[9] Charles Raymond Barrett, Short Story Writing.
[10] J. Berg Esenwein, Writing the Short-Story.
[11] The student is advised to read The Plot of the Short Story, Henry Albert Phillips; and the chapters on plot in the following treatises: The Short Story, Evelyn May Albright; The Contemporary Short Story, Harry T. Baker; A Handbook on Story Writing, Blanche Colton Williams; Short Stories in the Making, Robert Wilson Neal; The Art of Story Writing, Esenwein and Chambers; and Writing the Short-Story, J. Berg Esenwein.
[12] Evelyn May Albright, The Short Story.
[13] Louis Reeves Harrison, in The Moving Picture World.
[14] The scientific inaccuracy of this statement need not now be considered.
[15] Meaning scenes 9 and 11. Of course, you can only make this arrangement after your scenario has been blocked out, scene by scene.
[16] Herbert Case Hoagland: How to Write a Photoplay.
[17] Epes Winthrop Sargent, The Technique of the Photoplay.
[18] Compare the Vitagraph-made working scenario in [Chapter XX] with the one-reel scenario reproduced in [Chapter V].