Contemporaries express highly different estimates of Brorson as a bishop. While praised by some, he is severely criticized by others as unfit both by ability and temperament for the high office he occupied. This last estimate now is generally held to be unjust and, to some extent at least, inspired by jealousy of his quick rise to fame and by antagonism to his pietistic views. A close examination of church records and his official correspondence proves him to have been both efficient in the administration of his office and moderate in his dealings with others. He was by all accounts an eloquent and effective speaker. Although Ribe was a small city, its large cathedral was usually crowded whenever it was known that Brorson would conduct the service. People came from far away to hear him. And his preaching at home and on his frequent visits to all parts of his large bishopric bore fruit in a signal quickening of the Christian life in many of the parishes under his charge. He was, we are told, as happy as a child when he found pastors and their people working faithfully together for the upbuilding of the kingdom. But his own zeal caused him to look for the same earnestness in others. And he was usually stern and, at times, implacable, in his judgment of neglect and slothfulness, especially in the pastors.

His private life was by all accounts exceptionally pure and simple, a true expression of his sincere faith and earnest piety. A domestic, who for many years served in his home has furnished us with a most interesting account of his home life. Brorson, she testifies, was an exceptionally kind and friendly man, always gentle and considerate in his dealing with others except when they had provoked him by some gross neglect or inattention to right and duty. He was generous to a fault toward others, but very frugal, even parsimonious in his home and in his personal habits. Only at Christmas or on other special occasion would he urge his household to spare nothing. He was a ceaseless and industrious worker, giving close personal attention to the multiple duties of his important position and office. His daily life bore eloquent witness of his sincere piety. When at home, no matter how busy, he always gathered his whole household for daily devotions. Music constituted his sole diversion. He enjoyed an evening spent in playing and singing with his family and servants. If he chanced to hear a popular song with a pleasing tune, he often adopted it to his own words, and sang it in the family circle. Many of the hymns in his Swan-Song are said to have been composed and sung in that way.

His life was rich in trials and suffering. His first wife died just as he was preparing to go to Copenhagen for his consecration as a bishop, and the loss affected him so deeply that only the pleading of his friends prevented him from resigning the office. He later married a most excellent woman, Johanne Riese, but could never forget the wife of his youth. Several of his children preceded him in death, some of them while still in their infancy, and others in the prime of their youth. His own health was always delicate and he passed through several severe illnesses from which his recovery was considered miraculous. His heaviest cross was, perhaps, the hopeless insanity of his first-born son, who throughout his life had to be confined to a locked and barred room as a hopeless and dangerous lunatic. A visitor in the bishop’s palace, it is related, once remarked: “You speak so often about sorrows and trials, Bishop Brorson, but you have your ample income and live comfortably in this fine mansion, so how can you know about these things?” Without answering, Brorson beckoned his visitor to follow him to the graveyard where he showed him the grave of his wife and several of his children, and into the palace where he showed him the sad spectacle of his insane son. Then the visitor understood that position and material comfort are no guaranty against sorrow.

A very sensitive man, Brorson was often deeply afflicted by his trials, but though cast down, he was not downcast. The words of his own beloved hymn, “Whatever I am called to bear, I must in patience suffer,” no doubt express his own attitude toward the burdens of his life. His trials engendered in him, however, an intense yearning for release, especially during his later years. The hymns of his Swan-Song are eloquent testimonies of his desire to depart and be at home with God.

With the passing years his health became progressively poorer and his weakening body less able to support the strain of his exacting office. He would listen to no plea for relaxation, however, until his decreasing strength clearly made it impossible for him to continue. Even then he refused to rest and planned to publish a series of weekly sermons that he might thus continue to speak to his people. But his strength waned so quickly that he was able to complete only one of the sermons.

On May 29, 1764, he begged a government official to complete a case before him at his earliest convenience “for I am now seventy years old, feeble, bedridden and praying for release from this unhappy world.” Only a day later, his illness took a grave turn for the worse. He sank into a stupor that lasted until dusk when he awoke and said clearly, “My Jesus is praying for me in heaven. I see it by faith and am anxious to go. Come quickly, my Lord, and take me home!” He lingered until the morning of June 3, when he passed away peacefully just as the great bells of the cathedral announced the morning service.

Several fine memorials have been raised to his memory, among them an excellent statue at the entrance to the cathedral at Ribe, and a tablet on the inside wall of the building right beside a similar remembrance of Hans Tausen, the leader of the Danish reformation and a former bishop of the diocese. But the finest memorial was raised to him by his son through the publication of Hans Adolph Brorson’s Swan-Song, a collection of hymns and songs selected from his unpublished writings.

The songs of the Swan-Song were evidently written for the poet’s own consolation and diversion. They are of very different types and merit, and a number of them might without loss have been left out of the collection. A few of them stand unexcelled, however, for beauty, sentiment and poetic excellence. There are songs of patience such as the inimitable:

Her vil ties, her vil bies,

Her vil bies, o svage Sind.