Meanwhile, Kira still kept strict guard. No one was taken into service in his mansion without careful inquiry into his antecedents; and from retainers and sandal-carriers even to common servants, no one but a native of Kira’s domain was engaged except in unavoidable cases. Tradesmen were strictly forbidden to enter the premises and the gate-keepers were required to examine carefully all who came to the mansion. And at the same time Oishi’s movements at Yamashina were carefully watched.
Now, Oishi determined to throw the enemy completely off the scent by leading a dissolute life and pretending that he had given up the revenge in despair. He took to pleasures against his inclination; he became a noted profligate. He frequented the pleasures-quarters of Kyoto and Fushimi and then, those of Osaka. Ronin as he was, he had been the chief retainer of Ako; and he seemed to have inexhaustible supply of money, which he spent with lavish liberality and became notorious for his dissipation in Kyoto and elsewhere. His confederates, too, decided to show to the world how dissolute they had grown in their despair, and vied with their chief in profligacy. And while these loyal retainers pretended to the world that they had given themselves up utterly to debauchery, their leaders held consultations in these pleasure-quarters and matured their plan amid the revelry of their comrades.
The dissolute life, which Oishi was now leading, exposed him to the abuse of the world, which condemned him for apparently sinking into dissipation, forgetful of his lord’s death. Next, Oishi sent away his family with whom he had lived in great affection. He did this, partly to show that he had no thought beyond his pleasures and partly to prepare for the revenge. According to the law in those days, for a serious crime not only the offender himself, but also his family, were punished; and he feared that his wife and children might suffer from his act. He, therefore, divorced his wife, who went away with their three youngest children. He became more dissolute than ever. He brought to his house a woman named Okaru, who was noted throughout Kyoto for her beauty and made her his mistress. Kira’s spies grew weary of watching him and became less vigilant. Meanwhile, the retainers’ plan matured, and finally Oishi left Yamashina in the tenth month for Yedo, where he arrived early in the following month.
The above furnishes the material for the seventh and ninth acts of the play. Oishi’s mistress, Okaru, appears in the play as Hayano Kanpei’s wife and Teraoka Heiyemon’s sister, and so connects her story with the death of Kanpei in the sixth act and with the night-attack in the eleventh. It makes her of more interest than if she only remained a mistress whom Oishi brought home to conceal his true designs. The seventh act also reveals Oishi as a man of great loyalty, who conceals his plot under cover of dissipation. It is an act which shows him in his true character and one that calls for fine acting on the part of the player who assumes the role of the hero.
THE SUICIDE OF SANPEI.
All the loyal retainers, after their great hardships and perseverance, succeeded in carrying out their object at last; but there was one who died before the revenge was taken. His name was Kayano Sanpei Shigezane, who appears in the play as Hayano Kanpei. He was the second son of Kayano Shigetoshi, a retainer of Oshima Dewa-no-Kami; and when he was twelve years old, he was, at Dewa-no-Kami’s recommendation, taken into Takumi-no-Kami’s service as page. When Takumi-no-Kami was condemned to death for the attack in the Palace, Sanpei was in the mansion in Yedo; and immediately the sentence was passed, he left with another retainer for Ako, where he arrived in four days and a half and reported to Oishi. After the surrender of the castle and dispersal of the retainers, Sanpei returned to his native village to mourn for his mother who had lately died. As his village was only about thirty miles from Yamashina, he went often to see Oishi and consulted him on the revenge. In the following winter, he ashed his father’s permission to proceed to Yedo and seek a new situation; but his father refused as he was sure, he said, that Sanpei was going to take revenge upon his lord’s enemy, and added that such an act on Sanpei’s part might implicate not only his own family, but even bring trouble upon Oshima Dewa-no-Kami, which he could not allow as he was no less loyal to his lord than Sanpei was to his. Then, Sanpei asked him to sever their relation of father and son; but this also his father refused, saying that nothing worthy could be done by one who cut off natural ties. Sanpei could do nothing; and seeing that he could not revenge his lord’s death, he resolved to die and apologise to his lord in the other world. On the fourteenth of the first month in the following year, he sent a letter to Oishi and before daybreak next day, he killed himself while the family were asleep. His father, fearing that the Ako retainers’ plot would be discovered if his son’s death became known, had his body secretly buried in a neighbouring hill. Sanpei was twenty-six years old at the time of his death. He was perhaps over-hasty in rushing to his death; but the principles of Bushido left him no choice; a man of knightly spirit could do nothing but die under the circumstances.
In their eagerness to enlist the sympathy of their audience, the authors of the play have brought love-interest into his story and weakened his character by attributing to him an act of disloyalty. Still, his failure in duty in the third act for the love of a woman was necessary for showing his deep repentance in the fifth act and its incidental consequences, the sale of his wife and his tragic end in the sixth, which lend peculiar pathos to Okaru’s story in the seventh act.
AMANOYA RIHEI.
Amanoya Rihei was a merchant of Osaka, whose family had for generations enjoyed the patronage of the lord of Ako. When the loyal retainers held council after their lord’s death, Rihei hied to Ako to offer his services. And when they had formed the plan for the revenge, they kept it strictly secret from all except Rihei; and later Oishi secretly asked Rihei to procure all the weapons and other implements that were needed for the night-attack. The retainers lay concealed in Kyoto, Osaka, and Yedo; and Rihei in Osaka, went himself, without the knowledge of his family and servants, to different shops and works to have the necessary weapons made, and as soon as they were ready, he forwarded them to Yedo. One of the smiths reported to the authorities that he had received an order for a special description of weapons; and Rihei was soon after arrested and examined. Rihei replied that the weapons of the special make had been invented by a certain samurai; and other smiths, upon hearing of Rihei’s arrest, also reported that they had received orders from him. Rihei was, then, put to the torture; but still he would not tell the truth. His wife and children were also tortured; but they all answered that they knew nothing. Rihei told the prison officers that his family knew nothing of his purchases and begged them to torture him instead of his family. He was then put to such tortures that he was more than once on the point of death. He told the officers that he had from the first been prepared for death when he entered upon the undertaking, but that when the new year came, he would confess all or submit to any punishment they might inflict. He spoke with such composure that they took his word and refrained from further tortures. When the new year came, the revenge of the Ako retainers was everywhere talked of; and when Rihei heard of it in prison, he went up to the officers and confessed that as his family had for generations enjoyed the patronage of the lord of Ako, he had been asked by Oishi to procure the weapons for their night-attack upon Kira’s mansion, and it was for that revenge that he had ordered the smiths to make weapons for him, and now that the revenge had been successfully carried out, the time had come for him to receive his just punishment; and he added that from fear of the plot being discovered and of the punishment for his offence being extended to innocent persons, he had concealed it from his family, and he therefore begged that his family might be spared while he himself would willingly submit to the severest punishment. The officers were greatly struck by his manly spirit and released him. They restored to his son Rihei’s property which they had confiscated and made him follow his father’s trade. Rihei himself renounced the world and peacefully ended his days in a temple closely connected with the Asano family.
All the other incidents of the play, such as the story of Kanpei and Okaru, the marriage of Konami and Rikiya, and the death of Honzo, are more or less connected with the main plot of the play; but the story of Amanoya Rihei, who appears in the play under the name of Amakawaya Gihei, is the least connected. The tenth act was written to exhibit the manly spirit of a merchant and to show that even among the mercantile class were men who could help the retainers in their great undertaking. Amanoya Rihei was, in fact, a fine example of the otokodate, to whom reference has been made in a former page, and his character, as it appears in the play, has been the boast of his class. It is a vindication of the commoners by writers who belonged to that class.