GENERAL VIEW OF MONT ST. MICHEL

To the student of architecture it would be impossible to mention any monument more worthy of study than this. Not only do we find within its innumerable cloisters, crypts, and halls, specimens of the purest Gothic that exists, but at every turn we are presented with structures that conform to the very highest ideals of art, in being at once useful and beautiful. There is not a single buttress, not a window, not an arch, not a pillar, that does not discharge some duty, and the removal of which would not weaken in some degree a part of the scheme.

V.

The best way to secure an intelligible notion of the work of these monkish builders is to walk around the Mount at low tide and study the buildings from the outside. The feature that will most impress one in following this course is the wonderful north side of the Mount, known as the Merveille, which rears its massive walls sheer from the rock face, supported along its entire length by enormous buttresses, that spring with a fine suggestion of strength and permanency from their rocky base. The principal buildings, apart from the church, are contained within these massive walls. To the west we have, in three stories, the Cellar, the Salle des Chevaliers, and above the latter the open Cloister, the most perfect example of its kind in the world. The eastern part begins with the Almonry, above which is the Salle des Hôtes, and on the top of that the Refectory.

The whole effect of the Merveille is superb, yet what is it more than a great wall, held up by mighty buttresses, pierced in different ways to light the chambers within and to make each suitable for its particular office? The most perfect economy has been observed throughout, the buttresses are terminated the moment their services are not required, and the Refectory, which carries a light wooden roof, is lighted by means of long narrow lancets which give to the wall far more strength than would have been possible had it been pierced by wide windows; still, the lighting within is perfect. In brief, the Merveille, apart from the numerous other buildings that went to form the monastic and military establishment, is enough to send an architect into raptures, and might, if he knew not the dangers of the incoming tide, which has to cover nine miles of land at the rate of a race-horse, induce him to tarry over long in feasting his eyes on this marvellous achievement. It is beautiful beyond description, and yet we may be certain that its builders never thought of mere beauty in its construction, but built purely to meet the exigencies of the situation, and to provide the best possible accommodation for the inhabitants of the monastery and their dependants. As one writer has put it, "the beauty just happened." It is only when we find builders striving after effect that we are face to face with decadent art.

Continuing our walk round the rock on those sands that have been the scene of many a bitter battle, we pass under the ramparts, beginning with the Tour du Nord at the eastern end of the Merveille. Here, again, the beautiful union of art and Nature is observed, this magnificent tower seeming to be but the natural growth of the shelving rocks at its base. It is no surprise to know that through the ages which knew not the Maxim or the 100-ton gun, the splendid fortifications successfully resisted every attack of the envious English, the Bretons, and the Huguenots. The modern town is huddled picturesquely between the ramparts and the Abbey to the east and south.

VI.

Having completed the tour around the Mount, the visitor should proceed along the ramparts, and reach the entrance to the Abbey by the staircase known as the Grand Degré, which leads into the Barbican, and through the massive and beautiful Châtelet into the more ancient entrance of the Abbey, known as Belle-Chaise, where are situated the Guard Room and the Government Room. Here the guide will take us in hand, and march us from point to point of interest in the interior. But it is impossible, in the space of a short chapter, to attempt a description of this, that would follow in any detail the stipulated round of the apartments at present shown to the public.