——" he protested.

"I'm English and I believe in compromise," she answered.

So he stayed till eleven. It was a neat place and orderly with naked walls: he loved it as he loved its owner. When the washstand and bed had been hidden behind their curtain, the stray shoes kicked beneath the wardrobe, and the arm-chair drawn up to the gas-fire, there seemed to be nothing mean or sordid in the room despite the lack of space and the roof corner that jutted rudely in. What did it matter now if the window looked on to a back yard and a world of chimneys?

"Why are you so wonderfully tidy?" Martin asked.

"Don't you associate tidiness with me?"