The Religion of the Ancient Celts

by J. A. MacCulloch

Many strands went to the weaving of the later conception of the gods, but there still hung around them an air of mystery, and the belief that they were a race of men was never consistent with itself.

Danu gave her name to the whole group of gods, and is called their mother, like the Egyptian Neith or the Semitic Ishtar.[²¹⁸] In the annalists she is daughter of Dagda, and has three sons. She may be akin to the goddess Anu, whom Cormac describes as "mater deorum hibernensium. It was well she nursed the gods." From her name he derives ana, "plenty," and two hills in Kerry are called "the Paps of Anu."[²¹⁹] Thus as a goddess of plenty Danu or Anu may have been an early Earth-mother, and what may be a dim memory of Anu in Leicestershire confirms this view. A cave on the Dane Hills is called "Black Annis' Bower," and she is said to have been a savage woman who devoured human victims.[²²⁰] Earth-goddesses usually have human victims, and Anu would be no exception. In the cult of Earth divinities Earth and under-Earth are practically identical, while Earth-goddesses like Demeter and Persephone were associated with the underworld, the dead being Demeter's folk. The fruits of the earth with their roots below the surface are then gifts of the earth- or under-earth goddess. This may have been the case with Danu, for in Celtic belief the gifts of civilisation came from the underworld or from the gods. Professor Rh[^y]s finds the name Anu in the dat. Anoniredi, "chariot of Anu," in an inscription from Vaucluse, and the identification is perhaps established by the fact that goddesses of fertility were drawn through the fields in a vehicle.[²²¹] Cormac also mentions Buanann as mother and nurse of heroes, perhaps a goddess worshipped by heroes.[²²²]

Danu is also identified with Brigit, goddess of knowledge (dán), perhaps through a folk-etymology. She was worshipped by poets, and had two sisters of the same name connected with leechcraft and smithwork.[²²³] They are duplicates or local forms of Brigit, a goddess of culture and of poetry, so much loved by the Celts. She is thus the equivalent of the Gaulish goddess equated with Minerva by Cæsar, and found on inscriptions as Minerva Belisama and Brigindo. She is the Dea Brigantia of British inscriptions.[²²⁴] One of the seats of her worship was the land of the Brigantes, of whom she was the eponymous goddess, and her name (cf. Ir. brig, "power" or "craft"; Welsh bri, "honour," "renown") suggests her high functions. But her popularity is seen in the continuation of her personality and cult in those of S. Brigit, at whose shrine in Kildare a sacred fire, which must not be breathed on, or approached by a male, was watched daily by nineteen nuns in turn, and on the twentieth day by the saint herself.[²²⁵] Similar sacred fires were kept up in other monasteries,[²²⁶] and they point to the old cult of a goddess of fire, the nuns being successors of a virgin priesthood like the vestals, priestesses of Vesta. As has been seen, the goddesses Belisama and Sul, probably goddesses of fire, resembled Brigit in this.[²²⁷] But Brigit, like Vesta, was at once a goddess of fire and of fertility, as her connection with Candlemas and certain ritual survivals also suggest. In the Hebrides on S. Bride's day (Candlemas-eve) women dressed a sheaf of oats in female clothes and set it with a club in a basket called "Briid's bed." Then they called, "Briid is come, Briid is welcome." Or a bed was made of corn and hay with candles burning beside it, and Bride was invited to come as her bed was ready. If the mark of the club was seen in the ashes, this was an omen of a good harvest and a prosperous year.[²²⁸] It is also noteworthy that if cattle cropped the grass near S. Brigit's shrine, next day it was as luxuriant as ever.

Brigit, or goddesses with similar functions, was regarded by the Celts as an early teacher of civilisation, inspirer of the artistic, poetic, and mechanical faculties, as well as a goddess of fire and fertility. As such she far excelled her sons, gods of knowledge. She must have originated in the period when the Celts worshipped goddesses rather than gods, and when knowledge—leechcraft, agriculture, inspiration—were women's rather than men's. She had a female priesthood, and men were perhaps excluded from her cult, as the tabued shrine at Kildare suggests. Perhaps her fire was fed from sacred oak wood, for many shrines of S. Brigit were built under oaks, doubtless displacing pagan shrines of the goddess.[²²⁹] As a goddess, Brigit is more prominent than Danu, also a goddess of fertility, even though Danu is mother of the gods.

