“She has all of my sympathy,” the former declared. “I don’t think a woman is able to give her greatest powers to the world if she is gifted unusually, until she has known love and motherhood. I hope Leonora finds her way back to the temple of genius with twins clinging to her wing tips.”
It was just a little bit late when they arrived at the Morel studio. Jean had expected it to be more of the usual workshop, like Daddy Higginson’s for instance, where canvases heaped against the walls seemed to have collected the dust of ages, and a broom would have been a desecration. Here, you ascended in an elevator, from an entrance hall that Cousin Beth declared always made her think of the tomb of the Pharoahs in “Aida.”
“All it needs is a nice view of the Nile by moonlight, and some tall lilies in full bloom, and someone singing ‘Celeste Aida,’ ” she told the girls when they alighted at the ninth floor, and found themselves in the long vestibule of the Morel studio. Jean had rather a confused idea of what followed. There was the meeting with Morel himself. Stoop shouldered and thin, with his vivid foreign face, half closed eyes, and odd moustache like a mandarin’s. And near him Madame Morel, with a wealth of auburn hair and big dark eyes. She heard Carlota say just before they were separated,
“He loves to paint red hair, and Aunt Signa says she has the most wonderful hair you ever saw, like Melisande.”
Cousin Beth had been taken possession of by a stout smiling young man with eyeglasses and was already the center of a little group. Jean heard his name, and recognized it as that of a famous illustrator. Carlota introduced her to a tall girl in brown whom she had met in Italy, and then somehow, Jean could not have told how it happened, they drifted apart. Not but what she was glad of a breathing spell, just a chance as Shad would have said, to get her bearings. Morel was showing some recent canvases, still unframed, at the end of the studio, and everyone seemed to gravitate that way.
Jean found a quiet corner near a tall Chinese screen. Somebody handed her fragrant tea in a little red and gold cup, and she was free to look around her. A beautiful woman had just arrived. She was tall and past first youth, but Jean leaned forward expectantly. This must be the Contessa. Her gown seemed as indefinite and elusive in detail as a cloud. It was dull violet color, with a gleam of gold here and there as she moved slowly towards Morel’s group. Under a wide brimmed hat of violet, you saw the lifted face, with tired lovely eyes, and close waves of pale golden hair. And this was not all. Oh, if only Helen could have seen her, thought Jean, with a funny little reversion to the home circle. She had wanted a princess from real life, or a contessa, anything that was tangibly romantic and noble, and here was the very pattern of a princess, even to a splendid white stag hound which followed her with docile eyes and drooping long nose.
“My dear, would you mind coaxing that absent-minded girl at the tea table to part with some lemon for my tea? And the Roquefort sandwiches are excellent too.”
Jean turned at the sound of the new voice beside her. There on the same settee sat a robust, middle-aged late comer. Her satin coat was worn and frayed, her hat altogether too youthful with its pink and mauve butterflies veiled in net. It did make one think of poor Cynthy and her yearnings towards roses. Jean saw, too, that there was a button missing from her gown, and her collar was pinned at a wrong angle, but the collar was real lace and the pin was of old pearls. It was her face that charmed. Framed in an indistinct mass of fluffy hair, gray and blonde mixed, with a turned up, winning mouth, and delightfully expressive eyes, it was impossible not to feel immediately interested and acquainted.
Before they had sat there long, Jean found herself indulging in all sorts of confidences. They seemed united by a common feeling of, not isolation exactly, but newness to this circle.
“I enjoy it so much more sitting over here and looking on,” Jean said. “Cousin Beth knows everyone, of course, but it is like a painting. You close one eye, and get the group effect. And I must remember everything to write it home to the girls.”