“But I know, surely, we shall be,” Carlota exclaimed. And at the sound of her voice Jean’s prejudices melted. She had very dark eyes with lids that drooped at the outer corners, a rather thin face and little eager pointed chin. Jean tried and tried to think who it was she made her think of, and then remembered. It was the little statuette of Le Brun, piquant and curious.
“Now, you will not be treated one bit as guests, girls,” Cousin Beth told them. “You must come and go as you like, and have the full freedom of the house. I keep my own study hours and like to be alone then. Do as you like and be happy. Run along, both of you.”
“She is wonderful, isn’t she?” Carlota said as they went upstairs together. “She makes me feel always as if I were a ship waiting with loose sails, and all at once—a breeze—and I am on my way again. You have not been to Sorrento, have you? You can see the little fisher boats from our terraces. It is all so beautiful, but now the villa is turned into a hospital. Pippa’s brothers and father are all at the front. Her father is old, but he would go. She’s glad she’s an old maid, she says, for she has no husband to grieve over. Don’t you like her? She was my nurse when I was born.”
“Her face reminds one of a Sybil. There’s one—I forget which—who was middle-aged instead of being old and wrinkled.”
“My father has used Pippa’s head often. One I like best is ‘The Melon Vendor.’ That was exhibited in Paris and won the Salon medal. And it was so odd. Pippa did not feel at all proud. She said it was only the magic of his fingers that had made the statue a success, and father said it was the inspiration from Pippa’s face.”
“I wonder if you ever knew Bab Crane. She’s a Long Island girl from the Cove where we used to live, and she’s lived abroad every year for two or three months with her mother. She is an artist.”
“I don’t know her,” Carlota shook her head doubtfully. “You see over there, while we entertained a great deal, I was in a convent and scarcely met anyone excepting in the summertime, and then we went to my aunt’s villa up on Lake Maggiore. Oh, but that is the most beautiful spot of all. There is one island there called Isola Bella. I wish I could carry it right over here with me and set it down for you to see. It is all terraces and splendid old statuary, and when you see it at sunrise it is like a jewel, it glows so with color.”
Jean curled her slippered feet under her as she sat on the window seat, listening. There was always a lingering love in her heart for the “haunts of ancient peace” in Europe’s beauty spots, and especially for Italy. Somewhere she had read, it was called the “sweetheart of the nations.”
“I’d love to go there,” she said now, with a little sigh.
“And that is what I was always saying when I was there, and my father told me of this country. I wanted to see it so. He would tell me of the great gray hills that climb to the north, and the craggy broken shoreline up through Maine, and the little handful of amethyst isles that lie all along it. He was born in New Hampshire, at Portsmouth. We are going up to see the house some day, but I know just what it looks like. It stands close down by the water’s edge in the old part of the town, and there is a big rambling garden with flagged walks. His grandfather was a ship builder and sent them out, oh, like argosies I think, all over the world, until the steamboats came, and his trade was gone. And he had just one daughter, Petunia. Isn’t that a beautiful name, Petunia Pomeroy. It is all one romance, I think, but I coax him to tell it to me over and over. There was an artist who came up from the south in one of his ships, and he was taken very ill. So they took him in as a guest, and Petunia cared for him. And when he was well, what do you think?” She clasped her hands around her knees and rocked back and forth, sitting on the floor before her untouched suitcases.