‘Men of wrath, your tongues are burning
With the angry words unspoken;
And all love and beauty spurning,
Nature has for you no token....’

Or in the less lyrical but still more forceful and characteristic lines beginning:

‘The dust of noonday shall be cursed
To him: and he shall slake his thirst
In many a public place....’

And, here and there, we see the poet using the full compass of his instrument, as in the now famous ‘To the Ox,’ and particularly the familiar fourth stanza, beginning:

‘Thou know’st naught of our bitterness, grave beast;
No angry Pharisees can frown thee down;
For thee, the hills have spread their dewy feast
Of agelong green, outlasting road and town....’

But one could go on quoting until the volume was exhausted. There is, however, something still to be said before leaving The Golden Garnering. There is no doubt that Grigsby shows himself in this book as one in the true tradition of our great English poets; he takes his place in that magnificent procession which includes Shakespeare, Milton, Wordsworth, Shelley and all the other masters of the craft; and his verse has so clearly the same qualities as that of his great predecessors that perhaps it is not surprising that some critics, of more ill-will than knowledge or judgment, have gone so far as to accuse Grigsby of plagiarism. The accusation is, of course, so unjust, nay, so utterly absurd, that it merely recoils on the heads of those who have been foolish enough to make it. But as some of the passages quoted above have been actually cited as instances of the so-called plagiarism, readers who have not already dismissed these charges have here an opportunity of discovering what importance need be attached to them. Those of us who know the poet have no fear of the result. And here, this slight sketch of Grigsby’s life and work must end. He has much yet to offer a public that is looking to him more and more for vision and hope; there is, to my knowledge, at least one volume still in manuscript that will surprise even the most ardent lovers of The Golden Garnering. We may be sure that what follows from his pen will not fall below the very high standard he has set himself. And pondering over the poet’s career, still happily unfinished, though none of us can hope to claim such genius, we may at least try to emulate the other virtues that, in this rare instance among men of letters, go along with it, the patience and perseverance, the unselfish, even temper, and, not least, that devotion to a high ideal which is not so uncommon among men of our race as our enemies would have us believe.

A PARAGON OF HOSTS

Mr. Max Beerbohm, in his delightful essay on Hosts and Guests, declared that ‘In life or literature there has been no better host than Old Wardle.’ It is an affirmation that does him credit, and I, for one, would not readily tilt against this or any other judgment of his. Nevertheless, I have just discovered a man who, considered simply as a host, seems to me greater than even Old Wardle himself. Life has a knack of over-reaching letters, and so it chances that my candidate is no mere character of fiction, dispensing the vast but insubstantial hospitality born of a novelist’s flow of fancy and ink, but one who was a real—a very real—person in his day. And I account him the greatest of hosts because he dedicated his life to the business, or rather to the noble service, of hospitality: he seems to have had no other passion in life, no other motive for living, apart from this desire to entertain his friends as friends should be entertained; he aimed at perfection and achieved it, and so remains the host unblemished, immaculate, a luminous ideal. Once out of the brutish state, man is a hospitable creature; his records are crowded with instances of unsparing bounty, of prodigal feasts and fortunes squandered upon entertainment: the table groans through the ages. But neither legend nor history shows us the fellow of him whom I praise. Even in the most magnificent figures of hospitality there is some flaw; emperor or oligarch, merchant-prince or baron, not one but shows some motive outside pure benevolence, some speck of pride, some touch of self-seeking. He alone is unspotted, hospitality incarnate, the perfect host, whose story I have lately read in an old volume that is a gallery of strange forgotten figures. There, it is true, he appears only as a man of whims, an eccentric, an oddity in a collection of oddities; but it takes time for a man to come into his own. But though nearly two hundred years have gone over his grave, Mr. Mathew of Thomastown, for such was his designation, shall take his true place yet as the pattern of hosts and the idol of all who go out as guests.

