Rimrock Trail

by J. Allan Dunn

Blake, nosing here and listening there, while Keith satisfied himself as to the legality of Sandy's guardianship of Molly and the powers that had been granted him to look after all her interests, assuring himself of the speciousness of Plimsoll's claim for grubstake interest. Blake, weaving fact into fiction, compiled the romance of Molly Casey, daughter of the wandering prospector, Patrick Casey; her father's trail-chum by mountain and desert; the death of Casey, the rescue of Molly, the strike at Dynamite.

Much about Sandy's part in it all Blake did not use. He learned little and said nothing of Plimsoll's attempt to get the girl under his control, of the wild ride across the county line. Blake's general canniness concentrated wherever his personal interests were concerned and he had made up his mind that Sandy Bourke was a man whom it would not pay to offend. He might never see the story in print, then again he might, and Blake, very likely, would return to Casey Town once in a while with Keith.

But it was a good story. A Sunday feature story if he could strengthen it a little. If the mine made the girl a millionairess it would carry the yarn as sheer news, but Blake wanted the story to help to carry the mine, to bring in the money from the outside to exploit Casey Town and the Keith holdings.

Keith had the capital and was willing enough to put it into developing the Molly Mine if necessary, but it was a business principle of his never to use his own money when he could get hold of some one else's. His stock in the Molly Mine he meant to hold on to, not to sell, but, with the profits from the sale of his promoter's shares of the "Groups," he expected to mine the Molly claims.

He had turned his eyes toward oil of late, scenting quick turns and this took money. His wife took more, his son, just out of college, took all that he could get. Mrs. Keith seemed to regard her husband's bank-account much as the wife of a farmer might regard the spring in the meadow. With the extravagance of the post-war period, the advance in prices, the amounts she spent were staggering even to Keith, who set no limits on his own ability to make money. To suggest retrenchment would not merely have had small effect upon his wife, but any curtailment would infallibly hurt the standing of the Keith investments. New York was full of people with money to invest. Profiteering, easy-come money, a lot of it. Easy-go money, too, when the profiteers, still dazzled by their riches, totally unconscious of real values, would meet Keith, thinking their money an open sesame to equality with such financiers.

Then Keith entertained them, taking them to his clubs—not his best—to his home where he dazzled them, fogged them in an atmosphere where they were ill at ease though striving to cover it; Keith, drawing them aside when the time was ripe, would tell them of their shrewdness, confess a liking, almost an admiration for them—and let them in on the ground floor.

There were the many who could not be touched personally and, for these, Blake prepared the literature and laid his schemes for real newspaper publicity. Submitting them to Keith, the latter approved. Mrs. Keith was to look Molly up at her school, take her into the Keith home on vacations, introduce her into the social whirl. The right newspapermen would see her, meet her, get the story from Blake of her romantic childhood, with photographs of the Western Heiress in the Park on Horseback. There would be drawings by staff artists of the way she and her father appeared wandering through the desert, discovering the claims, her father's grave, anything to round out the human interest. Moreover, she could be introduced to the right people, that was Mrs. Keith's end of it.

Then would come the prospectuses with these extracts of the best paragraphs, tied up with views of Casey Town, with engineers' reports, with semi-scientific stuff about sylvanite, a masterpiece of romance and fiction, peppered with fact. The whole to be titled White Gold.

Advertisements, headed White Gold, offering the shares. Personal letters to those on the carefully selected lists of Preferred Investors. Offices of the Casey Town Mining Company with alluring specimens behind glass cases, with models of mining machinery and of sections of mines, framed maps and drawings, blue-prints, a chunk of sylvanite ore in a railed-off enclosure with the legend of its marvelous value. Many, most, of these lures, had done service in previous enticements of Keith, but they still held good. They were a good deal like the fake mermaids, the skulls and odds and ends in the window of a palmist, all bait, of better quality, more deftly arranged and displayed, part of the fakir's kit, bait for goldfish. Also brass rails, fine rugs, mahogany furniture, a ticker, busy and pretty stenographers.

Blake submitted his clever campaign, worthy of better things, and Keith approved of it. That the partners of the Three Star as fifty-one per cent, owners, or Molly Casey herself with them, should be consulted or informed, never entered his head.