Separated from this celestial region by Horus, another Horus or Boundary, which, or who, like the former is impassable, lies the ‘kenoma’ or ‘void’—the kingdom of this world, the region of matter and material things, the land of shadow and darkness[[559]]. Here is the empire of the Demiurge or Creator, who is not a celestial Æon at all, but was born in this very void over which he reigns. Here reside all those phenomenal, deceptive, transitory things, of which the eternal counterparts are found only in the pleroma.
Platonism of this antithesis.
It is in this antithesis that the Platonism of the Valentinian theory reaches its climax. All things are set off one against another in these two regions[[560]]: just as
The swan on still St Mary’s lake
Floats double, swan and shadow.
Not only have the thirty Æons their terrestrial counterparts; but their subdivisions also are represented in this lower region. The kenoma too has its ogdoad, its decad, its dodecad, like the pleroma[[561]]. There is one Sophia in the supramundane region, and another in the mundane; there is one Christ who redeems the Æons in the spiritual world, and a second Christ who redeems mankind, or rather a portion of mankind, in the sensible world. There is an Æon Man and another Æon Ecclesia in the celestial kingdom, the ideal counterparts to the Human Race and the Christian Church of the terrestrial. Even individual men and women, as we shall see presently, have their archetypes in this higher sphere of intelligible being.
The localization of the pleroma carried out in detail.
The topographical conception of the pleroma moreover is carried out in the details of the imagery. The second Sophia, called also Achamoth, is the desire, the offspring, of her elder namesake, separated from her mother, cast out of the pleroma, and left ‘stranded’ in the void beyond[[562]], being prevented from returning by the inexorable Horus who guards the frontier of the supramundane kingdom. The second Christ—a being compounded of elements contributed by all the Æons[[563]]—was sent down from the pleroma, first of all at the eve of creation to infuse something like order and to provide for a spiritual element in this lower world; and secondly, when He united Himself with the man Jesus for the sake of redeeming those who were capable of redemption[[564]]. At the end of all things Sophia Achamoth, and with her the spiritual portion of mankind, shall be redeemed and received up into the pleroma, while the psychical portion will be left outside to form another kingdom under the dominion of their father the Demiurge. This redemption and ascension of Achamoth (by a perversion of a scriptural image) was represented as her espousals with the Saviour, the second Christ; and the pleroma, the scene of this happy union, was called the bridal-chamber[[565]]. Indeed the localization of the pleroma is as complete as language can make it. The constant repetition of the words ‘within’ and ‘without’, ‘above’ and ‘beneath’, in the development of this philosophical and religious myth still further impresses this local sense on the term[[566]].
The connexion with St. Paul’s use of the term obscured,
In this topographical representation the connexion of meaning in the word pleroma as employed by St Paul and by Valentinus respectively seems at first sight to be entirely lost. When we read of the contrast between the pleroma and the kenoma, the fulness and the void, we are naturally reminded of the plenum and the vacuum of physical speculations. The sense of pleroma, as expressing completeness and so denoting the aggregate or totality of the Divine powers, seems altogether to have disappeared. |owing partly to the false antithesis κένωμα|But in fact this antithesis of κένωμα was, so far as we can make out, a mere after-thought, and appears to have been borrowed, as Irenæus states, from the physical theories of Democritus and Epicurus[[567]]. It would naturally suggest itself both because the opposition of πλήρης and κενὸς was obvious, and because the word κένωμα materially assisted the imagery as a description of the kingdom of waste and shadow. But in itself it is a false antithesis. |borrowed from physical philosophers;|The true antithesis appears in another, and probably an earlier, term used to describe the mundane kingdom. In this earlier representation, which there is good reason for ascribing to Valentinus himself, it is called not κένωμα ‘the void’, but ὑστέρημα ‘the deficiency, incompleteness’[[568]]. |but reappears in their common phraseology.|Moreover the common phraseology of the Valentinian schools shows that the idea suggested by this opposition to κένωμα was not the original idea of the term. They speak of τὸ πλήρωμα τῶν αἴωνων, τὸ πᾶν πλήρωμα τῶν αἴωνων, ‘the whole aggregate of the Æons’[[569]]. And this (making allowance for the personification of the Æons) corresponds exactly to its use in St Paul.