Mathew, whose Christian name has not come down to us, was an Irish gentleman who inherited a large estate at Thomastown, in the county of Tipperary, a patrimony that was worth some eight thousand a year. This was a good income even in England at the beginning of the eighteenth century. In Ireland, where things were cheaper, it was almost princely. No sooner had Mathew taken over his estate than he determined to build a large mansion, after a design of his own, for the special purpose of entertaining, and to surround it with grounds, laid out in the newly adopted mode of English gardening and comprising some 1500 acres of his best land. This meant an enormous outlay, and so, in order to avoid incurring any debt on the estate, he did what few other Irish gentlemen of his or any other day have done—he deliberately cut down his own expenditure. For seven years (how these significant numbers crop up!) he retired to the Continent and lived on six hundred a year, while the remainder of his income was used to carry out his great scheme, or, if you like, to nurture his most glorious hobby-horse. Already, you see, he plainly shows himself no ordinary man. His great plan, his long view, his voluntary exile—these things mark him off from the common run of men. He was a man with a purpose, with a vision that kept his feet travelling along one straight road. Most men of this type, men with a purpose, have looked to vastly different ends; their purpose has been to gain as much power, to obtain as much of other people’s money, as possible; on the other hand, the end that he proposed was the spending of money on other people. Irish gentlemen of his day were, of course, hospitable and generous to the point of eccentricity, but then they differed from him in having no vision to which they shaped their destiny. They were capable of spending all, and more than all, their incomes on entertaining, but they were certainly not capable of doing what Mathew did, of living for seven years on less than a twelfth part of their incomes for the sake of future hospitality. It is clear that Mathew had qualities that are rarely combined in one person; he could not only dream, plan, and try to shape his destiny, he could also afford to wait; and people who have ideas and can afford to wait are very seldom found either in his day or since, particularly in the county of Tipperary. He was a great man, and we cannot know too much about him.

At the end of his seven years’ exile he returned to Dublin and spent some time there, probably to meet as many good fellows as he could before settling in the country and beginning his noble career as host. He must have had a good many adventures at home and abroad, but only one has come down to us, and that happened during his stay in Dublin. The story is worth telling because it shows him in another light. At that time, towards the end of Queen Anne’s reign, party feeling was at its height; Whigs and Tories had just been bitterly divided about the Peace, and the question of who was to be Anne’s successor was widening the rift between parties. As usual, Dublin was a storm-centre; blows were following words more closely than ever, and gentlemen were calling each other out every day. News of this delectable state of affairs in Dublin reached the ears of two fighting men in London, Major Pack and Captain Creed, who thought it a good opportunity to try their skill in fence among the Irish, and so set out for Dublin in search of adventures. Determined to go to the fountain-head of honour, they made inquiry in the Dublin coffee-houses for the best swordsmen, and learned that a gentleman lately arrived from France was accounted one of the best in Europe. This was no other than our friend Mathew. Major Pack, who was clearly no Bobadil, resolved to take the first opportunity of picking a quarrel. Seeing Mathew carried along the street in his chair one day, the fire-eating major, after the manner of his kind, deliberately jostled the fore-chairman. Mathew, however, being a quiet fellow for all his swordsmanship, gave the major the benefit of the doubt and took no notice of the incident. But, unfortunately for himself, Pack boasted of the affair in a public coffee-house, giving it out that Mathew had not the spirit to ask for an explanation. A friend of Mathew’s, Macnamara by name and one of the best fencers in Ireland, happened to be present, and he promptly took up the quarrel, told the major that his friend Mathew would certainly have chastised him had he observed the affront, and promised, on his absent friend’s behalf, a speedy meeting if that was what the major was wanting. The upshot of it was that within a few hours’ time, in a private room in a tavern, four Christian gentlemen were busily engaged in trying to let each other’s blood out. Four—because the seconds, Macnamara and Captain Creed, could not allow themselves to be mere spectators, and so fell to work with their principals. The fight, which should cut some figure in the annals of the duel, was long and bloody. But though the two English officers fought with great obstinacy, they were clearly out-matched, and finally were so exhausted from the wounds they had received that they were compelled to admit defeat.