THE DANGEROUS INHERITANCE

THE
DANGEROUS INHERITANCE

CHAPTER I

The town studio of Signor Jacobelli faced the west. It was situated on the top floor of an old eight-storied building in the West Fifties. Thirty years ago this had been given over entirely to studios, but now it was broken up into a more profitable mêlée of semi-commercial establishments and light-housekeeping apartments.

The signor, having no doubt the Old-World propensity for permanency, had maintained his studio here for over twenty years, without regard for the changing conditions around him, if indeed he were even conscious of them. His own immediate outlook and environment had remained the same. The view to the west and south from the deep, double-sized windows had varied little, and held a perpetual fascination for him. Thin red chimneys in neighborly groupings on adjacent roofs assumed delicate color values of amethyst and quivering saffrons from Jersey sunsets that turned even the old buildings down towards the riverfront into mystical genii palaces in the early twilight.

Dust lay unnoted upon bookshelves and music-racks about the large, friendly room. The Turkish rug that covered its floor had long since lost all outline of pattern and was as exquisite a blur as the rose-flushed sea mist that hung over the lower end of the island city.

Carlota stood in a window recess, her back to the signor and his unexpected guest, her fingers tying and untying the faded purple silk cord of the shade. From where he sat in the old winged armchair by the piano, Ward caught a perfect silhouette of her profile against the glow of western light. Listening to Jacobelli’s fiery protest in his usual silent way, his mind dwelt upon the blossoming of this foreign flower of girlhood who had so strangely attracted him from the first time he had ever looked into her eyes.

The Marchese Veracci had called him up from the Italian Club two years before, and had besought his good offices for the granddaughter of Margherita Paoli. The following evening they had called on him by appointment. He half closed his eyes, recalling the picture of the girl as he had first seen her. They awaited him in the Florentine room. Even then she had not thought of him, but had stood before a painting of Sorrento, a view through the ravine looking seaward, one hand laid on her breast, her eyes filled with the yearning of youth’s loneliness. She had met him silently, her hand cold as it rested an instant in his palm.

And the old Marchese had pleaded her cause with fervent eloquence.