Thus the gauntlet was flung—and it is important to note this—before the appearance of the Discourse of Method (1637); but the influence of Descartes made itself felt throughout the controversy, and the most prominent moderns were men who had assimilated Cartesian ideas. This seems to be true even of Desmarets de Saint Sorlin, who, a good many years after the discourse of Boisrobert, opened the campaign. Saint Sorlin had become a fanatical Christian; that was one reason for hating the ancients. [Footnote: For the views of Saint Sorlin see the Preface to his Clovis and his Traite pour juger des poefes grecs, latins, et francais, chap. iv. (1670). Cp. Rigault, Hist. de la querelle, p. 106. The polemic of Saint Sorlin extended over about five years (1669-73).] He was also, like Boisrobert, a bad poet; that was another. His thesis was that the history of Christianity offered subjects far more inspiring to a poet than those which had been treated by Homer and Sophocles, and that Christian poetry must bear off the palm from pagan. His own Clovis and Mary Magdalene or the Triumph of Grace were the demonstration of Homer's defeat. Few have ever heard of these productions; how many have read them? Curiously, about the same time an epic was being composed in England which might have given to the foolish contentions of Saint Sorlin some illusory plausibility.
But the literary dispute does not concern us here. What does concern us is that Saint Sorlin was aware of the wider aspects of the question, though he was not seriously interested in them. Antiquity, he says, was not so happy or so learned or so rich or so stately as the modern age, which is really the mature old age, and as it were the autumn of the world, possessing the fruits and the spoils of all the past centuries, with the power to judge of the inventions, experiences, and errors of predecessors, and to profit by all that. The ancient world was a spring which had only a few flowers. Nature indeed, in all ages, produces perfect works but it is not so with the creations of man, which require correction; and the men who live latest must excel in happiness and knowledge. Here we have both the assertion of the permanence of the forces of nature and the idea, already expressed by Bacon and others, that the modern age has advantages over antiquity comparable to those of old age over childhood.
2.
How seriously the question between the Moderns and the Ancients—on whose behalf Boileau had come forward and crossed swords with Saint Sorlin—was taken is shown by the fact that Saint Sorlin, before his death, solemnly bequeathed the championship of the Moderns to a younger man, Charles Perrault. We shall see how he fulfilled the trust. It is illustrated too by a book which appeared in the seventies, Les Entretiens d'Ariste et Eugene, by Bouhours, a mundane and popular Jesuit Father. In one of these dialogues the question is raised, but with a curious caution and evasiveness, which suggests that the author was afraid to commit himself; he did not wish to make enemies. [Footnote: Rigault notes that he makes one contribution to the subject, the idea that the torch of civilisation has passed from country to country, in different ages, e.g. from Greece to Rome, and recently from Italy to France. In the last century the Italians were first in doctrine and politesse. The present century is for France what the last was for Italy: "We have all the esprit and all the science, all other countries are barbarous in comparison" (p. 239, ed. 1782, Amsterdam). But, as we shall see, he had been anticipated by Hakewill, whose work was unknown to Rigault.]
The general atmosphere in France, in the reign of Louis XIV., was propitious to the cause of the Moderns. Men felt that it was a great age, comparable to the age of Augustus, and few would have preferred to have lived at any other time. Their literary artists, Corneille, and then Racine and Moliere, appealed so strongly to their taste that they could not assign to them any rank but the first. They were impatient of the claims to unattainable excellence advanced for the Greeks and Romans. "The ancients," said Moliere, "are the ancients, we are the people of to-day." This might be the motto of Descartes, and it probably expressed a very general feeling.
It was in 1687 that Charles Perrault—who is better remembered for his collection of fairy-tales than for the leading role which he played in this controversy—published his poem on "The Age of Louis the Great." The enlightenment of the present age surpasses that of antiquity,—this is the theme.
La docte Antiquite dans toute sa duree
A l'egal de nos jours ne fut point eclairee.
Perrault adopts a more polite attitude to "la belle antiquite" than Saint Sorlin, but his criticism is more insidious. Greek and Roman men of genius, he suggests, were all very well in their own times, and might be considered divine by our ancestors. But nowadays Plato is rather tiresome; and the "inimitable Homer" would have written a much better epic if he had lived in the reign of Louis the Great. The important passage, however, in the poem is that in which the permanent power of nature to produce men of equal talent in every age is affirmed.
A former les esprits comme a former les corps
La Nature en tout temps fait les mesmes efforts;
Son etre est immuable, et cette force aisee
Dont elle produit tout ne s'est point epuisee;
..... De cette mesme main les forces infinies
Produisent en tout temps de semblables genies.
The "Age of Louis the Great" was a brief declaration of faith. Perrault followed it up by a comprehensive work, his Comparison of the Ancients and the Moderns (Parallele des Anciens et des Modernes), which appeared in four parts during the following years (1688-1696). Art, eloquence, poetry the sciences, and their practical applications are all discussed at length; and the discussion is thrown into the form of conversations between an enthusiastic champion of the modern age, who conducts the debate, and a devotee of antiquity, who finds it difficult not to admit the arguments of his opponent, yet obstinately persists in his own views.