Other goddesses remembered in tradition are Cleena and Vera, celebrated in fairy and witch lore, the former perhaps akin to a river-goddess Clota, the Clutoida (a fountain-nymph) of the continental Celts; the latter, under her alternative name Dirra, perhaps a form of a goddess of Gaul, Dirona.[²³⁰] Aine, one of the great fairy-queens of Ireland, has her seat at Knockainy in Limerick, where rites connected with her former cult are still performed for fertility on Midsummer eve. If they were neglected she and her troops performed them, according to local legend.[²³¹] She is thus an old goddess of fertility, whose cult, even at a festival in which gods were latterly more prominent, is still remembered. She is also associated with the waters as a water-nymph captured for a time as a fairy-bride by the Earl of Desmond.[²³²] But older legends connect her with the síd. She was daughter of Eogabal, king of the síd of Knockainy, the grass on which was annually destroyed at Samhain by his people, because it had been taken from them, its rightful owners. Oilill Olomm and Ferchus resolved to watch the síd on Samhain-eve. They saw Eogabal and Aine emerge from it. Ferchus killed Eogabal, and Oilill tried to outrage Aine, who bit the flesh from his ear. Hence his name of "Bare Ear."[²³³] In this legend we see how earlier gods of fertility come to be regarded as hostile to growth. Another story tells of the love of Aillén, Eogabal's son, for Manannan's wife and that of Aine for Manannan. Aine offered her favours to the god if he would give his wife to her brother, and "the complicated bit of romance," as S. Patrick calls it, was thus arranged.[²³⁴]

Although the Irish gods are warriors, and there are special war-gods, yet war-goddesses are more prominent, usually as a group of three—Morrigan, Neman, and Macha. A fourth, Badb, sometimes takes the place of one of these, or is identical with Morrigan, or her name, like that of Morrigan, may be generic.[²³⁵] Badb means "a scald-crow," under which form the war-goddesses appeared, probably because these birds were seen near the slain. She is also called Badbcatha, "battle-Badb," and is thus the equivalent of -athubodua, or, more probably, Cathubodua, mentioned in an inscription from Haute-Savoie, while this, as well as personal names like Boduogenos, shows that a goddess Bodua was known to the Gauls.[²³⁶] The badb or battle-crow is associated with the Fomorian Tethra, but Badb herself is consort of a war-god Nét, one of the Tuatha Dé Danann, who may be the equivalent of Neton, mentioned in Spanish inscriptions and equated with Mars. Elsewhere Neman is Nét's consort, and she may be the Nemetona of inscriptions, e.g. at Bath, the consort of Mars. Cormac calls Nét and Neman "a venomous couple," which we may well believe them to have been.[²³⁷] To Macha were devoted the heads of slain enemies, "Macha's mast," but she, according to the annalists, was slain at Mag-tured, though she reappears in the Cúchulainn saga as the Macha whose ill-treatment led to the "debility" of the Ulstermen.[²³⁸] The name Morrigan may mean "great queen," though Dr. Stokes, connecting mor with the same syllable in "Fomorian," explains it as "nightmare-queen."[²³⁹] She works great harm to the Fomorians at Mag-tured, and afterwards proclaims the victory to the hills, rivers, and fairy-hosts, uttering also a prophecy of the evils to come at the end of time.[²⁴⁰] She reappears prominently in the Cúchulainn saga, hostile to the hero because he rejects her love, yet aiding the hosts of Ulster and the Brown Bull, and in the end trying to prevent the hero's death.[²⁴¹]

The prominent position of these goddesses must be connected with the fact that women went out to war—a custom said to have been stopped by Adamnan at his mother's request, and that many prominent heroines of the heroic cycles are warriors, like the British Boudicca, whose name may be connected with boudi, "victory." Specific titles were given to such classes of female warriors—bangaisgedaig, banfeinnidi, etc.[²⁴²] But it is possible that these goddesses were at first connected with fertility, their functions changing with the growing warlike tendencies of the Celts. Their number recalls that of the threefold Matres, and possibly the change in their character is hinted in the Romano-British inscription at Benwell to the Lamiis Tribus, since Morrigan's name is glossed lamia.[²⁴³] She is also identified with Anu, and is mistress of Dagda, an Earth-god, and with Badb and others expels the Fomorians when they destroyed the agricultural produce of Ireland.[²⁴⁴] Probably the scald-crow was at once the symbol and the incarnation of the war-goddesses, who resemble the Norse Valkyries, appearing sometimes as crows, and the Greek Keres, bird-like beings which drank the blood of the slain. It is also interesting to note that Badb, who has the character of a prophetess of evil, is often identified with the "Washer at the Ford," whose presence indicates death to him whose armour or garments she seems to cleanse.[²⁴⁵]

