BROWN SALT-GLAZED STONEWARES
18. Body and handle terminal fragments from pint (?) tankard. Mottled purplish-brown exterior and reddish-brown interior; the rim conjectural and the lower body and basal section modeled on no. 19. Probably of English manufacture, London or Bristol.[166] T.N. 1, T.N. 4.
19. Basal and wall fragments of pint (?) tankard. Similar in form to the above. Two fragments present, one with the beginning of the red slip that becomes mottled brown in firing, a feature that normally extends from the midsection upwards to the rim. The lower body is gray, as is the interior; the foot is ornamented with a ridge, cordon, and double ridge. T.N. 17.
20. Rim sherd of quart (?) tankard. Burnt; the rim thinned from the inside and ornamented on the outside with a single groove; dark purplish-brown mottling on the exterior, a little of the slip from which extends over the interior of the rim. T.N. 23.
21. Jug or drinking pot. Bulbous body with good quality tooling at the shoulder; handle with single groove down the spine; the base and neck conjectural, but modeled after the forms produced by Dwight of Fulham in the late 17th century.[167] The ware is a pale gray and appears white beneath the internal salt glaze. It is possible that this is an example of the use of the white salt-glazed body conceived by Dwight, and that it may have come from his factory. The refined clay enables the ware to be thinly and finely potted. T.N. 1.
22. Neck, shoulder, and handle-terminal fragments of jug. The neck ornamented with multiple grooving; the handle terminal pressed into the body with one finger; the glaze a rich purplish brown, reddish brown inside.[168] A common form manufactured in London at the close of the 17th century and made elsewhere, including Yorktown, certainly through the second quarter of the 18th century.[169] T.N. 23.
GERMAN SALT-GLAZED STONEWARE
23. Large (Westerwald) tankard, base and lower body sherds only. Stylized foliate and geometric ornament incised and filled with cobalt on an extremely pale-gray body; multiple cordons and grooves above the base; two concave bands filled with blue; the base slightly rising and scored with haphazard lines before firing. T.N. 23.
FIGURE 19
COARSE EARTHENWARES