When darkness fell on the Lagunes, the glories of the piazza of San Marco again blazed forth. What with cafés and countless lamps, a flood of light fell upon the marble pavement, on which some ten or twelve thousand people, rich and poor, were assembled, and were being regaled with occasional airs from a numerous band. The Sabbath closed in the Adriatic not altogether so tranquilly as it had opened.

The Venetians have long been famous for their peculiar skill in combining devotion with pleasure,—more devout than home in the morning, and gayer than Paris in the evening. Such has long been the character of the Queen of the Adriatic. She has been truly, as briefly described by the poet,—

"The revel of the earth, the mask of Italy!"

Once a better destiny appeared to be about to dawn on Venice. In the sixteenth century the Reformation knocked at her gates, and for a moment it seemed as if these gates were to be opened, and the stranger admitted. Had it been so, the chair of her Doge would not now have been empty, nor would Austrian manacles have been pressing upon her limbs. "The evangelical doctrine had made such progress," writes Dr M'Crie, "in the city of Venice, between the years 1530 and 1542, that its friends, who had hitherto met in private for mutual instruction and religious exercises, held deliberations on the propriety of organizing themselves into regular congregations, and assembling in public." Several members of the Senate were favourable to it, and hopes were entertained at one time that the authority of that body would be interposed in its behalf. This hope was strengthened by the fact, that when Ochino ascended the pulpit, "the whole city ran in crowds to hear their favourite preacher." But, alas! the hope was delusive. It was the Inquisition, not the Reformation, to which Venice opened her gates; and when I surveyed her calm and beautiful Lagunes, my emotions partook at once of grief and exultation,—grief at the remembrance of the many midnight tragedies enacted on them, and exultation at the thought, that in the seas of Venice there sleeps much holy dust awaiting the resurrection of the just. "Drowning was the mode of death to which they doomed the Protestants," says Dr M'Crie, "either because it was less cruel and odious than committing them to the flames, or because it accorded with the customs of Venice. But if the autos da fe of the Queen of the Adriatic were less barbarous than those of Spain, the solitude and silence with which they were accompanied were calculated to excite the deepest horror. At the dead hour of midnight the prisoner was taken from his cell, and put into a gondola or Venetian boat, attended only, besides the sailors, by a single priest, to act as confessor. He was rowed out into the sea, beyond the Two Castles, where another boat was in waiting. A plank was then laid across the two gondolas, upon which the prisoner, having his body chained, and a heavy stone affixed to his feet, was placed; and, on a signal given, the gondolas retiring from one another, he was precipitated into the deep." "We can do nothing against the truth," says the apostle. Venice is rotting in her Lagunes: the Reformation, shaking off the chains with which men attempted to bind it, is starting on a new career of progress.

Next morning, at breakfast in my hotel, formerly the palace of the Giustiniani, I met a young Englishman, who had just come from Rome. He had the misfortune to be of the same name with one on the "suspected list," and for this offence he was arrested on entering the Austrian territory; and, though allowed to come on to Venice, his passport was taken from him, and his journey to England, which he meant to make by way of Trieste and Vienna, stopped. The list to which I have referred, which is kept at all the continental police offices, and which the eye of policeman or sbirro only can see, has created a sort of inquisition for Europe. The poor traveller has no means of knowing who has denounced him, or why; and wherever he goes, he finds a vague suspicion surrounding him, which he can neither penetrate nor clear up, and which exposes him to numberless and by no means petty annoyances. I accompanied my friend, after breakfast, to the Prefecture, to transact my own passport matters, and was glad to find that the authorities were now satisfied that he was not the same man who figured on the black list. Still they had no apology, no reparation, to offer him: on the contrary, he was informed that he must submit to a detention of two or three days more, till his passport should be forwarded from the provincial office where it was lying. His misfortune was my advantage, for it gave me an intelligent and obliging companion for the rest of the day; and we immediately set out to visit together all the great objects in Venice. It would be preposterous to dwell on these, for an hundred pens have already described them better; and my object is to advert to one great lesson which this fallen city,—for the sea, which once was the bulwark and throne of Venice, is now her prison,—teaches.

