Fig. 298.—Jamb of Fireplace, Abbot’s Hall, Battle Abbey, Sussex.

But early in the eighteenth century a rapid change took place in the kind of fuel consumed, and coal superseded wood. Sea-coal, that is sea-borne coal, had been in occasional use for many years; now it was to become universal. The change is curiously indicated in some inventories of 1720, made for one “Francis Hawes, of London, Esq., one of the late directors of the South Sea Company.” When that great bubble burst Francis Hawes had to be sold up, and in consequence a complete statement of his affairs had to be prepared. It includes three inventories, two of manor-houses in the country, and one of a house in Winchester Street, London. In regard to the point under consideration, some of the rooms, especially the bedrooms, had iron hearths, dogs, tongs, bellows, and fire shovels, which were requisite for the old-fashioned wood fires; others, including the parlours and hall, had the grates, shovels, tongs, pokers, and fenders requisite for coal fires.

So, too, had the servants’ hall, whereas the drawing-room had an open fire. We may, therefore, conclude that the rooms in most frequent use had the newer contrivances, the most noteworthy of which were the grates, the pokers (for breaking the coal, and quite unnecessary with a wood fire), and the fenders. It is clear that in 1720 Francis Hawes had only partially adopted coal as his fuel, but the use of it quickly spread, and henceforward we find grates of various kinds in common use. Some of these were in effect baskets to hold the coal (Fig. [297]), and they were placed in the old openings. Others were so large as to hold either wood or coal, an intermediate step of which there is an example at Dyrham, in Gloucestershire. In later years the basket grates gave way to cast-iron grates which filled the whole width of the recess, and were built in as fixtures (Figs. [299], [300]). Some of the patterns were delicately modelled and charmingly designed, but as heat-producers these grates were crude to a degree. They merely held the coal. No attempt was made to regulate its consumption, or to direct its heat into the room; a large proportion went up the chimney, and chimneys were still built of the generous dimensions which had been customary in the days of wood fires. These generous dimensions were a length of four or five feet by a width of two or three at the base, gradually diminishing towards the outlet above the roof. Where the flues passed through the bedrooms they occupied a large amount of space, but generally left room at the sides for those deep cupboards which are often to be found in old houses. The only way to sweep such enormous shafts was for somebody to clamber up them with a brush. This dirty and dangerous task was usually imposed upon the chimney sweep’s boy, until it was prohibited by legislation, but modern fires have flues of such small size as not to admit the most diminutive boy.

Fig. 299.—Fire-Grate at Kew Palace.

Fig. 300.—Fire-Grate at Kew Palace.

When huge fires were customary, they warmed the huge flues above them, and down-draughts were prevented; but when the same huge flues were warmed only by a basketful of coal, there was no longer the same upward draught, and the fires began to smoke. To remedy this, new fireplaces were made rather smaller, and the flues were slightly contracted; but the remedy was not effectual, and the next step, taken towards the end of the eighteenth century, was to fill up the large opening, and thereby restrict the access of air to the space occupied by the fire, and thus came into being the first of our modern fire-grates, which carry no suggestion with them of the ancient open fire on the hearth. This form of grate was an improvement, but it was wasteful and inefficient, and was at length superseded by the numerous modern contrivances which minimise the consumption of fuel, and direct more of the heat into the room and less up the flue. It would be rash to say that they have done away with smoky chimneys, but at any rate they have made them the exception rather than the rule.

The inventories of Francis Hawes are interesting in other ways than in marking the change from the ancient wood fires to the modern coal fires: they tell us of the manner in which his rooms were adorned and furnished. It would be outside the scope of the present inquiry to enter into these details at any length, but a few of the words thus spoken direct from the past may be worth listening to. The parlours of the London house were apparently panelled or otherwise decorated with some fixed material, since no mention is made of hangings. They had chimney-glasses, sconces of brass or glass, and curtains to the windows: of furniture one had two card-tables, ten red Turkey-leather chairs, a leather screen, sixteen pictures, and a painted cloth for the floor—not a very elaborate furnishing. The other parlour had a pier glass and marble slab, a scrutoire, six cane chairs, two Dutch chairs, a leather dressing-chair, two tables, a small nest of drawers, eight pictures, and a small carpet. The effect must have been rather bare according to modern standards, but these have gone to the other extreme, with the result that many rooms are now overcrowded with furniture. Upstairs one of the rooms must have been a gallery, for it had no chairs, but was full of curios and objets d’art. The bedrooms of all the houses were also sparsely furnished. They nearly all had large bedsteads, evidently four-posters, with furniture of different kinds, camlet lined with silk, yellow mohair, green or crimson harratine, green serge, and other materials. The walls were hung in most cases with materials of the same kind, blue china, crimson harratine, tapestry, mohair, or Irish stitch and Dutch matting. There were curtains to the windows. One of the smaller bedrooms had but a table and dressing-glass, a couple of chairs and a box; another had a “bewreau” and a card-table in addition. The larger ones had two tables, half a dozen chairs, stools, a nest of drawers, a bookcase, and a number of pictures. It is noteworthy how seldom mention is made of a basin or even of a dressing-table with a glass. This confirms what has already been indicated—that our ancestors of those days spent but little time upon their toilet. Very few rooms had a carpet but nearly every one had a hand-bell, some had as many as four.