Marriage is a simple institution of “take a wife and live with her.”

The potlatch dance, or gift feast, is the year’s social event at Quinaiult.

Upon the acquirement of wealth the fortunate man issues a manifest to his own and other tribes that it is his intention to hold a potlatch merriment. He gives up his entire fortune, for he acquires thereafter the title of “tyee” or chief. Presents of all values are lavishly distributed to those who attend. It is a grotesque ceremony and lasts many days.

The superstition of the tribe forms a weird chapter. The medicine man is the chief factor. He has in his possession hideously painted and carved wooden images, shamens of wonderful power in Quinaiult. Representing grossly exaggerated human proportions, and of no merit as a work of art, they bear no description. It is in sickness that these “big medicines,” as they are called, are used by the doctor, who remains in practice against all devices of the evil one to suppress his power.

One of the latest affairs in which this big medicine was practiced, resulted in the death of three children, all of the same family, after many weeks of noisy demonstration by the doctors. The father’s wealth was spent in heavy payments to the medicine men, called by him from various tribes to administer to his sick girls, who at first showed nothing more than the symptoms of a simple disease. In company with the doctors also were many neighbors, who crowded the limited quarters of the sick room to suffocation, in the performances of their wild orgies. Night and day would be heard the hoarse chant of the medicine men, chorused vociferously by the crowd, and the beating of the tom-tom drum. The young ones lay helpless and unattended, without hope or chance of recovery.

Few strangers pass through the village without hearing the noise of the tom-tom, and the chant of death at the sick bed. However trifling the complaint the medicine man is called and heavily recompensed for his services.

The indulgence of superstition, however, is better illustrated by the recent conduct of the unhappy mother of a child which became slightly sick. The incident happened during one of the cold and stormy nights of winter. Darkness had long announced the hour of sleep when a wailing cry was heard coming from the side of the river, where nothing but a forest-covered bluff exists. The cry was one almost of agony and was continued throughout the night. At times the wail of woe would be borne away by the soughing of the woods in the gale or be drowned by the roar of breakers close at hand. No light was seen. With the faith of a fanatic and endurance of a mother’s love the mourner spent the night alone in the cold and rain, wrapped in no cover but a single blanket, in the belief that the evil spirit would not find her babe in the darkness. The strange faith of the woman is paralleled by the worship practiced by an old medicine man, still living, of the tribe. In a dilapidated dwelling the Indian erected a charred hemlock pole of slight dimensions, securing thereto a covering of eagle and other feathers. The idol was complete in its simplicity and exemplified a tradition of the medicine man’s power. Its significance, however, remains buried within the bosom of the taciturn worshiper. For days and nights he knelt beside this strange design without eating, without sleeping, but partly chanting, partly talking, with earnest gesture and uplifted face, he called up the mystery of his superstition.

The great highway of the tribe, next to the ocean itself, is the swiftly flowing Quinaiult river, up which they run their light canoes to the lake of the same name. In the summer and sometimes, too, when the snow whitens the upper lying forests, the canoe highway is relinquished and the Indian takes the trail through the woods or over the mountains. From the lake of Quinaiult, resting in the foothills of the Olympics, within hearing of the ocean’s roar, many trails are blazed to camps, made long years ago, where fat elk have been butchered and dried by the Indians.

The mountains form the summer’s paradise of the tribe. It is there that bands of elk may be seen gamboling on the unmelted snow in the glare of the sun; and the black bear may be seen in numbers feeding on the luxurious wild berries. But the lake itself, perhaps, is regarded by the Indians as their greatest natural treasure. The year round it is the haunt of numerous kinds of salmon, tempted there from the ocean to spawn. Thousands of trout may be seen also in its transparent depths and wild fowl flock to its inviting feeding grounds in great numbers from all climes. At times, too, a deer makes its way from bank to bank. It is an ideal spot, but will not much longer be the domain of the Quinaiult tribe.

The interior of the Quinaiult hut is more interesting than the outside. In the smoke and dull light the details of the house are almost invisible. The mountings of a rack of firearms, seven or eight in number, attract inquiry as they glimmer in the firelight. They are relics of many years with the exception of one or two. The most ancient is a flint-lock, of immense bore and short barrel, the stock being inlaid with native work of bone. Another is an old muzzle-loading Kentucky rifle standing as high as the hunter himself; and of more recent date is the old reliable Sharp’s, picked up by the present generation in their migrations to the hop fields on Puget Sound or in barter.