Betaking ourselves to a gondola, we passed down the Giudecca, Canal. We much admired—as who would not?—the-noble palaces which on either hand rose so proudly from the bosom of the deep, yet invested with an air of silent desolation, which made the heart sad, even while their beauty delighted the eye. We disembarked at the stairs of the piazzetta of S. Mark, and repaired to the Doge's palace,—the dwelling of a line of rulers haughtier than kings, and the throne of a republic more oppressive than tyrannies. We walked through its truly majestic halls, glowing with great paintings from Venetian history; and visited its senatorial chamber, and saw the vacant places of its nobles, and the empty chair of its Doge. There was here no lack of materials for moralizing, had time permitted. She that sat as a Queen upon the waves,—that said, "I am of perfect beauty,"—that sent her fleets to the ends of the earth, and gathered to her the riches and glory of all nations,—alas! how is she fallen! "The princes of the sea" have "come down from their thrones, and" laid "away their robes, and put off their broidered garments." "What city is like" Venice,—"like the destroyed in the midst of the sea!"

We passed out between the famous stone lions, which, even so late as the end of the last century, no Venetian could look on but with terror. There they sat, with open jaws, displaying their fearfully significant superscription, "Denunzie secrete,"—realizing the poet's idea of republics guarded by dragons and lions. The use of these guardian lions the Venetians knew but too well. Accusations dropped by spies and informers into their open mouths, were received in a chamber below. Thus the bolt fell upon the unsuspicious citizen, but the hand from which it came remained invisible. Crossing by the "bridge of sighs,"—the canal, Rio de Palazzo, which runs behind the ducal palace,—we entered the state prisons of Venice. In the dim light I could discern what seemed a labyrinth of long narrow passages; traversing which, we arrived at the dungeons. I entered one of them: it was vaulted all round; and its only furniture, besides a ring and chain, was a small platform of boards, about half a foot from the floor, which served as the prisoner's bed. In the wall of the cell was a small aperture, by which the light might be made to stream in upon the prisoner, when the jailor did not wish to enter, simply by placing the lamp in an opposite niche in the passage. Here crime, despair, madness, and sometimes innocence, have dwelt. Horrible secrets seemed to hover about its roof, and float in its air, and to be ready to break upon me from every stone of the dungeon. I longed, yet trembled, to hear them. But silent they are, and silent they will remain, till that day when "the sea shall give up its dead." There are yet lower dungeons, deep beneath water-mark, but I was told that these are now walled up.

We emerged again upon the marble piazzetta; and more welcome than ever was the bright light, and the noble grace of the buildings. At its southern extremity, where the piazzetta looks out upon the Adriatic, are two stately granite columns; the one surmounted by St Theodore, and the other by the lion of St Mark. These are the two gods of Venice. They were to the Republic what the two calves were to Israel,—their all-powerful protectors; and so devoutly did the Venetians worship them, that even the god of the Seven Hills became jealous of them. "The Venetians in general care little about God," says an old traveller, "less about the Pope, but a great deal about St Mark." St Theodore sheltered the Republic in its infancy; but when it grew to greatness, it deemed it unbecoming its dignity to have only a subordinate for its tutelar deity. Accordingly, Venice sought and obtained a god of the first water. The Republic brought over the body of St Mark, enshrined it in a magnificent church, and left its former patron no alternative but to cross the Lagunes, or occupy a second place.

Before bidding adieu to the piazza of St Mark, around which there hovers so many historic memories, and which every style of architecture, from the Greek and the Byzantine down to the Gotho-Italian, has met to decorate, and which, we may add, in point of noble grace and chaste beauty is perhaps not excelled in the world, we must be allowed to mention one object, which appeared to us strangely out of keeping with the spot and its edifices. It is the tall Gothic tower that rises opposite the Byzantine front of S. Mark's Cathedral. It attains a height of upwards of three hundred feet, and is used for various purposes, which, however, it could serve equally well in some other part of Venice. It strikes one the more, that it is the one deformity of the place. It reminded me of the entrance of a clown at a royal levee, or the appearance of harlequin in a tragedy.