In the Track of R. L. Stevenson and Elsewhere in Old France

by J. A. Hammerton

LE PUY: CATHEDRAL AND ROCHER DE CORNEILLE FROM PLACE DU BREUIL

I have stayed in many a strange hotel, but that of the "Ambassadeurs," whither we repaired, is perhaps the most uncommon in my experience. It was reached from the main street through a long, dark tunnel, opening at the end into a badly-lighted court, whence a flight of stairs gave entrance to the hotel building, which inside was like an old and partially-furnished barracks, with wide stone stairs and gloomy passages eminently adapted for garrotting. But the bedroom was commodious, and its windows gave on another market-place, where had been the original frontage of the hotel. For all its cheerless appearance, the "Ambassadeurs" was by no means uncomfortable, and, needless to say, the cooking was excellent.

There are some towns that ask of you only to wander their streets, and others that challenge you to closer acquaintance with their sights. Paris or Brussels, for example, pours its bright life through boulevard and park, and you are charmed to walk about with no urgent call to any place in particular; but who can linger in Princes Street of Edinburgh with the grey old castle inviting him to climb up to it, or the Calton Hill boldly advertising itself with its mock Roman remains? Le Puy has both the charm of the quaintest kinds of street life and the challenge of its rare and curious monuments.

One has a restless feeling, a sense of things that "must be done," when one catches a glimpse of the stately old cathedral standing high on the hill, and the massive Rock of Corneille with the great figure of Notre Dame de France on top, or the church of St. Michel pricking up so confidently on its isolated rock. The natural curiosity of man is such that he cannot be content until he has clambered to these and other high places in and around Le Puy. One makes first for the cathedral, and a bewildering labyrinth of ancient and evil-smelling lanes has to be wandered through before the building is reached. These little streets are all paved with cobbles of black lava, and many of the houses are built in part of the same material. Their dirtiness is unqualified, and yet the people seem to live long amid their squalor, for at every other door we note women of old years busy with their needles and pillows making the lace, which is one of the chief industries of the town.

III.

The nearer we come to the cathedral the more difficult is it to observe its general proportions, and, indeed, it can only be seen to advantage from one or other of the neighbouring heights. But it is a building that, in almost any position, would still be remarkable, as it is a striking example of Romanesque architecture. The great porch is reached by a splendid flight of steps, sixty in number, where in the second week of August each year pilgrims come in their thousands to kneel and worship the Black Virgin, the chief glory of the town in the eyes of its inhabitants. The builders of the cathedral have striven to combine dignity and austerity, and the impression which the outside of the building makes upon the visitor is strangely at variance with the flummery that surrounds the worship of the Black Virgin within. One feels that the men who back in the twelfth century reared these massive walls and built this beautiful cloister had not their lives dominated by a cheap and ugly wooden doll such as their fellows of to-day bow down before. We found the sacristan a young man of most amiable disposition; so friendly indeed that on one of our subsequent visits, and during the office of High Mass, when he was attending upon the celebrant, he nodded familiarly to us on recognising us among the congregation. If the truth must be told, we were more interested in the contents of the sacristy than in the cathedral itself. Here were stored many rare and beautiful examples of ancient wood-carving, picture frames, missals, altar vessels, and, above all, a manuscript Bible of the ninth century. This last-mentioned we were shown only on condition that we would tell no one in the town. Then opening a great oaken cupboard, he produced first a brass monstrance, similar to the usual receptacle for the consecrated wafer of the Eucharist, but containing instead behind the little glass disc a tiny morsel of white feather sewn to a bit of cloth.

"This," said he, "is a piece of the wing of the angel who visited Joan of Arc."

"Indeed," I remarked, with every evidence of surprise, "and who got hold of the feather first?"