The Matres, goddesses of fertility, do not appear by name in Ireland, but the triplication of such goddesses as Morrigan and Brigit, the threefold name of Dagda's wife, or the fact that Arm, Danu, and Buanan are called "mothers," while Buanan's name is sometimes rendered "good mother," may suggest that such grouped goddesses were not unknown. Later legend knows of white women who assist in spinning, or three hags with power over nature, or, as in the Battle of Ventry, of three supernatural women who fall in love with Conncrithir, aid him in fight, and heal his wounds. In this document and elsewhere is mentioned the "síd of the White Women."[²⁴⁶] Goddesses of fertility are usually goddesses of love, and the prominence given to females among the síde, the fact that they are often called Be find, "White Women," like fairies who represent the Matres elsewhere, and that they freely offer their love to mortals, may connect them with this group of goddesses. Again, when the Milesians arrived in Ireland, three kings of the Tuatha Déa had wives called Eriu, Banba, and Fotla, who begged that Ireland should be called after them. This was granted, but only Eriu (Erin) remained in general use.[²⁴⁷] The story is an ætiological myth explaining the names of Ireland, but the three wives may be a group like the Matres, guardians of the land which took its name from them.

Brian, Iuchar, and Iucharba, who give a title to the whole group, are called tri dee Donand, "the three gods (sons of) Danu," or, again, "gods of dán" (knowledge), perhaps as the result of a folk-etymology, associating dân with their mother's name Danu.[²⁴⁸] Various attributes are personified as their descendants, Wisdom being son of all three.[²⁴⁹] Though some of these attributes may have been actual gods, especially Ecne or Wisdom, yet it is more probable that the personification is the result of the subtleties of bardic science, of which similar examples occur.[²⁵⁰] On the other hand, the fact that Ecne is the son of three brothers, may recall some early practice of polyandry of which instances are met with in the sagas.[²⁵¹] M. D'Arbois has suggested that Iuchar and Iucharba are mere duplicates of Brian, who usually takes the leading place, and he identifies them with three kings of the Tuatha Déa reigning at the time of the Milesian invasion—MacCuill, MacCecht, and MacGrainne, so called, according to Keating, because the hazel (coll), the plough (cecht), and the sun (grian) were "gods of worship" to them. Both groups are grandsons of Dagda, and M. D'Arbois regards this second group as also triplicates of one god, because their wives Fotla, Banba, and Eriu all bear names of Ireland itself, are personifications of the land, and thus may be "reduced to unity."[²⁵²] While this reasoning is ingenious, it should be remembered that we must not lay too much stress upon Irish divine genealogies, while each group of three may have been similar local gods associated at a later time as brothers. Their separate personality is suggested by the fact that the Tuatha Dé Danann are called after them "the Men of the Three Gods," and their supremacy appears in the incident of Dagda, Lug, and Ogma consulting them before the fight at Mag-tured—a natural proceeding if they were gods of knowledge or destiny.[²⁵³] The brothers are said to have slain the god Cian, and to have been themselves slain by Lug, and on this seems to have been based the story of The Children of Tuirenn, in which they perish through their exertions in obtaining the eric demanded by Lug.[²⁵⁴] Here they are sons of Tuirenn, but more usually their mother Danu or Brigit is mentioned.

Another son of Brigit's was Ogma, master of poetry and inventor of ogham writing, the word being derived from his name.[²⁵⁵] It is more probable that Ogma's name is a derivative from some word signifying "speech" or "writing," and that the connection with "ogham" may be a mere folk-etymology. Ogma appears as the champion of the gods,[²⁵⁶] a position given him perhaps from the primitive custom of rousing the warriors' emotions by eloquent speeches before a battle. Similarly the Babylonian Marduk, "seer of the gods," was also their champion in fight. Ogma fought and died at Mag-tured; but in other accounts he survives, captures Tethra's sword, goes on the quest for Dagda's harp, and is given a síd after the Milesian victory. Ogma's counterpart in Gaul is Ogmíos, a Herakles and a god of eloquence, thus bearing the dual character of Ogma, while Ogma's epithet grianainech, "of the smiling countenance," recalls Lucian's account of the "smiling face" of Ogmíos.[²⁵⁷] Ogma's high position is the result of the admiration of bardic eloquence among the Celts, whose loquacity was proverbial, and to him its origin was doubtless ascribed, as well as that of poetry. The genealogists explain his relationship to the other divinities in different ways, but these confusions may result from the fact that gods had more than one name, of which the annalists made separate personalities. Most usually Ogma is called Brigit's son. Her functions were like his own, but in spite of the increasing supremacy of gods over goddesses, he never really eclipsed her.