Dry kilns as in use to-day are divided into two classes: The "pipe" or "moist-air" kiln, in which natural draft is relied upon for circulation and, the "blower" or "hot blast" kiln, in which the circulation is produced by fans or blowers. Both classes have their adherents and either one will produce satisfactory results if properly operated.
The "Blower" or "Hot Blast" Kiln
The blower kiln in its various types has been in use so long that it is hardly necessary to give to it a lengthy introduction. These kilns at their inauguration were a wonderful improvement over the old style "bake-oven" or "sweat box" kiln then employed, both on account of the improved quality of the material and the rapidity at which it was dried.
These blower kilns have undergone steady improvement, not only in the apparatus and equipment, but also in their general design, method of introducing air, and provision for controlling the temperature and humidity. With this type of kiln the circulation is always under absolute control and can be adjusted to suit the conditions, which necessarily vary with the conditions of the material to be dried and the quantity to be put through the kiln.
In either the blower or moist-air type of dry kiln, however, it is absolutely essential, in order to secure satisfactory results, both as to rapidity in drying and good quality of stock, that the kiln be so designed that the temperature and humidity, together with circulation, are always under convenient control. Any dry kiln in which this has not been carefully considered will not give the desired results.
In the old style blower kiln, while the circulation and temperature was very largely under the operator's control, it was next to impossible to produce conditions in the receiving end of the kiln so that the humidity could be kept at the proper point. In fact, this was one reason why the natural draft, or so-called moist-air kiln was developed.
The advent of the moist-air kiln served as an education to kiln designers and manufacturers, in that it has shown conclusively the value of a proper degree of humidity in the receiving end of any progressive dry kiln, and it has been of special benefit also in that it gave the manufacturers of blower kilns an idea as to how to improve the design of their type of kiln to overcome the difficulty referred to in the old style blower kilns. This has now been remedied, and in a decidedly simple manner, as is usually the case with all things that possess merit.
It was found that by returning from one third to one half of the moist air after having passed through the kiln back to the fan room and by mixing it with the fresh and more or less dry air going into the drying room, that the humidity could be kept under convenient control.
The amount of air that can be returned from a kiln of this class depends upon three things: (1) The condition of the material when entering the drying room; (2) the rapidity with which the material is to be dried; and (3) the condition of the outside atmosphere. In the winter season it will be found that a larger proportion of air may be returned to the drying room than in summer, as the air during the winter season contains considerably less moisture and as a consequence is much drier. This is rather a fortunate coincidence, as, when the kiln is being operated in this manner, it will be much more economical in its steam consumption.
In the summer season, when the outside atmosphere is saturated to a much greater extent, it will be found that it is not possible to return as great a quantity of air to the drying room, although there have been instances of kilns of this class, which in operation have had all the air returned and found to give satisfactory results. This is an unusual condition, however, and can only be accounted for by some special or peculiar condition surrounding the installation.