Other small points too suggest the same trend of thought. The preliminaries of a wedding often comprised a sacrifice to Zeus Teleios and Hera Teleia[1491], and were called προτέλεια being the ‘preliminaries of initiation’ into that mystery, of which the sacred marriage, enacted before the now wedded pair, was the full revelation[1492]. Again these preliminaries always included the solemn ablution[1493] of which I have spoken above, and in this resembled the preparations for admittance to the mysteries. Moreover an instance is recorded in which this ablution was itself invested with the significance of a wedding between the human and the divine. The maidens of the Troad before marriage were wont to unrobe and bathe themselves in the Scamander; and the prayer which they made to the river-god, whose bed they entered, was, ‘Receive thou, Scamander, my virginity[1494].’ Finally the first night on which the wedded pair came together was known as the ‘mystic night’ (νὺξ μυστική)[1495], a term not a little suggestive of the great night of Demeter’s mysteries when to the eyes of the initiated was displayed the secret proof and promise of wedlock between men and gods hereafter. In short the ceremonies of a wedding by one means or another proclaimed it to be a form of initiation, and the estate of marriage was to the Greeks, as our prayer-book calls it, ‘an excellent mystery.’
Hence naturally followed the belief that the unmarried and the uninitiated shared the same fate in the future life. One conception of the punishment of the uninitiated was, according to Plato[1496], that they should carry water in a sieve to a broken jar; and this, as is well known, was also the lot of the Danaids in the nether world. Commenting on these facts Dr Frazer says, ‘It is possible that the original reason why the Danaids were believed to be condemned to this punishment in hell was not so much that they murdered, as that they did not marry, the sons of Aegyptus. According to one tradition indeed they afterwards married other husbands (Paus. III. 12. 2); but according to another legend they were murdered by Lynceus, apparently before marriage (Schol. on Euripides, Hecuba, 886). They may therefore have been chosen as types of unmarried women, and their punishment need not have been peculiar to them but may have been the one supposed to await all unmarried persons in the nether world[1497].’ A passage of Lucian, which appears to have been overlooked in this connexion[1498], converts the view of the Danaids which Dr Frazer considers possible into a practical certainty. The passage in point forms the conclusion of that dialogue in which Poseidon with the aid of Triton plots and carries out the rape of Amymone, the Danaid. She has just been seized and is protesting against her abduction and threatening to call her father, when Triton intervenes: ‘Keep quiet, Amymone,’ he says, ‘it is Poseidon.’ And the girl rejoins, ‘Oh, Poseidon you call him, do you?’ and then turning to her ravisher, ‘What do you mean, sirrah, by handling me so roughly, and dragging me down into the sea? I shall go under and be drowned, miserable girl.’ And Poseidon answers, ‘Do not be frightened, you shall come to no harm; no, I will strike the rock here, near where the waves break, with my trident, and will let a spring burst up which shall bear your name, and you yourself shall be blessed and, unlike your sisters, shall not carry water when you are dead (καὶ σὺ εὐδαίμων ἔσῃ καὶ μόνη τῶν ἀδελφῶν οὐχ ὑδροφορήσεις ἀποθανοῦσα)[1499].’ The whole point of Poseidon’s answer clearly depends upon the existence of a well-known belief that the Danaids were punished hereafter for remaining unmarried and that the punishment took the form of vainly fetching water for that bridal bath which was a necessary preliminary to a wedding; Amymone shall have a very thorough bridal bath, and the spring that bears her name shall be a monument of it, while she herself shall be ‘blessed’ by wedlock with Poseidon; thus shall she escape the fate of the unmarried. Clearly then there was no distinction between the uninitiated and the unmarried; both alike were doomed vainly to fetch water for those ablutions which preceded initiation into the mysteries or into matrimony; and once again the conception of marriage as a mystic and sacramental rite akin to the rites of Eleusis is clearly revealed.
It may further be noted here that this idea of the punishment of the unmarried completely explains the custom, on which I have already touched, of erecting a water-pitcher (λουτροφόρος) over the grave of unmarried persons. This intimated, according to Eustathius[1500], that the person there buried had never taken the bath which both bride and bridegroom were wont to take before marriage. But this must not be taken to mean that the water-pitcher was erected as a symbol of the punishment which the dead person was supposed to be undergoing; this was not an idea which his relatives and friends, even if they had held it, would have wished to blazon abroad. One might as soon expect to find depicted on a modern tombstone the worm that dieth not and the fire that is not quenched. No; the water-pitcher was not a symbol, it was an instrument; for my part I have little faith in the existence of any symbols in popular religion which are not in origin at least instruments; and the purpose to which this instrument was put was to supply the dead person with that wedding-bath which he had not taken in life, and without which he would vainly strive in the under-world to prepare himself for divine wedlock. The water-pitcher was not commemorative, but preventive, of future punishment. Its erection was not a warning to the living, but a service to the dead.
Thus then the evidence for the intimate association of the mysteries, or of the main idea which runs through them, with human weddings is complete and, I hope, convincing; and the custom of the water-pitcher, which concludes it, fitly introduces at the same time the evidence for the association of the same idea with funerals. This is equally plentiful. The vague conception of death as a wedding, which as I have shown was elaborated in the mysteries, has of course already been exemplified in all those passages of ancient literature and modern folk-songs which I have adduced, and I have found in it also the motive for the assimilation of funeral-customs to the customs of marriage. But the evidence that the actual doctrines of the mysteries, in which more definite expression was given to that vague idea, were closely associated with death and funeral-custom is to be found rather in epitaphs and sepulchral monuments.
The tone of the epitaphs may be sufficiently illustrated by a single couplet:
Οὐκ ἐπιδὼν νύμφεια λέχη κατέβην τὸν ἄφυκτον
Γόργιππος ξανθῆς Φερσεφόνης θάλαμον[1501].
‘I, Gorgippus, lived not to look upon a bridal bed ere I went down to the chamber of bright-haired Persephone which none may escape.’ There is naturally here a note of lament, as befits any epitaph, and more especially that of one who dies young and unmarried; but none the less there is an anticipation—justified, we may think, if we will, by some ceremony of bridal ablution performed for the dead man by his friends—that his death is a wedding with the goddess of the under-world; and indeed the phrase Φερσεφόνης θάλαμος, ‘the bridal chamber of Persephone,’ recurs with some frequency in this class of epitaphs[1502].
Considered collectively, such epitaphs would suggest a distinctly offensive conception of Persephone; but in each taken separately, as it was composed, it will be allowed, I think, that if there is supreme audacity, there is equal sublimity. It is just these qualities which give pungency to a blasphemous parody of such epitaphs, in which the wit of Ausonius exposes the worst possible aspect of a religious conception which to the pure-minded was wholly pure. My apology for quoting lines which I will not translate must be the fact that a caricature is often no less instructive than a true portrait. The mock epitaph concludes as follows:
Sed neque functorum socius miscebere vulgo