CONTENTS
| PART I | ||
| PAGE | ||
| Ethel and Helia | [1] | |
| CHAPTER | ||
| I | After the Quat’z-Arts Ball | [3] |
| II | The Fata Morgana | [17] |
| III | Remembering the Golden Days | [29] |
| IV | When Phil Came to Paris | [51] |
| V | An Initiation into Art | [65] |
| VI | The Hanging Gardens of Paris | [83] |
| VII | A Rude Awakening | [99] |
| VIII | The End of the Guitar | [102] |
| IX | Alas! Poor Helia! | [117] |
| X | Miss Ethel Rowrer of Chicago | [125] |
| XI | An Apartment in the Latin Quarter | [133] |
| XII | Ethel’s Idea of a Man | [139] |
| PART II | ||
| More than Queen | [151] | |
| I | Wanted—a Duchess! | [153] |
| II | A Parisian Début | [167] |
| III | Phil, Champion of Miss Rowrer | [185] |
| IV | ’Twixt Dog and Poet | [196] |
| V | Little Sister of a Star | [201] |
| VI | The Old, Old Story | [215] |
| VII | Caracal’s Narrow Escape | [232] |
| VIII | A Queen for Kings | [249] |
| PART III | ||
| Youthful Follies | [269] | |
| I | Teuff-teuff! Teuff! Brrr! | [271] |
| II | In Camp | [284] |
| III | Grand’mère versus Grandma | [301] |
| IV | Through the Country Fair | [317] |
| V | A Banquet on the Sawdust | [330] |
| VI | Was Poufaille Right? | [347] |
| VII | “A True Heart Loves but Once” | [360] |
| PART IV | ||
| Conscience | [377] | |
| I | On the Blue Sea | [379] |
| II | Ethel’s Victory | [392] |
| III | A Castle of the Adriatic | [398] |
| IV | The Little Duke | [410] |
| V | Visiting the Sorceress | [417] |
| VI | The Fight | [431] |
| VII | The Fateful Day Begins | [444] |
| VIII | Fata Morgana to the Rescue! | [452] |
| IX | Stricken in Triumph | [464] |
| X | “On Your Knees!” | [478] |
LIST OF ILLUSTRATIONS
| PAGE | |
| Helia at the very summit of the car | [Frontispiece] |
| The Concierge | [5] |
| The Cow Painting | [13] |
| The Great Canvas | [21] |
| The Little Saint John | [31] |
| Helia and her “Professor” | [35] |
| Phil courting Helia in the Yard | [43] |
| Phil arrives at the Hotel | [53] |
| Hammering the clay with a terrific blow of his fist | [59] |
| Socrate at Deux Magots | [69] |
| Stripped to the waist | [75] |
| “They are pigs!” | [79] |
| On the Roofs of the Louvre | [91] |
| “Only put your soul into it!” | [103] |
| He encumbered the room | [113] |
| A magnificent guardian stopped her | [123] |
| Miss Ethel and Empress Eugénie | [129] |
| Ethel, who was their leader | [145] |
| “Here is the engraving” | [159] |
| Giving the Flower to the Child | [169] |
| Cemetery | [173] |
| At the Circus | [181] |
| Phil rose up, pale with anger | [193] |
| Suddenly Socrate recognized Phil | [199] |
| “To whom shall I write?” | [205] |
| He approached in visible embarrassment | [217] |
| Poufaille’s Goods Ready for Auction | [227] |
| The Punch d’Indignation | [235] |
| Suzanne and Poufaille at the Louvre | [253] |
| Ethel and the Royal Throne | [265] |
| Watching the Arrival of the Rowrers | [273] |
| The Arrival of the Rowrers | [277] |
| Ethel and the Little Peasant Girls | [291] |
| Phil listening to Ethel | [297] |
| They went down into the garden | [311] |
| Suzanne and Poufaille at the Country Fair | [319] |
| The Banquet in the Ring of the Circus | [333] |
| Phil watching Helia and Socrate | [351] |
| Ethel stood upright in the ruined colonnade | [371] |
| She dreamed under a sky studded with stars | [389] |
| She arose angrily | [395] |
| The Searchlight on the Castle | [407] |
| Visiting the Castle | [413] |
| “Does the sight of so many weapons make you nervous?” | [421] |
| Helia facing the Assailants | [433] |
| The Return to the City | [439] |
| The Delegates | [447] |
| “Help me!” he cried | [457] |
| The peddler of pious pictures | [467] |
| The duke stood alone | [473] |
| “My people await their duchess” | [483] |
PART I
ETHEL AND HELIA
FATA MORGANA
CHAPTER I
AFTER THE QUAT’Z-ARTS BALL
At daybreak, Phil Longwill, the young American painter, entered his studio, threw away his cigar, gulped down the contents of his water-jug—and then slipped into an arm-chair and dozed.