It was now full day, and we had reached the summit of the pass. Above us were still the snow-clad peaks; but the road does not ascend higher. We now crossed the frontier, and were in Italy. A little rocky plain surrounded by weather-beaten peaks, a deep blue lake, and a sea of bare ridges in front, were all that we saw of Italy. The road now began sensibly to decline, and the diligence quickened its pace. We soon reached the ridges before us, and began to descend over the brow of the Alps, which are steep and perpendicular as a wall almost, on their southern side. You first traverse a region covered with immense lichen-clothed boulders; next come stretches of heath; then stunted firs: by and by fruit and forest trees begin to make their appearance; next comes the lovely acacia; and last of all the vine, tall and luxuriant, veiling the peasant's cot with its shadow. The road is literally a series of hanging stairs, which zig-zag down the face of the mountain. At certain points the rock is perforated; at others it is hewn into terraces; and at others the path rests on vast substructions of masonry. Now an immense rock leans over the road, and now you find yourself on the edge of some frightful precipice, with the gulph running right down many thousands of feet, and a white torrent at the bottom, boiling and struggling, but unable to make itself heard at that height on the mountain. The turns are frequent and sharp; and the heavy, overladen vehicle, in its furious downward career, gives a swing at each, as if it would cut short the passage into Italy, and land the passenger, sooner than he wishes, at the bottom. At length, after four hours' riding, the descent is accomplished. The scene has changed in the twinkling of an eye. The plain is as level as a floor. The warm sun,—the brilliant sky,—the luxuriant vines,—the handsome architecture,—the picturesque costumes,—the dark oval faces, and black fiery eyes of the natives,—all tell you that it is a new world into which you have entered,—that this is Italy.
CHAPTER III.
RISK AND PROGRESS OF CONSTITUTIONALISM IN PIEDMONT.
First Entrance into Italy—Never can be Repeated—The Cathedral of Turin—The Royal Palace—The Museum—Egyptian Mummies—Reflections—Landmark of the Vaudois Valleys—Piedmontese House of Commons—Piedmontese Constitution—Perils that surrounded it—Providentially shielded from these—Numbers and Wealth of the Priesthood—Want of Public Opinion—Rise of a Free Press—Its Power—The Gazetta del Popolo—The Bible quoted by the Journalists—The flourishing State of the Country—The Waldensian Temple and Congregation—Workmen's Clubs—The Capuchin Monastery—A Capuchin Friar—Sunset.
One can enter Italy for the first time only once. For, however often we may climb the Alps, and tread the land that lies stretched out at their base, it is with a cold pulse, compared with the fever of excitement into which we are thrown by the first touch of that soil. The charm is flown; the tree of knowledge has been plucked; and never more can we taste the dreamy yet intense delight which attended the first unfolding of the gates of the Alps, and the first rising of the fair vision of Italy.
In truth, the Italy which one comes to see on his second visit is not the Italy that first drew him across the Alps. That was the Italy of history, or rather of his own imagination. The fair form his fancy was wont to conjure up, draped in the glowing recollections of empire and of arms, and encompassed with the halo of heroic deeds, he can see no more. There meets him, on the other side of the Alps, a vision very unlike this. The Italy of the Cæsars is gone; and where she sat is now a poor, naked, cowering thing, with a chain upon her arm,—the Italy of the Popes. But the fascination attends the traveller some short way into that land. Indeed, he is loath to lose it, and would rather see Italy through the warm colourings of history, and the bright hues of his own fancy, than look upon her as she is.
I shall never forget the intense excitement that thrilled me when I found myself rolling along on the magnificent avenue of pollard-elms, that runs all the way from Rivoli to Turin. The voluptuous air, which seemed to fill the landscape with a dreamy gaiety; the intense sunlight, which tinted every object with extraordinary brilliancy, from the bright leaves overhead, to the burning domes of Turin in front; the dark eyes of the natives, which flashed with a fervour like that of their own sun; the Alps towering above me, and running off in a vast unbroken line of glittering masses,—all contributed to form a picture of so novel and brilliant a kind, that it absolutely produced an intoxication of delight.
I passed a few days at Turin; and the pleasure of my stay was much enhanced by the society of my friend the Rev. John Bonar, whom I had met at Chamberry, en route, with his family, for Malta. We visited together the chief objects of interest in the capital of Piedmont. The churches we saw of course. And though we had been carried blindfolded across the Alps, and set down in the cathedral of Turin, the statuary alone would have told us that we were in Italy. The most unpractised eye could see at once the difference betwixt these statues and those of the Transalpine churches. The Italian sculptors seemed to possess some secret by which they could make the marble live. Some half-dozen of priests, with red copes (I presume it was a martyr's day, for on such days the Church's dress is red), ranged in a pew near the altar, were singing psalms. Whether the good men were thinking of their dinner, I knew not; but they yawned portentously, wrung their hands with an air of helplessness, and looked at us as if they half expected that we would volunteer to do duty for an hour or so in their stead. A bishop chanting his psalter under the groined roof of cathedral, and a covenanter praying in his hill-side cave, would form an admirable picture of two very different styles of devotion. There were some dozen of old women on the floor, whom the mixed motive of saying their prayers and picking up a chance alms seemed to have drawn thither. From the Duomo we went to the King's palace. We walked through a suit of splendid apartments, though not quite accordant in their style of ornament and comfort with our English ideas. The floor and roof were of rich and beautiful mosaics; the walls were adorned with the more memorable battles of the Sardinian nation; and the furniture was minutely and elaborately inlaid with mother-of-pearl. Three rooms more particularly attracted my attention. The first contained the throne of the kings of Savoy,—a gilded chair, under a crimson canopy, and surrounded by a gilt railing. I thought, as I gazed upon it, how often the power of that throne had lain heavily upon the poor Waldenses. The other room contained the bed on which King Charles Albert died. It is yet in my readers' recollection, that Charles Albert died at Oporto; but the whole furniture of the room in which he breathed his last was transported, together with his ashes, to Turin. It was an affecting sight. There it stood, huddled into a corner,—a poor bed of boards, with a plain coverlet, such as a Spanish peasant might sleep beneath; a chest of deal drawers; and a few of the necessary utensils of a sick chamber. The third room contained the Queen's bed of state. Its windows opened sweetly upon the fine gardens of the palace, where the first ray, as it slants downwards from the crest of the Alps into the valley of the Po, falls on the massy foliage of the mulberry and the orange. On the table were some six or eight books, among which was a copy of the Psalms of David. "It is very fine," said my friend Mr Bonar, glancing up at the gilded canopy and silken hangings of the bed, and poking his hand at the same time into its soft woolly furnishings, "but nothing but blankets can make it comfortable."